Another sumptuous drama here on a subscriber service. It’s almost like this is where the big bucks reside in these digital days. Z: The Beginning of Everything is the story of Zelda Fitzgerald, Mrs F Scott Fitzgerald to you dear. It’s based on Therese Anne Fowler’s book which Christina Ricci read and wanted to audition for. It turns out no one was making it, so she decided to do it herself. Ricci says that Zelda had suffered bad press over the years, with the focus firmly set on her genius husband. Ricci was sick of her being overlooked and sets out to flip that script.
Ricci with her soulful doe eyes and her fierce blonde bob is Zelda Sayre Fitzgerald, a brilliant, beautiful and talented Southern belle, the original flapper and an icon of the Jazz Age in the flamboyant 1920s. Zelda is young and bored to death in her little quaint country town of Montgomery, Alabama. Having never been to the American south it looks lovely to me – all wide tree-lined avenues, sugary iced tea and cotillion balls at the country club.
There’s something about a flirty Dawn French pouting at Emilia Fox over a chopping block with a massive shiny cleaver sticking out of it that cannot be ignored. And that’s precisely why Sky 1 covered massive billboards with their likenesses. Mmmm delicious, I thought to myself, I wonder what that’s about. And then I thought about dinner, because obviously.
Well, episode one was at great pains to tell us, unfortunately via the means of a lengthy and extremely dull exposition not even saved by Iain Glen’s mellifluous tones. Yes, that’s another Game of Thrones graduate, more recognisable as Ser Jorah Mormont getting sunburnt and heartbroken in the desert with his Khaleesi. Mate, she’s just not into you. In Delicious he plays Leo, head chef at a fancy hotel in Cornwall. Beautiful skinny current wife is Sam (Emilia Fox) and his ex-wife who strangely seems to live in the exact same tiny village is Gina (Dawn French), the only person in it who actually looks like food is a pleasure not a burden.
Are you single? Looking for love? Fed up with Tinder, Grindr and Rinder? (Not sure if all those are real. I was married before they were invented.) Do you trust in science and believe in romance? Ready to expose your awkward self on Channel 4? Then have we got a reality show for you…
Married at First Sight has a devilishly simple premise – couples, selected on scientific principles, get hitched in a real-life proper legal ceremony at their very first meeting. Your body measurements and ratios, facial symmetry and genetics picked over by scientists may not sound very romantic, but these brave young people are ready and willing to give it a shot.
Clark and Melissa are the first couple we meet in Series 2, both charming beautiful and sweet. But as we know from Series 1, they could both easily turn out to be dicks (Jason was on Tinder almost as soon as he and Kate were back from honeymoon. He disputes the timings). And, tellingly perhaps, none of the couples from Series 1 are still together.
Big things were expected for Westworld, the telly reboot of the 1973 sci-fi film, and big things were achieved. It was HBO’s biggest series debut in three years. And it looks magnificent!
Westworld is a theme park – the newcomers are the players, the high-paying guests who get to live out their cowboy frontier town fantasy. Sex and violence is the top two reasons people seem to play, and sexy violence is probably competing for third place. The innocent townspeople who populate the game are extremely advanced androids (incredibly beautiful and faces full of character), who live in a Groundhog day-dream state, to please the guests and keep them entertained.
Through wholesome Delores (Evan Rachel Wood) and her cowboy lover Teddy (James Marsden) we briefly glimpse a clichéd romance fantasy before life quickly turns sour. It’s horrific to watch, and worse still she wakes in blissful ignorance the next day to be preyed upon all over again. Despite how real these androids seem these are just toys programmed for paying customers pleasure. We know this and yet our sympathies lie squarely with the machines from the opening moments.
From HBO Europe (which is a thing, it turns out, and no bad thing either) may I present the first Polish drama ever to be shown in the UK, on Channel 4. Somewhat bravely it was shown late in June, a couple of days before he UK’s fairly disastrous referendum on leaving Europe.
It’s a timely story torn from the headlines surrounding the current European immigration crisis. The Border is a six part drama set in the lush rural Bieszczady Mountains, on the Ukrainian-Polish border. In Polish the title is ‘Wataha’, meaning the pack. You can see why the name change for the international version, given the animalistic rhetoric around this ongoing heated debate. We are introduced to the Polish Border Guard, protecting the “wildest EU border”.
So far, so stereotyped – the guys are drinking, singing and shagging in an isolated hunters cabin. These macho guards are celebrating a retirement in time-honoured fashion. And boom – a bomb goes off, killing everyone inside. Well, that sure got my attention.
I’m assured that Harlan Coben is a huge deal in thriller writing with his books prominently displayed in stores at airports and train stations. Somehow I seem to have missed him entirely. But his name is writ large on this new Sky drama series and if this is anything to go by I’m going to be keeping an eye out for his stuff in the future.
The Five is an eight-part original thriller made for Sky, which promises to be a stand-alone series with a proper beginning, middle and end. He says “The one thing I do think that I’ve brought to TV from the novels is a real ending. I guarantee that the end of this show is well earned.” If that’s true, that would be so sweet!
In which guest blogger Susie Sue tells us about her love for a dark and brutal drama, and shows off her holiday snaps!
Last summer I was lucky enough to go to the beautiful city of Seville in southern Spain. I visited the Alcázar, better known as the seat of House Martell.
I mention this mainly to show off but also because there was nearly an hour wait to get in and also airport style security when you did get through. It wasthat popular.
With the new season of Game of Thrones (Sky Atlantic, 9pm Mondays – or before that if you have Sky Go or Now etc) upon us I have asked myself why – why? – is such a brutal show so appealing to me – to us?