‘Trapped’ – Seeing the Future

On BBC4 tonight in the same slot as The Bridge, The Killing and Borgen. Now that’s a mark of quality. Stark, cold, bloody and suspenseful – I can’t wait!

Mrs. Peabody Investigates

BBC4’s weekend crime slot moves from Montalbano’s sunny Italy to a chilly northern Iceland on Saturday 13 February. Trapped, the channel’s first Icelandic crime drama, begins with two back-to-back episodes at 9.00pm (there are 10 episodes in total). This RVK Studios series will give many British viewers their first taste of the Icelandic language (subtitles also at the ready, of course).

Trapped

Trapped is set in Siglufjörður (the same fishing port featured in Ragnar Jónasson’s ‘Dark Iceland’ crime series). The opening episodes show three events happening almost simultaneously: a ferry with three hundred passengers arriving from Denmark, the discovery of a corpse in the water, and the onset of a violent snowstorm. The storm prevents the ferry from leaving and blocks roads in and out of town, trapping the passengers and townsfolk with the killer. Step forward Police Inspector Andri, who is tasked with investigating this high pressure case…

Here’s a trailer, which looks quite brooding and scary (may need to…

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‘Beowulf: Return to the Shieldlands’ – On the Box

Dear readers, I hope you know that I suffer so you don’t have to. I watch the shows that gets a lot of excited previews but leave you confused and disappointed. I’ll haul the coal, deal with the pressure and present to you the diamonds. As we all know, your telly time is limited and you don’t want to waste it on stinkers. Treat this blog as a (highly subjective) guide to avoiding the stench.

I was really looking forward to Beowulf Return to the Shield Lands (ITV) but what in the fuck was that all about? It didn’t help that I was watching it with a fan of the poem. Immediately Mr H was saying “nope” to all the characters and plot developments that weren’t true to the original. The first five minutes made him sound like a beatbox. From the get-go it was like a class of primary school children had decided to do scenes from Game of Thrones as their school play. Their teacher should be fired.

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‘Artsnight: Nina Conti’ – On the Box

I am not a regular viewer of Artsnight or Newsnight. I guess I’ve always thought it was a bit pretentious for my tastes, on the other side of the culture divide to me. Sure I like a bit of Shakespeare, I wander round art galleries every now and then, and I’ve been to see the ballet once, but I’m happiest at the low end of the culture scale. High culture is for people who learned Latin at school and not for the likes of me.

Obviously this is ridiculous, and a series of stereotypes that need to be overturned, but it’s a rich vein for comedy. The co-presenter of Nina Conti’s Artsnight was keen to play with this whenever anything troubled her finely-tuned bullshit meter “I know this is Artsnight Nina, but there’s no need to sound like such a pretentious wanker”. Good advice, especially coming from a glove puppet monkey.

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Blog Business

Hello blog fans!

This is an unusual post, not strictly telly related, but a matter of business that I’m excited about. I’ve just started the super-popular WordPress Blogging 101 course to learn how to write a better blog. These past five months I’ve really enjoyed the experience of writing a blog because tv is a genuine interest of mine, something I do as part of my daily routine. It’s a pleasure to focus on one interest as opposed to past scatter-gun attempts where anything and everything could be a blog post. That just got overwhelming and it was easy to give up and forget about writing altogether.

People have been really kind and told me they like my writing, but I know it could be better. I worry that as I’ve not really written creatively since I was in school my writing style might be a bit stunted. Like y’know… I don’t want to like… sound like a sixteen-year-old forever OMG! I’ve tried to break the habit of calling everyone dude, so I need to do that in the way I write too.

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‘Adam Pearson: Freak Show’ – On the Box

The best kind of documentaries are the ones that encourage you to stare. If you tried this in the street you’d get a smack in the mouth, and deserve it. People who wear veils, who have disabilities or who look different in some way usually have enough shit to deal with without you staring and making them feel uncomfortable. But if you can’t ask questions or take a good look at someone how will you ever get to know them and learn to accept them?

Adam Pearson is an actor and tv presenter. He has a rare condition called neurofibromatosis which causes tumours to grow on his face. He’s had this condition since he was little and has suffered with abuse and hurtful nicknames on the school playground. The one he really hated was ‘freak’.

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Not on the box – Viewpoint

Ladies and gentlemen of the internet. Come on a journey with me to the dark side – a cavernous living room where there’s no focal point, where sofas sit facing each other… a world in which all of the pixels are dead! Witness the insufferable smugness!

We know them, we come across them in all walks of life – the uber-poseurs (the ones who know it really should be written über). They lean in to you over their flat white, and bristle your arm slightly with their elegantly tailored Belstaff coat as they smirk and say “Oh no, I haven’t got a television” BEFORE THEY’VE EVEN BEEN ASKED. You swear you didn’t ask the question, or even think it, but they’re desperate to tell you about it. They’re like the vegans of the entertainment world.

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‘Celebrity Big Brother’ – Viewpoint

Don’t worry, it’s not suddenly become culturally relevant again, if it ever was. And you’re right, it’s not something I normally watch.

Do you remember back in the heady days of 2000 when Big Brother started, when it was billed by Channel 4 as a grand social experiment? Turns out the social experiment was on the British public – how long would we put up with this intrusive, demeaning, ridiculous shit for? And we were all sucked in – I was foolish enough to expect a quality programme. What I actually saw was a bunch of slightly unhinged people  stuck in a claustrophobic environment, becoming increasingly paranoid and unpleasant as the weeks dragged on. Every series ended up with arguing (usually full-on screaming and crying) about some perceived slight or whose turn it was to do the washing-up. Who needs telly? I could have looked in the mirror if I wanted to see that.

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