Warning! Spoilers for Episode 1 lie beneath!
Even before the first shadow crosses the screen Requiem is creeping me out. It’s so obviously a Sunday night drama and should have been on over Christmas for full wintery effect. But for some unknown reason it’s on BBC1 on Friday nights in February. Never mind all that though, that’s an old-fashioned way of thinking about scheduling. Who cares what day it broadcasts when it’s all up on iPlayer to watch straight away.
I’d clocked the adverts but decided it wasn’t for me. Ghosts just don’t frighten me at all. I’d much rather Scooby don’t than Scooby Doo. The genre is so well-trodden and cliche-riddled that the only gasp you’ll get from me is a sigh as I find the remote and click the button. That whole haunted house brand has termites and it’s falling to pieces. But such a high quality cast turned my head and I watched it with a ‘may as well’ shrug as a chaser after yet another disappointing Euro drama (oh Modus, what’s happened to you?).
Requiem looks gorgeous and sounds fantastic. The opening credits are a Royal Blood album cover and the music is part classical emotions, part jarring shuddering electronics, as if the Terminator was in a string quartet. This isn’t just an interesting score; this is fundamental to the story. Matilda (Lydia Wilson) is a successful cellist, riding high with her pianist Hal (Joel Fry, wonderful in everything, recognisable from Game of Thrones where he’s got a similar complicated relationship with a powerful blonde) in hipster London, her haircut, flat and career fitting in nicely to that group of people who hate fitting in. Her lovely Mum Janice (the exceptional Joanna Scanlon, last seen as fearless matriarch Viv Deering in No Offence) is sad they’re spending more time apart, but delighted for her success. Matilda seems restless, her one-night stands interrupted by nightmares of an imprisoned girl.
Continue reading “‘Requiem’ – BBC1”
Having heard a few conflicting reports about the Beeb’s new gangster drama McMafia I wasn’t sure what to expect. It was one of those shows where I think I’ll give it 10 minutes and if it’s rubbish I’ll turn it off. Especially given as it was on New Years Day and I knew it was set in the world of international finance, I wondered if my hungover brain would be able to follow the plot. But, while I could never be described as a mathematical wizz, I’ve got some grounding in telly finance at least, having watched and enjoyed Billions on Sky1. If I could hang on in there for Wall Street insider trading, how much more difficult could the European version be? The spreadsheets in the credits are anything but enticing, but, thankfully, James Norton is.
Turns out, it was fine. We’re introduced to Norton as Alex Godman, a City fund manager raised in England but part of a rich and influential Russian family. His super-wealthy parents escaped the current Russian regime, and it seems like his Dad is an oligarch at odds with Putin (although the President is no mentioned by name). Going back would be impossible, and probably extremely dangerous, so Dad is severely depressed and pines for Moscow while his glamorous Mum worries about his state of mind.
Continue reading “‘McMafia’ – BBC1”
Guys, there’s been a murder! But fear not; it’s mid-afternoon on BBC1 so there’s no blood, no swearing and no one speaking Danish. Armchair Detectives is 100% safe for the squeamish. It’s a very unusual format, a quiz show Cluedo with Susan Calman as presenter and lead investigator. 15 members of the public sit jury-style as the studio audience from which three are picked each day to have their turn as the titular detectives. They are invited up to the drawing-room style stage to sit in fancy leather armchairs and work out whodunnit. The only person who doesn’t get to sit is Susan, despite having a chair placed behind her, which seems unfair given her legs must have taken a battering in the run-up to Strictly Come Dancing.
The contestants are all chatty and intelligent, and are probably the last people you want to watch Prime Suspect with as they’ll have smugly figured it all out at least 20 minutes before the credits roll. And they’ll smile and say “aha!” and make you feel like a berk. Our first team of three include a librarian who loves the Lord Peter Wimsey books, a crime writer, and one is actually called Wisdom. I expect great things.
