I have finally relented and let Mr H submit a review for his favorite show. He spent 20 years living in Wales for his sins so consider him our foreign correspondent.
“It’s beautiful, I’m so glad you bought a big new telly” – Sarah Hamstera (1847 – Present)
It’s not often I hear justification for a purchase but there is power in beauty and Hinterland knows that all too well…
Hinterland (Y Gwyll) is an oddity in British television in that it is created and produced primarily for the Welsh audience but filmed once in Welsh and again in English. This means that there are 2 versions available to the tv audience (3 if you include the much rarer and heavily abridged all English version), the all Welsh version (Y Gwyll) appears on BBC owned S4C followed a short while later by the ‘International’ version which is predominantly in English but with key sequences in Welsh with English subtitles. This is the version put out on Saturday nights on BBC4 fitting nicely into their standard Scandi-Noir slot where we get to see just how well we have come to understand and love the genre. In some ways it feels odd that we aren’t watching the Welsh version with intermittent English scenes but, given the core audience, it’s understandable.
For those that haven’t yet sampled the ethereal delights of Hinterland, it is ostensibly a police procedural drama set in the beautiful scenery of the rural Welsh countryside surrounding Aberystwyth. This, for the most part would be enough but there is much darker fayre to be had below the verdant and bucolic surface.
Continue reading “‘Hinterland: Series 3’”
The Legacy is a Danish drama from DR Fiktion, but quite a different beast to stable-mates The Killing and Borgen. Series 1 was described by The Guardian as “utterly addictive” and I’m pleased to report that while the characters have grown and changed, this remains true.
Instead of dark political intrigue or dark and bloody murders in grey dockyards The Legacy offers up an enormous rambling farm-house in rural Denmark and an off-kilter family drama. This series spins out from the death of artist and domineering matriarch Veronika Gronnegaard and the after effects on her children. The Legacy in Danish is Arvingerne which literally translates as “heirs”. As these kids squabble over Veronika’s house, her reputation and her art we can see why Sky Arts picked it up rather than Sky Atlantic, the more traditional home for drama.
In series 1 we were rooting for Signe, Veronika’s fourth child adopted and brought up by normal down-to-earth people. She’s the surprise beneficiary of Veronika’s deathbed will and we’re willing her to get her share of the inheritance from her argumentative, entitled and just plain rude step-siblings. Lovely Signe learns her secret family history and is excited, but not about the money. She’s lonely and wants to be their sister. But this simple story of trying to be a blended family quickly gets messed up. Money changes people. Signe started believing her own hype.
Continue reading “‘The Legacy: Series 3’”
Harry Hill is back! And this time it’s worth watching.
The be-spectacled comedic ex-doctor has arrived just in time to save the human race from alien invasion! He’s showing our new alien overlords that we are useful to have around, if only to laugh at. I’m not even kidding. This is the basic premise for a strange and excitable comedy panel show, interweaved with funny clips of old tv shows, very much in the style of the awesome TV Burp, which, shockingly, finished five years ago.
Last year’s Harry Hill’s Tea Time on Sky 1 was way off point, managing to parcel up the Harry Hill brand without ever once stumbling towards what we enjoyed about him. All specs and grins and huge white collars and no fun. It was too gimmicky and far too dependent on one celebrity providing the fun and games in a very awkward, embarrassing situation. (If you want to see how that’s done with style and aplomb see BBC’s Murder in Successville.)
Continue reading “‘Harry Hill’s Alien Fun Capsule’”
Missing your Downton Abbey Sunday evening fix? Fancy a posh period drama. They don’t come any posher than this. Dramatist Peter Morgan (who wrote the film The Queen from 2006) offers us a new biographical series about Queen Elizabeth II and her family, disappointingly not called Keeping Up With The Windsors. It’s one of the most lavish and expensive period dramas ever made, and everyone who watches this sort of telly was startled to find out it wasn’t going to be broadcast on the BBC, the go-to broadcaster for Grandma-friendly programming. New commissioning behemoth Netflix apparently paid £100 million for the first 20 episodes, so you can see why the Beeb might have said no, in a year where they couldn’t find enough change down the sofa to keep Mel, Sue and Mary in their big tent.
Continue reading “‘The Crown’”
Life can change in the blink of an eye. This Channel 4 documentary about horrifying assaults makes this clear from the start. Straight away it was immediately gripping, in the style of mega-hit Netflix documentary Making a Murderer. We instantly sympathise with this baby-faced boy called Ben, talking to the camera about going to a party and snogging a girl. It’s a teenage romance. Then a drunken fight breaks out and it all turns sour. Ben describes the fight and how he was involved albeit unwillingly, defending the honour of his friend. “I’m not a violent person,” says Ben. We nod. Look at his face. How could we believe anything else? Then another face appears, another young man who was there at the party, and says no, that’s not what happened. Ben hit George with such force that he died. CCTV backs this up. Our view flips 180 degrees. What an ingenious way to start.
Continue reading “‘One Killer Punch’”
This review has been published days after the first episode of Series 7 has been broadcast, so yes, it is totally filled with spoilers. Consider yourself warned!
After a remarkably pathetic end to Series 6 I must admit it was hard to care about The Walking Dead in the off-season. The reveal of the new big bad guy was much delayed so that Negan was only on-screen for a few minutes and he seemed decidedly one-note. This was the guy whose name had been a whispered threat running through the last series?! And his weapon of choice is a baseball bat?! Humph!
And then we knew who dunnit, but didn’t know who he’d dunnit to, thanks to the totally shitty ‘blood on the lens’ effect. Such an obvious manipulative tactic to keep the audience interested. I’d have been really angry if I could have mustered the effort. Newsflash! This is series 6 into 7. If by now the writers and production team haven’t realised by now the audience is interested and loyal, and there’s zero chance of getting canned by Fox, then they’re far thicker than we ever imagined.
Continue reading “‘The Walking Dead: Series 7’ – On the Box”
Two top stories dominiated the tv news this week and they were impossible to escape; a possible murderer on awful BBC tea time quiz show Eggheads and Channel 4 killing off The Great British Bake Off before it’s even started – death by a thousand fuck ups, which should be very familiar to the BBC as its how they managed post-Clarkson Top Gear.
So, in amongst this human misery, let’s hunt around and find some good news. We deserve it.
Continue reading “Couch Potato Digest – clubbing, comedy and death by a thousand fuck ups”