‘The Art of Japanese Life’

A long time ago, in a country far far away, I had a Japanese roommate. Manabu was lovely, a total gentleman, but not very chatty. I blame the language barrier, or maybe we just didn’t have that much in common. Eventually we bonded over injuries (his sporting, mine alcohol-related), microwave breakfast burritos (he loathed them, I loved them) and our two crazy little island homes. Comparing the UK and Japan is not as odd as it first sounds. Culturally and geographically we have a lot of shared aspects. We’re wilful independent island nations, who revere our daring histories of medieval knights and samurai warriors. Other countries are somewhat nervous around us as if you give us a flag and a gun we tend to get a little carried away and decide to go off and be a colonial invading force. Small countries, big ideas. Despite our macho military history, our national characters are reserved and polite, and we like to know our place in the social hierarchy. We’re the worlds best queuers!

Art historian Dr James Fox seems the similarities in our two nations, although sadly in this series on aesthetics and art in Japanese life, we are yet to hear his opinion on the breakfast burrito. This BAFTA nominated broadcaster has a day job in Cambridge University’s Art Department and first came to my attention presenting Who’s Afraid of Conceptual Art? on BBC4 in September 2016.

He’s an engaging, enthusiastic, and quite cheeky presenter. His trademark seems to be a sharp black suit and tie, ever ready for a funeral or a cocktail party. He’s really good at breaking down complex ideas about art, religion and society. These big ideas are discussed in simple terms. His passion for the subject shines through. And, pleasingly, as you’d expect from a BBC4 art show, this whole episode is beautifully shot and framed.

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‘Z: The Beginning of Everything’

Another sumptuous drama here on a subscriber service. It’s almost like this is where the big bucks reside in these digital days. Z: The Beginning of Everything is the story of Zelda Fitzgerald, Mrs F Scott Fitzgerald to you dear. It’s based on Therese Anne Fowler’s book which Christina Ricci read and wanted to audition for. It turns out no one was making it, so she decided to do it herself. Ricci says that Zelda had suffered bad press over the years, with the focus firmly set on her genius husband. Ricci was sick of her being overlooked and sets out to flip that script.

Ricci with her soulful doe eyes and her fierce blonde bob is Zelda Sayre Fitzgerald, a brilliant, beautiful and talented Southern belle, the original flapper and an icon of the Jazz Age in the flamboyant 1920s. Zelda is young and bored to death in her little quaint country town of Montgomery, Alabama. Having never been to the American south it looks lovely to me – all wide tree-lined avenues, sugary iced tea and cotillion balls at the country club.

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