To quote a classic of modern literature “Life is pain, highness. Anyone who says differently is selling something.” And boy is that true of the absolute shit-show that is Britain in 2019 (we officially lost the Great in 2016). At times like these the nation needs a joyful distraction, or just a way of putting our problems into relief with a a few jokes and this year we have been spoiled. Phoebe Waller-Bridge served up the last series of Fleabag and Ricky Gervais returned with After Life on Netflix, both contentious in their own way but both with devoted and vocal fan bases. Here’s a couple of new shows that I think we should also be talking about.
Ghosts is a long-awaited sitcom from the team who brought us Horrible Histories, and pleasingly it’s broadcast in a post-watershed slot, so while they don’t push it they have the rare opportunity to get away with more creative language and storytelling (Fanny is relating a tale of her husband’s proclivities “I caught him ‘pon the groundskeeper with the butler ‘pon him.” “It’s actually known as a Moroccan tea party”) Essentially it’s a flatshare sitcom with what looks to be a pretty enormous cast.
Luke and Matt from The Custard TV invited me on their podcast. We had a blast talking about new shows on the BBC, ITV and Netflix. Despite the shows themselves being a little lackluster, and one in particular a huge disappointment, we battled through what I reckon was probably a cursed podcast. Between the internet being down, a frightful 24 hour sickness bug, and a lost edit, it was a terrific team effort to pull it off!
Listen to my shocking attempt at their fiendish quiz BoxMaster, and find out which TV characters we’d like to spend a day with. Listen now on the website, ask Google or Alexa to find it for you, or check wherever you find your podcasts.
If you want to hear a particular show we reviewed, check the timestamps below:
00:07.43 REVIEW – The Victim – Episode 1(BBC1/BBC iPlayer)
00:17.00 REVIEW – The Widow – Episode 1 (ITV/ITV HUB)
00:26.34- REVIEW – Don’t Forget the Driver – Episode 1(BBC2/BBC iPlayer)
00:35.58 – REVIEW – Quicksand – Episode 1 (NETFLIX)
00:46.23 – BoxMaster – The Ultimate TV Quiz
00:55.25 – REVIEW – Barry – Episode 1 (Sky Atlantic/NOWTV)
Thanks to the guys for having me on and letting me contribute to the site. Here’s to many more years of talking telly.
It’s New Years Day and I’m feeling charitable so this blog is brought to you in a whisper, with a cold flannel (for your forehead) and a bacon sandwich (for your mouth… if you need instructions on how to eat a sandwich, maybe don’t get out of bed yet). Read my round-up of the best Christmas telly and figure out what you want to watch on catch-up to keep the festive feelings flowing, and I’ll pop to the shops for paracetamol. Alright?
A classic tale of mismatched neighbours Andrew (Stephen Merchant, playing exactly the sort of person he always does) and Dev (Asim Chaudhry) from Bedford on a 9 hour mission to save Christmas and buy the must-have toy (Sparklehoof the Unicorn Princess) for Andrew’s daughter. Dev is the lonely chubby one, separated from his family at Christmas, and Andrew is the awkward angry intellectual, successful but bad tempered with a family who loves him for some unseen qualities. Dev teaches Andrew to be a happier man and a better father, and despite themselves they’ll be best buddies for life. Basically it’s Planes, Trains and Automobiles or Jingle All The Way for the small screen. It looks lovely with cosy camera angles suited to our suburban action heros. There’s great pacing throughout with real tension and subversive moments of mischief. Neither lead performance is all that over-the-top and their situation, while silly, seems entirely probable. An unexpected gem.
With this new series of The Great British Bake Off Channel 4 is spoiling us. Can you remember way back to last year when we watched the first series after Love Productions split from the BBC through our fingers as the nation waited to be able to say “I told you it would be rubbish!”. Can you remember our collective confusion, bewilderment and joy because it was still good, maybe even better than before? It was very much the London 2012 Olympics of food-based competitive TV shows. What a glorious time to be alive (and able to properly digest gluten)!
