If you’ve not yet heard anything about the The Handmaid’s Tale, let me give you a hand getting out from under that rock where you’ve been hiding. This is an MGM production being show on Hulu in America. They seem to be a good 7 episodes ahead of us. Sadly, even in 2017, sometimes America is ahead of us in tv land. It’s great to have synchronised start dates, but it’s still not the norm. Avoiding spoilers for this much talked-about show is going to be a killer.
A few weeks after starting in the USA this 10 part drama series has been picked up by Channel 4 in the UK, which, as the young, intelligent, and left-leaning political channel is a really good fit for their brand and a bit of a coup. The series is based on a novel by Canadian author Margaret Atwood and despite its startlingly relevant content was actually written in 1985. So this dystopian future Atwood envisaged is 30 years closer than we’d have hoped for, and none of her themes are any less relevant or possibilities presented any less realistic. In interviews Atwood says that none of these war crimes in the fictional Republic of Gilead are entirely made up – all have happened somewhere on the globe. This really is extremely dark stuff. Do we as the audience have the stamina to get through it?
The series opening is distressing, as our heroine Offred is violently parted from her husband and daughter, but it’s not a tense escape. We know she’ll get caught. The rippling tension comes from her social position at her new posting with the Commander (Joseph Feinnes) and his wife Serena Joy (Yvonne Strahovski).
A Studio Ghibli tv series on Amazon?! Yes please, says I! Most people who love the silver screen are familiar with the masterful Japanese animation house, behind such beloved international classics as My Neighbor Totoro, Princess Mononoke and Spirited Away.
Film School Rejects say “The studio is respected the world over for its lush animation, attention to detail, and the way its movies can soak its audiences in a mood without any effort at all”. So it’s easy to see that expectations were set high for their first ever tv series, which debuted in Japan in 2014. I won’t drag out the suspense – Ronja the Robber’s Daughter is a huge disappointment.
Ronja is a cute little girl, born to a robber king and his wife. They lead a band of ne’er-do-wells who patrol the forest paths robbing from the rich who travel through in their horse-drawn carriages. The merry band live in a secluded castle surrounded by a forest full of enormous creepy birds with women’s faces.
BBC 2’s newest lavish period drama is a British-Franco-Canadian collaboration about the building of the fabulous Palace of Versailles. A second season was already ordered ahead of the premiere. I guess that’s the thing with history – there’s a whole lot of story to tell. It’s part produced by Canal+ but in English with no phony French accents, which is great. There’s nothing more jarring in a drama than hearing accented English that sounds like Vicki Michelle in Allo ‘Allo.