SPOILER warning: this post deals with the final episode of Unforgotten Series 3. Do not read on unless you are up to date with both series 2 and 3. Catch up with all the box sets on ITV Hub now.
Unforgotten bowed out after a tremendous third series at the weekend. No one disagreed that it was an acting masterclass from start to finish, led by stalwarts Nicola Walker as DCI Cassie Stewart and Sanjeeve Bhaskar as DI Sunny Khan. Since inception this show has attracted top quality British actors. This series was dominated by awesome performances particularly from Alex Jennings, James Fleet and Neil Morrissey (getting better and better in each drama part,although here he certainly need more screen time). But I wasn’t expecting such a split opinion on the ending, especially as this has become a truly beloved British drama. I wasn’t immediately on board back at their humble beginnings, and I admit I snarked at the first episode back in 2015. I was very happy to be proven wrong; the atmosphere wasn’t lacking in comparison to Scandi drama – it was just different.
Online, people seemed annoyed that there was no twist in the tale and that the final episode ran out of steam. Although, thinking about it, do any of the series so far provide a neat and satisfying ending? In series 2 because of the nature of the crime, the number of perpetrators and the time passed the police decide there was no value in pursing and prosecuting anyone. Was this what the audience wanted? Do we demand everything tied up neatly in a bow? Or do we realise if you strive for realism on TV in style and storyline that endings will inevitably be messy, just like in real life?
Continue reading “‘Unforgotten’ Series 3 – ITV”
The hero of Netflix’s first Indian drama is Sartaj Singh (played by Saif Ali Khan) who cuts a rather lonely figure. He’s a honest and honorable detective who refuses to be intimidated by his corrupt colleagues in Mumbai’s police force. Probably because he refuses to tow the line he’s never landed a big case. He’s trapped in a corrupt system with no way out. In good cop show style, he’s unhappily divorced, scarred, gaining weight and taking medication for anxiety. No wonder as he’s under immense pressure from his station chief to lie under oath about a unarmed teenager shot down right in front of him.
This seems like more than enough to be dealing with, but no. Right from the outset Sacred Games is a game to be played by two. His opponent is Ganesh Gaitonde (Nawazuddin Siddiqui), a notorious gangster and a fugitive in hiding for 15 years. He makes contact with Sartaj out of the blue seemingly to spill his guts about his extraordinary life. He also has a cryptic warning. Mubai’s time is numbered – there’s 25 days until the whole city is destroyed. Is he threatening the city both men say they love or is he tipping Sartaj off in the hope of saving them all? His personal god complex is clear; his first words to Sartaj are “Do you believe in God?”, but after all he’s been through he thinks he might really be immortal. And the way the show sets him up, he really could be.
Continue reading “‘Sacred Games’ – Netflix”
This is a full review of The Bridge: Series 4, Episode 3. Catch up with episode 1 and episode 2. Don’t read on unless you’re completely up-to-date on the BBC2 schedule!
Episode 3 was a classic where not very much happens. Characters willfully impede the investigation and every plot point feels like a dead end, until a frantic final three minutes which leaves you shaking your head and softly repeating the word “What?” to yourself over and over.
“I’m not well” says Saga in typical matter-of-fact style. If only it was always so easy to acknowledge your own mental health problems and ask for help. She then lists a devastating catalogue of personal disasters. “We’ve got a bit to work with” says the unflappable therapist, surely in the running for Understatement of the Year 2018. We hope with help Saga will turn the corner and apply her logical, analytical brain to her own situation, but Mummy is messing with her delicate mental state from beyond the grave – having her lawyer send childhood mementos to Saga’s workplace. Don’t open the box Saga! It’ll be about as much fun as Brad Pitt’s surprise gift in Seven.
The Danish sister from episode two, christened by the internet Öliver and Dødger, were such a perfect fit for a hole we’re desperate to be filled. Like a Choir of (Young) Believers the internet sang out in one voice “They could be Henrik’s daughters!” And he gets them home a lot faster than I’d have ever imagined, but now in context of their old bedroom he would recognise them, right? He seems to be the only person not swept up in the idea that they’re his long lost children. But one night at Henrik’s Hotel turns into two as these resourceful Tracy Beakers refuse to be sent off to any dumping ground.
Continue reading “‘The Bridge’ – Series 4, Episode 3”
As you may have noticed I’m still waiting on the next big Euro drama to cross my path. All the Scandi stuff recently has me feeling a bit flat, with fairly promising starts leading to confused middles and ‘meh’ endings. It’s fine to have a beautiful backdrop of lakes and mountains, but you need to populate it with original characters leading interesting lives. The story needs to be multi-layered, but not too complicated; zoning out and playing with your phone is the absolute death knell for a subtitled drama. Both the good guys and the bad guys need to have clear motivations that we can relate to.
So with a Gallic shrug it might well be time to bid au revoir to the northernmost corners of Europe and see what France might have to offer; after all, the daddy of the noir resurgence in the past decade has been the Emmy award-winning and much loved Spiral. The most memorable dramas I’ve watched recently have been French, or part French; the balls-out action heros in Braquo, stylish super spies in The Bureau and the best character in Midnight Sun was the deeply troubled French detective.
Continue reading “‘Witnesses’ – Series 2”
Guys, there’s been a murder! But fear not; it’s mid-afternoon on BBC1 so there’s no blood, no swearing and no one speaking Danish. Armchair Detectives is 100% safe for the squeamish. It’s a very unusual format, a quiz show Cluedo with Susan Calman as presenter and lead investigator. 15 members of the public sit jury-style as the studio audience from which three are picked each day to have their turn as the titular detectives. They are invited up to the drawing-room style stage to sit in fancy leather armchairs and work out whodunnit. The only person who doesn’t get to sit is Susan, despite having a chair placed behind her, which seems unfair given her legs must have taken a battering in the run-up to Strictly Come Dancing.
The contestants are all chatty and intelligent, and are probably the last people you want to watch Prime Suspect with as they’ll have smugly figured it all out at least 20 minutes before the credits roll. And they’ll smile and say “aha!” and make you feel like a berk. Our first team of three include a librarian who loves the Lord Peter Wimsey books, a crime writer, and one is actually called Wisdom. I expect great things.
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The Cuckoo’s Calling is a new drama series that the BBC must be very happy to have. It’s based on the novel of the same name by Robert Galbraith. Old Robbie here was discovered to be a pseudonym for JK Rowling in 2013. Now, that’s a name to conjure with. It’s an odd way to broadcast the series – two episodes in one Bank Holiday weekend and the last of this trilogy in a week’s time. Let’s see what it’s all about.
The plot seems to be a list of unlikely names designed by the Cluedo board game characters playing Mad Libs with a murder mystery running through it. It’s also a warning to office workers everywhere – be careful what temp jobs you sign up for. There’s a whole world of shit you have to put up with for just above the minimum wage and all the tea you can drink, as long as you remember to fetch the milk.
Continue reading “‘The Cuckoo’s Calling’”