Eurovision 2018 – the Grand Final

Well I told you it’d be a vintage year and well worth tuning in for, but I did not expect that. What a night! Let’s try to put some of the craziness in context. I’m not even sure where to begin.

So Eurovision 2018 gave us a huge variety of music with many genres represented. In my lifetime I never thought I’d see anyone stage dive at Eurovision! The way the initial jury voting went the field wide open with any of 6 or 7 songs that could have won. There was pop, metal, dance, ballads, opera and loads of different languages on show, mainly by people who all looked the same. So much for diversity, but baby steps. We also had four female presenters, none of them particularly gifted in comedy or the essential schmoozy green-room chat, but fully female-fronted is a big deal. This was especially obvious as creep after creep giving the jury votes commented on their appearance, hilariously the Portuguese man was the absolute worst. He made my ovaries cringe and shrivel up inside me. Ick.

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‘Witness for the Prosecution’

After last year’s Agatha Christie adaptation And Then There Were None, hopes were set high for short story turned into two-part drama specialĀ Witness for the Prosecution, but this was quite a different beast. No mansions, no dinner guests being offed one-by-one, no detective twirling his enviable moustaches and not a normal Christie ending. Much interfering had been done, and there wasn’t much in the way of original Christie to be seen.

We’re transported to the roaring twenties and Kim Cattrall is Ms French, a wealthy widow living it up and having a fine time with her fancy man Leonard Vole much to the disgust of her loudly disapproving maid Janet. These days Emily French would be mocked as a cougar, a woman of a certain age who is attracted to younger men and has the nerve to go after them. These prejudices are certainly represented and Emily knows her actions make her unpopular and looked-down on in high society, but she doesn’t really care. Money is a pretty good insulator against what people think of you. Cattrall, famous for a strikingly similar character in Sex and the City, is essentially playing Samantha 70 years earlier.

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