And with Sandi, Noel, Prue and Paul making a glorious return to the tent on Tuesday nights there’s a new generous helping of sister show An Extra Slice on Fridays. Fortunately Jo Brand, the consummate professional that she is, was fine with the move from the Beeb to Channel 4 and nothing much changed at all. But now the show is settled the programme makers can confidently make some long-overdue changes. Extra Slice suffered because it always felt very rushed in the half hour format that Channel 4 inherited from Auntie Beeb, and of course the adverts we were all loath to accept ate into that time, so it was 23 minutes of telly at best. Speaking of adverts in Bake Off, who would have ever guessed we’d miss Dr Oetker and his choir of irritating singing cakes. Amazon spent £5 million on the prestigious slot to advertise the Echo and all they can come up with is forgettable line drawings? “Alexa show me an advert worthy of 6.1 million viewers”.
In Search of Science iPlayer (first episode available until 27 August)
This Brian Cox fronted series was first shown but unfortunately missed back in 2013. Yes it’s all about scientific wonders, but as it deals with the history of British science pioneers there are fewer gorgeous desert sunsets and less opportunity for attractive lens flare than in most of his TV shows. The fascinating stories highlighted here show how science and public perception have often been at odds with each other. It was just Darwin and his monkeys offending public sensibility. The lesson here for all is the importance of proper public engagement – sharing knowledge and showing the benefits of new scientific breakthroughs to assuage any misgivings about strange and startling discoveries. Science needs good PR, and that’s just as true now with the outcry over GM crops as it was with Professor Giovanni Aldini whose research on corpses inspired Frankenstein.
Jontosaurus laments the loss of Robot Wars on the BBC, again, and finds his mechanical carnage a little bit further away from home…
‘Murica. Anything we can do, they can do better. And, in fairness, when it comes to any and all types of warfare, that statement is truer than most. It is sort of a stereotype attached to our friends across the pond that they like to do things bigger, better and brasher than we do. We laugh about it, but it is perhaps why they have gone on to become the superpowers they are. It is also undoubtedly the reason that a loudmouthed caricature such as Donald Trump can be legitimately voted into the highest political job in the United States. We could delve into the psychology of such things, or we could just take some time out to acknowledge that sometimes, bigger and bolder is undoubtedly better. Battlebots makes this statement true.
With the BBC harshly axing their rushed reboot of Robot Wars– sadly, understandably after its modest viewing figures- there is once again that gap in the UK television market for robotic carnage. And whilst Battlebots is a long way away from being prime time terrestrial viewing, it can hopefully fill that gap for some of us until the BBC inevitably reboot Robot Wars in a decade’s time and them promptly axe it again.
Battlebots itself is a reboot of the old American television program that aired at around the same time as the UK’S Robot Wars did. Whilst America also has Robotica, a sort of Robotics Olympics, and also its own version of Robot Wars (presented by WWE’s Mick ‘Mankind’ Foley, God rest his soul), it was always Battlebots that epitomised everything the US combat robot scene had come to represent. Big, hulking, super-heavyweight robots fought each other in the arena, but instead of the house robots, the arena is instead filled with various hazards including a hammer that would make Thor’s Mjolnir blush at its own inadequacy, and some huge buzz saws that are sharper than a catty drag queen’s comebacks. Bouts are three minutes long and if you thought the UK’s efforts caused severe destruction, this is nothing in comparison to what the American competitors can manage.
This is a full review of The Bridge: Series 4, Episode 1. Don’t read on unless you’re completely up-to-date on the BBC2 schedule.
Hey, you can come out from behind the cushion now. Is everyone ok? Take a deep breath, shake your fist at BBC2 for making you wait a whole week for the next episode and let’s process that remarkable hour of television.
So The Bridge is back with a bang, gleefully ramping up the tension, messing with our expectations of Saga and Henrik, all while introducing the usual cast of victims, ne’er-do-wells, and various hangers-on, some of whom will inevitably be added to the final body count.
We begin with a striking close up of Saga’s face, silent, dark and isolated. She wakes and sighs, remembering she’s in a nightmare she can’t escape from. She’s been in prison since the end of series 3 and I was worried her character development and personal resilience would be set back to zero but she’s doing her best. She awaits the outcome of her retrial for her manipulative mother’s murder. Remember she has a motive, no real alibi (she was set up to be alone in a graveyard when her mother died) and there was forensic evidence all stacked up against her. It sees a new witness has come forward, but Saga’s simple belief in right and wrong, and the power of the law has been firmly shaken. And she’s floundering. If she’s not a cop then where does that leave her. Without the job who is she?