If you trust my recommendations dear reader, stop reading right now and just watch this. If you need a little more convincing, read on. It’s only March and Midnight Sun has quite possibly staked the claim for most gripping episode 1 of a drama series this year. It’s an hour of tv that’s up there with The Killing and The Bridge. All the praise to Sky Atlantic for serving up this slice of stunning high-end noir. My only criticism is they’re portioning it out into weekly helpings, and I can’t bosh the lot in a weekend. Because I very definitely would.
This is a French-Swedish coproduction (yes, it has the Canal+ mark of quality) which follows Kahina Zadi (Leila Bekhti), a French police officer, as she heads to a small mining community in remote northern Sweden to lead an investigation into the spectacularly grisly murder of a French citizen. Her Swedish sidekick is local DA Anders Harnesk (Gustaf Hammarsten) and his rather more jaded boss Rutgar (Peter Stormare). Even with just a few minutes under the belt we can see that all of these characters are fully fledged with their own particular quirks and histories just beginning to be hinted at.
It’s my birthday! I’m not 100% sure (and WordPress makes it hard to find out) but I’m going to record this day 17th August as the official Dead Pixel Test first birthday. I know I’m close because it was last summer I started to see articles about how there’s too much high quality tv to try to keep up with. I’d been feeling that way for a while and it was heartening to hear other telly fans and industry people say it too. That, and a nagging desire to write more, was the drive to start the blog.
To be honest we shouldn’t complain. You don’t have to go to the cinema to see beautiful complicated drama any more, or the newest comedy sensation. You can stay in with your slippers on. TV isn’t just silly game shows and amusingly shaped vegetables any more. Too many good things is a bit ‘first world problems’, I know, but you want to give your precious leisure time to something worthwhile. Literally worthy of your attention and devotion. And I like to think that over the course of the year I’ve helped bring a little more attention to great television (Murder in Successville, Chewing Gum, Billions) and show that even if everyone is talking about it, it still might be a total stinker which you should do your utmost to avoid (Marcella, Gamechangers, A Gert Lush Christmas).
It’s been a loooong week. But yay, the weekend is finally here and it’s nearly Saturday night. Going out? Gonna party hard? Getting so drunk you mistake your shoe for you phone? Nope, not me. I’m staying in and celebrating – it’s a strange sort of birthday party. And I’d be very surprised if the birthday boy turned up.
The BBC and Royal Shakespeare Company are getting together to celebrate the 400th anniversary of Shakespeare’s birth with his dramatic best bits and song, dance and comedy celebrating his legacy. It’s a star studded event featuring such big names as Benedict Cumberbatch, Judi Dench, Joseph Fiennes, Ian McKellan, Tim Minchin, Helen Mirren, the cast of Horrible Histories, English National Opera and Birmingham Royal Ballet (to name but a few) hosted by David Tennant and Catherine Tate. A little something there for everyone, wouldn’t you say?
Why the exclamation point? I don’t know. But if anyone deserves a little dramatic emphasis and poetic licence I think it’s probably the Bard himself. This event had been plugged for ages as a live event in Stratford (with a complicated ballot for tickets) and a live cinematic event, with cinemas across the country getting involved and charging a pretty penny for the experience, so I’m delighted to find out it’s on BBC2 tonight at 8:30pm. Culture on the cheap! I’m a happy little groundling.