Warning! Spoilers for Episode 1 lie beneath!
Even before the first shadow crosses the screen Requiem is creeping me out. It’s so obviously a Sunday night drama and should have been on over Christmas for full wintery effect. But for some unknown reason it’s on BBC1 on Friday nights in February. Never mind all that though, that’s an old-fashioned way of thinking about scheduling. Who cares what day it broadcasts when it’s all up on iPlayer to watch straight away.
I’d clocked the adverts but decided it wasn’t for me. Ghosts just don’t frighten me at all. I’d much rather Scooby don’t than Scooby Doo. The genre is so well-trodden and cliche-riddled that the only gasp you’ll get from me is a sigh as I find the remote and click the button. That whole haunted house brand has termites and it’s falling to pieces. But such a high quality cast turned my head and I watched it with a ‘may as well’ shrug as a chaser after yet another disappointing Euro drama (oh Modus, what’s happened to you?).
Requiem looks gorgeous and sounds fantastic. The opening credits are a Royal Blood album cover and the music is part classical emotions, part jarring shuddering electronics, as if the Terminator was in a string quartet. This isn’t just an interesting score; this is fundamental to the story. Matilda (Lydia Wilson) is a successful cellist, riding high with her pianist Hal (Joel Fry, wonderful in everything, recognisable from Game of Thrones where he’s got a similar complicated relationship with a powerful blonde) in hipster London, her haircut, flat and career fitting in nicely to that group of people who hate fitting in. Her lovely Mum Janice (the exceptional Joanna Scanlon, last seen as fearless matriarch Viv Deering in No Offence) is sad they’re spending more time apart, but delighted for her success. Matilda seems restless, her one-night stands interrupted by nightmares of an imprisoned girl.
Continue reading “‘Requiem’ – BBC1”
A cold and bitter welcome to my new Saturday night drama obsession, in the coveted Euro drama slot on BBC4. This is Trapped, a murder mystery, police procedural type-drama: the first Icelandic drama on British tv – dark, cold and wintery. There’s been a gruesome murder, Andri the local cop with serious family problems has to save the day and a terrifying storm is setting in.
From the start the weather looks authentic – not a single flake of fake snow. I genuinely wondered if the producers had waited for a real storm to begin filming. But commenters on the internet who live quite a bit further north than me have pointed out it looks like summer with the characters running around with no hats on. A tell-tale giveaway, if you know what you’re looking for.
Continue reading “‘Trapped’ – On the Box”
Oh my! How grizzly, how gruesome, how horrible!
I’m an Agatha Christie fan and I knew despite the veneer of respectability that she liked it dark. And bloody. And sinister. Even little old Miss Marple has a dark side. But in all that time I never realised Agatha Christie was a frustrated horror writer. This all became clear watching And Then There Were None (BBC1), a period murder mystery based on Christie’s novel of the same name. Even George R R Martin (aka the butcher of all your favourite characters) would have said “Come on now Agatha, don’t you think nine elaborate murders based on a racist nursery rhyme that drive a young woman to suicide in a mansion on a deserted island is a bit much? Death by dipping a guy in molten gold is one thing, but this is just nasty!”
Continue reading “‘And Then There Were None’ – On the Box”
A quick post about Fargo series 2 which started last week on Channel 4. I’d watched the film, but had no great love for it – no real recollection of it other than it was strange, ghoulish and looked bloody cold. This doesn’t paint me in the best light as a film fan, but was pretty useful when the Coen brother’s work was adapted for tv. I came to series 1 with fairly fresh eyes, not worried whether super-fan Noah Hawley could possibly write something that’d live up to the film like the real fans were.
Continue reading “‘Fargo – Series 2’ – On the Box”
Hello Walking Dead – we’ve missed you. Congratulations to the one programme that has made me care enough to watch all five series and make me salivate for the start of series 6. I’ve had relationships end, pets die, moved house and job a few times and throughout it all there’s a lone figure staggering through my life, dishevelled, wounded, kinda smelly and really quite vicious if you let him get close – ‘Grrr arrrgh!‘ to you too my lovely zombie. It’s true love, but I know you only want me for my brains!
Continue reading “‘The Walking Dead – Series 6’ – On the Box”
Unforgotten is ITV’s new crime drama. From the off it’s very strange. For a start, it seems to be entirely well-lit. In some scenes there are zero spooky shadows and you can see everything. There’s even daylight! The investigating detectives are DCI Cassie Stuart and DS Sunny Khan. Not only do they seem well-adjusted, friendly and generally decent, but there’s zero sexual tension and no mention of alcohol or substance abuse. They might just be normal coppers doing a good job – an extremely rare sighting in drama or fiction of any kind. I especially like the way that episodes 1 and 2 haven’t shied away from how much methodical admin work goes in to a murder investigation. In fact, that’s the most mysterious thing about the show so far. Why is the Guv so keen to work a cold case full of dead ends? Nicola Walker‘s emotional stuff is a bit heavy-handed, but I’m sure it’ll all make sense when we find out about her brother/ sister/ husband/ mother who went missing when she was a child and left unresolved feelings that poor Jimmy’s case brings up.
Continue reading “‘Unforgotten’ – On the Box”