Continue reading “‘Armchair Detectives’ – BBC1”
Even the most ardent carnivore must admit that now, in 2017 our desire for big fat burgers and crispy chicken is not sustainable. We don’t have the farmland, the water, or the grain to feed all these animals. Now meat consumption is increasing rapidly in Asia and India we really have a problem. A protein innovation is required and fast. So, inspired by South East Asia (and I’m sure many other countries too) how about insects?
Meet Sarah and Andy. She’s an entomologist and he’s a chef. They met and fell in love while working in a restaurant and never expected their career paths to cross. Together they run a farm in St Davids, Pembrokeshire and, alongside the beef herd, their main concern is their busy farm cafe. It’s a real one-off. Welcome to Grub Kitchen. Fancy a pan-fried locust or a bug burger? This is the place for you. The locusts look like how you’d expect but the bug burger looks quite normal and insect decorations have to be added to make it look special. One customer calls it a “suspiciously tasty veggie burger”, but there’s no hint of suspicion here. This couple are evangelical about their bugs and the new way of eating we should all be embracing to give poor old planet Earth a break.
Continue reading “‘The Bug Grub Couple’”
Oh the BBC is so very proud of being able to bang on about Jodie Whittaker in the role of a doctor. Haha! Ho Ho! What japes! But not that Doctor, not yet. Hold your horses folks. First we see her in Trust Me, a new 4 part drama as a “doctor” – quotation marks very much intended.
As the first curtains swished open and the first bed sheets were turned down, I realised this is the first hospital drama I’ve watched since leaving hospital (10 days in May, nice people, nice room, but extremely painful procedure and that will let them down on the overall TripAdvisor score) and I’m actually watching it ill, so it’s all very relevant. The nurses who looked after me were absolutely fantastic, but literally did get the shit jobs, and the piss jobs, and the puke jobs and so on. It’s no wonder people aspire to more.
Continue reading “‘Trust Me’”
This formulaic drama would have passed me by, but some interesting casting turned my head and I decided to check out episode one. Female copper Helen Weeks (MyAnna Buring) is haunted by childhood tragedy so returns to the sleepy Derbyshire town of Polesford which must be twinned with Happy Valley – the odd array of accents certainly place it much further into the vague north than Derbyshire. She’s back just in time to help support her childhood friend (wife of the lead suspect in the disappearance of two girls) and rub up the local police force the wrong way as they hunt for a murderer.
First, the plus points. There’s an excellent supporting cast. I love to watch comedy actors stretch themselves in drama. Helen’s friend Linda Bates is played by Emma Fryer who is so perfectly funny in Channel 4’s Phoneshop and BBC’s Ideal. Her character is proud, angry and defiant. Her man Stephen could never be the murderer – by sheer force of will she’d keep him on the straight and narrow. It’s a great performance but I’m expecting her to roll her eyes or stick her tongue out at any second. And another great spot from Ideal was Sinead Matthews seemingly playing another nice but dim character.
Continue reading “‘In the Dark’”
This spring ITV and BBC1 are both banking on strong comebacks from Broadchurch and Line of Duty – two behemoths of British drama. Standards are high and expectations even higher – let’s check in with them both…
ITV’s Broadchurch was roundly panned for a patchy second series where the writers tried to do two stories at once and did them both badly. The courtroom scenes were embarrassingly poor with very little in the way of reality, or even a coherent story. Strangely a solicitor friend of mine enjoyed it, but maybe she’s not looking for gritty realism after a full day defending people in the dock. Her giving it the benefit of the doubt was extremely generous; she was very much in the minority. Series 2 had terrible ratings and people gave up on it in droves (including Mr H who doesn’t have time for bad tv). It should serve as a warning to all broadcasters eager for a hit – one good series is always better than undermining it with a poor return.
Continue reading “‘Broadchurch’ (Series 3) and ”Line of Duty’ (Series 4)”