Here’s a tip from Helen at entertainmentviews.co.uk on how to help fill the gap The Bridge left behind. How about a foreign detective drama shot in a bright warm landscape where you don’t have to read any subtitles? Aussie drama Mystery Road was on BBC4 earlier this year. If you missed it why not enter her competition to win a copy on DVD?
A new BBC Four crime drama from Australia, Mystery Road is worth a watch if you enjoy this particular genre and fancy a fresh take on your standard whodunit.
From the first episode the scene is set, and the location sets the tone of the drama, the team behind the show have certainly made the most of what Western Australia has to offer and it makes for some superb shots. The areas of Aboriginal land which were also used and added to the atmospheric approach which provided a very real overall feel to the television series.
The central character of Detective Jay Swan (Aaron Pederson) came across as somewhat of an introvert in the loosest sense, my initial impression of him was that of arrogance and nonchalance – certainly not an instantly likeable individual. However, as he gets to work on the task in hand…
This is a full review of The Bridge: Series 4, Episode 2. Catch up with my episode 1 review here. Don’t read on unless you’re completely up-to-date on the BBC2 schedule.
It’s business as usual for episode 2 of The Bridge which after the hardship and the outright panic of episode 1 is a blessing for viewers.
This week we learn more about suspect number one Taariq and his amazing fluffy yet angular hairdo. Turns out he’s a hero; saving two girls from violence and giving them a hot meal. These young thieves won’t win any acting prizes but they seem to make a living from scamming people and pickpocketing wallets and passports. But this is The Bridge, so no good deed goes unpunished. Taariq’s desperate situation is getting worse – he’s grassed up to the cops by his horrible boss, and worse still it seems he’s been set up with a phone that tracked the victim’s whereabouts. Poor Taariq has got to be the unluckiest man in all of Scandinavia, and despite my still being convinced he’s not the killer he is not out of the woods yet.
Taariq’s relationship with Margarethe sounds unlikely. He tells us that he met her secretly in the gay club because she wanted to make amends for the cruel decisions of the state. By day she’s the immigration department’s Bruce Wayne; all above-board, all business, but by night she’s Batman; out to right the wrongs and offer help to the helpless. Was she really this strange split personality, riddled with guilt? At the moment we know so little about her. Her husband Niels looks dodgier than ever “They have nothing” he says in a secret phone call, “stick to the plan”.
It’s only episode 2 of the current series of Detectorists and already we can see the wheels in motion that will bring this story to a climax. The farmer’s fields that Andy (writer, director and star Mackenzie Crook) and Lance (the wonderfully versatile Toby Jones) have been searching for five years finally being to reveal its secrets in the form of a handful of Roman coins. The boys are finally getting close. But then so is the looming deadline – their permission to search this patch of blissful countryside is over forever in just 6 short weeks. Photon Harvest Solar Electricity (a name so ridiculous it sounds entirely plausible) will have their solar panels in place and it’ll be game over for our favourite detectorists.
Happily our least favourite detectorists are back too in the form of Simon Farnaby as Art (Horrible Histories is poorer without his talents) and Paul Casar as Paul aka the dastardly duo of Simon and Garfunkel. They come waving the white flag and assure Lance and Andy that all they want to do is share permissions and work together. To which Lance and Andy respond with schoolboy teasing, of course. Simon and Garfunkel deserve nothing more.
Detectorists is an absolute televisual treasure. I’m delighted that Series 3 is here. For a while it seemed like it wasn’t actually going to happen, and certainly not this year. Both stars Mackenzie Crook and Toby Jones are very busy on other more glamorous Hollywood projects. So, especially as it’s written and directed by Crook I’m overjoyed they’ve made time for another series. Enjoy it people, as sadly this is due to be the last.
This is the most completely gorgeous comedy/ drama/ nature documentary mash-up. It’s bucolic, sunny summer days filmed in the most glorious parts of Suffolk, Norfolk and Essex and soundtracked by modern British folk music or equally lyrical birdsong. It really is a breath of fresh air.
There’s a new Swedish thriller in the all-important Saturday night BBC4 slot which launched our national obsession with all things dark and Scandi, but this is Scandi with a twist, as, if you’ll pardon the pun, all the detective stuff has been done to death. This is Black Lakeoriginally released as Svartsjön in Sweden and Denmark in October 2016. We’re in creepy territory from the start with the classic X-Files text wipe and tappity-tap keyboard noise. We see confused events in a cellar in 1996, just enough to pique our interest, but in no way giving us any plot points, other than it all looks pretty scary.
So 20 years later we have a bunch of wealthy-looking young people in very nice 4x4s drive off into the mountains for a ski trip. Johan (Filip Berg) is thinking of buying this abandoned ski lodge and running it as a business. His gang of mates are his guinea pigs to check it out and see if it’s worth buying. These kids are not short of cash and this is reflected in the opening sequences. It looks like an expensive car advert, with staggeringly beautiful cinematic wide shots of the perfect christmas card landscape.
I Know Who You Are is a Spanish language thriller, unusual for BBC4 who seem to cover Scandinavia and France with their Saturday night detective drama slot. This was a hugely popular series with fans and critics. So just what is all the fuss about?
The first shot is almost zombie film imagery – a lone survivor of some nameless horror stumbling along the highway. This is Juan Elias (Francesc Garrido),a notorious and brutal lawyer, academic and general legal eagle. He’s the husband to a high court judge with all the right connections, and dad to two kids. Elias (confusingly everyone calls him by his middle name) finds all this out at the same speed as the viewer. He has what seems to be almost total amnesia after a car accident. Only he wasn’t alone in the car. His niece Ana has gone missing and there’s forensic evidence linking her to the crash. She’s missing and he hasn’t a clue what’s happened, or so he says.
Sky Atlantic are really stepping up when it comes to interesting Euro imports, and really competing with the big boys Walter Presents on Channel 4 and good old BBC4. Midnight Sun from Sweden was seriously amazing. Their latest offering is a dark drama that was hugely successful in its home territory of Belgium, and it soon becomes clear why. When a convicted child killer Guy Beranger (Angelo Bison) is released from prison on probation, the monks of Vielsart Abbey offer him sanctuary in a small village in Belgium’s Ardennes Forest. Creepy Guy is placed under the protection of a young Federal Police inspector, Chloé Muller (Stéphanie Blanchoud), who is herself haunted by nightmares of childhood trauma. Despite clearly not being mentally fit enough for this duty young Chloé is to be his babysitter.
Creepy Guy was convicted of five murders in 1990s. These were extremely high profile killings, mainly it seems of children, and he’s not been forgotten. On the way into the up into the forest we’re greeted with angry protests from Vielsart villagers and quite a few of the abbey monks. Father Abbot is on side, all about the Christian charity and forgiveness. Even among his own brothers he’s not made a popular decision. Will he be ousted because of this or will he teach his brothers that forgiveness isn’t easy but is always necessary?