This is a full review of episodes 1 and 2 of Trapped so don’t read on unless you’re up to date.
Trapped Series 1 was an extraordinary bit of television, the first ever Icelandic drama broadcast on British TV. The first series was the highest rated series ever on RUV, watched by 86% of TV households in Iceland. In the UK it passed 1.2 million viewers on BBC Four. Safe to say then that series 2 has quite a bit to live up to. I’m hoping it’s worth getting excited about.
Bearded man-mountain Ólafur Darri Ólafsson reprises his role as chief police inspector Andri now back in Reykjavik when he is entrusted with an extremely high-profile case. In classic nasty Scandi style we have an immediately gripping immolation opener which is fascinating even as you recoil in horror. Gisli an impoverished sheep farmer from the Icelandic Highlands sets himself on fire in front of the government building, trying to kill the Minister of Economic Affairs who just happens to be his twin sister. Andri is back on top again – a rise so meteoric I’m surprised he doesn’t have a nosebleed. From zero to hero thanks to his hard work and persistence in Series 1. In the first five minutes he’s already chatting to Iceland’s Prime Minister who cuts right to the heart of all Scandi noir motivations – was this attack personal or political?
Vikingur (early contender for best name of the series) is Gisli’s son, working at the controversial aluminium plant up north. As in the first series we get a break from subtitles thanks to the international element here in this industry; something that right-wing Icelanders like the Hammer of Thor group are protesting against – who profits from the devastation this plant causes to their landscape and their livestock? Vikingur already has a lot on his plate before his father’s horrible suicide – he’s in a relationship with Ebo, a black colleague who seems like he’s in the country illegally.
The Cuckoo’s Calling is a new drama series that the BBC must be very happy to have. It’s based on the novel of the same name by Robert Galbraith. Old Robbie here was discovered to be a pseudonym for JK Rowling in 2013. Now, that’s a name to conjure with. It’s an odd way to broadcast the series – two episodes in one Bank Holiday weekend and the last of this trilogy in a week’s time. Let’s see what it’s all about.
The plot seems to be a list of unlikely names designed by the Cluedo board game characters playing Mad Libs with a murder mystery running through it. It’s also a warning to office workers everywhere – be careful what temp jobs you sign up for. There’s a whole world of shit you have to put up with for just above the minimum wage and all the tea you can drink, as long as you remember to fetch the milk.
Broken is the beautiful, heart wrenching new 6-part drama series from award-winning English screenwriter and producer Jimmy McGovern, the champion of working class heroes. We are in familiar territory here – kitchen sink dramas and the seemingly small but overpowering tragedies of everyday life.
The big draw for drama fans is Sean Bean in the central role as Catholic priest Father Michael Kerrigan, a kind man, driven by his vocation to work hard for his community. Immediately we see that he’s haunted by an abusive past, rare in tv land where we frequently see priests as abusers, not victims. Bean played cross-dressing teacher Simon Gaskell in McGovern’s excellent drama, Accused an astounding role that he rightly won an International Emmy for. McGovern said in a Radio Times interview that he never considered anyone else for the lead role in Broken: “I always go back to Sean – I just think he’s world class,” he said. “People know he’s good, but I know he’s great.” Typically, Bean is stoic in the face of tragedy. He’s funny too – a bleak, black humour runs through this episode. On screen he is low-key with no histrionics. Appropriately, he doesn’t lose his head.
The days are getting shorter, the nights are getting colder, and suddenly there’s a bunch of new comedy series on tv. Here’s your guide to great things returning this week, and one show that we can really do without…
Yonderland (Sky 1) Sunday 16th October 6pm
Written by and starring the cast of Horrible Histories, this show now returning for Series 3 is unrestrained by facts or learning and transplanted to a fantasy land on Sky1. Nice and normal Brummie housewife Debbie Maddox (Martha Howe-Douglas) is the saviour of this strange and silly land. She tries to impose some order on the chaos (fighting inept demons, going on mystical quests, dealing with the totally insane ruling council) while keeping her unbelievable double life secret from her husband Pete (Dan Renton-Skinner – brilliant in everything). If you’ve not seen the first two series, treat yourself because they’re all on Sky Catch Up right now. It’s the kind of show you need to watch recorded as Series 1 especially would make you laugh so loud and hard that you’d miss the next punchline and have to rewind it.
Dear readers, I hope you know that I suffer so you don’t have to. I watch the shows that gets a lot of excited previews but leave you confused and disappointed. I’ll haul the coal, deal with the pressure and present to you the diamonds. As we all know, your telly time is limited and you don’t want to waste it on stinkers. Treat this blog as a (highly subjective) guide to avoiding the stench.
I was really looking forward to Beowulf Return to the Shield Lands (ITV) but what in the fuck was that all about? It didn’t help that I was watching it with a fan of the poem. Immediately Mr H was saying “nope” to all the characters and plot developments that weren’t true to the original. The first five minutes made him sound like a beatbox. From the get-go it was like a class of primary school children had decided to do scenes from Game of Thrones as their school play. Their teacher should be fired.