In its quivering excitement last week’s Radio Times didn’t seem quite sure if it was advertising the American remake of this comedy (picked up by Funny Or Die and set to star Will Ferrell) or the Australian original. Happily for UK viewers the accents gave us a clue. No Activity sees three pairs of colleges all trapped in classic sitcom situations, cleverly linked to create something much funnier than the sum of its parts. And those parts are pretty funny to begin with. There’s a clever use of the classic cop show opening credits – it looks like it’s going to be dark, tense and packed with bad-ass action. But from the title we know that’s not going to be the case.
On a stakeout outside a suspected drugs warehouse is Detective Hendy, a young and ambitious chap and his senior Detective Stokes, who seems a bit of a bumbling dreamer. They’ve spent far too much time together and will discuss just about anything that pops into their mind. The chief concern in episode one is the plaster dolphin statue in the back seat that just might stand out to any watching crims, but Stokes couldn’t bear to leave it sitting there on the street for the binmen. Their later chat about how Stokes has a vasectomy face made me laugh out loud.
Continue reading “‘No Activity’ – BBC2”
This is a full review of The Bridge: Series 4, Episode 5. Catch up with all the reviews here. Don’t read on unless you’re completely up-to-date on the BBC2 schedule!
This week is Tommy’s story. The guy Henrik picked out of the files and put at the top of the investigation board gets a 18 minute long pre-credit explainer. I’m not usually a fan of this way of storytelling, but we are presented with a perfect concise package – a gift to the viewer that comes packed with answers we’ve been dying to find out for weeks.
Four Years Ago
Tommy Peterson worked for the dangerous mob boss William Ramberg, and was a police informant trying desperately to keep a violent gang war from happening. Henrik and Lillian promised to intervene before the shooting started, but couldn’t get sign-off from the prosecutor’s office. All this takes place on Tommy’s son’s birthday, and his son is revealed as wheelchair-user Kevin from Henrik’s NA group. Only four years ago he had the use of his legs and was called Brian.
Tommy is a patient of Niels the psychologist who can’t help him other than by prescribing drugs. And he goes to Richard Dahlqvist to do a tell-all for a newspaper – “Six Dead in Gang War. Police Informed, Did Nothing”. Unfortunately Richard’s eye for detail is Tommy’s ultimate undoing. The way he smokes a cigarette is distinctive and described in the article. In a terrifying meeting with William it’s clear the gangsters know he’s the snitch and they’re preparing to kill him. Turns out Danish cigarettes can kill you in two very different and equally nasty ways. Tommy is clever though, and has set up an escape route but is let down by his friend Moyo. In a classic gangster movie scene it’s William in the car who comes by to sweep up poor Tommy. There’s nowhere left to run.
Continue reading “‘The Bridge’ – Series 4, Episode 6”
This is a full review of The Bridge: Series 4, Episode 4. Catch up with all the reviews here. Don’t read on unless you’re completely up-to-date on the BBC2 schedule!
Well colour me confused. What are they playing at? The halfway point maybe not the best spot to introduce a whole new cohort of an already large cast. This is daunting even for seasoned viewers. If you watched the whole episode without pausing to wonder who someone was, who they were related to, and how they were linked to the case then you’re doing far better than me.
Taariq needs penge, and quickly. You’ve got to admire his audacity in trying to blackmail a murder suspect, stealing his wallet and car. Someone told me Taariq was going to get a severe new haircut and I did wonder in a world as dark as The Bridge, does that mean he’ll lose his head? Of course the answer is yes. As Taariq finally realises there’s no way out Henrik and Saga are called to the scene of his armed stand-off. Saga’s compulsive twitching as she attempts to defuse the situation is unbearable. Taariq can’t handle the truth, and unfortunately for him, Saga can’t hide it. A final violent act is preferable to a future in jail or being deported to a repressive regime. Henrik and even Saga seem heartbroken at his death.
Continue reading “‘The Bridge’ – Series 4, Episode 4”
Have you ever been so excited you put your fist in your mouth to suppress a squeal of glee? Have you ever been so excited that you could swallow your own fist down and keep going up past the elbow and beyond, squealing away regardless? It’s not often I go full fangirl about anything, but guys, it’s nearly time to see the very last series of The Bridge! And I am so excited. You can keep your Infinity War. This is the original most ambitious crossover event. It’s time for Denmark and Sweden to put their differences aside and work together again on outrageously gruesome killing.
It goes without saying that someone is murdered near to the Oresund Bridge. Yes, it’s a woman and yes it’s totally brutal. However you feel about that on TV more generally, you have to admit this is The Bridge’s classic calling card. Why change now? This woman is Margrethe Thormod, the head of the Danish Immigration Board. And she and her team have recently been in the news for all the wrong reasons – filmed clinking champagne glasses and celebrating the deportation of a gay man back to a Muslim country where he will most probably be executed. Taariq Shirazi has gone to ground and Margrethe is murdered in a way that seems to have cultural and religious connotations. Is there a connection?
Continue reading “‘The Bridge: Series 4’ – Preview”
Welcome to Italy, Naples to be exact. Only these intimidating inner-city destinations won’t be on any tourist trail. If you end up in these locations you holiday stroll has taken the worst of wrong turns. Welcome to Gomorrah.
Gomorrah is based on the non-fiction investigative book — 2006’s Gomorrah: Italy’s Other Mafia by Roberto Saviano, a journalist who got such a close and detailed look at Naples mafia he is now living in hiding. Gomorrah is the highest-rated show to ever air on the Italian network Sky Italia, far outstripping American imports such as Game Of Thrones and House Of Cards. There’s a strong familial resemblance to The Wire, as this captivating Italian series is also an immersive look at street-level crime, gang organisation and shocking scenes of unflinching violence.
Naples is a colorful city but those colours are washed-out neon, like looking at life through a fishbowl. In similar way to Braquo this is firmly set in the grimy underbelly of the city, filled with leather jacket wearing hard men. This is the territory of the mafia; running drugs, buying crooked cops and dishing out violence to all who cross them. And we meet them at a paranoid time – there’s problems with extra cops, neighbourhood watch and journalists crawling around the blocks. Everything is changing.
Continue reading “‘Gomorrah’ – Series 1”
Britannia is the much discussed and much trumpeted new Sky Atlantic drama. It’s also the first co-production between Sky and Amazon. It’s written by Jez Butterworth, who seems to have theater and screenwriting experience in spades, but not much on the CV for telly. Not like our collective expectations are set too high, but it’s been bandied about that Sky are in desperate need of something substantial in the swords and bloodlust category as the wait for Game of Thrones will be glacial. But the people who have seen it already are split into two camps – either it’s brilliantly bat-shit or terribly confusing. Well, which is it then?
Set in 43 AD this is about the Roman conquest of Britain. This is the second time around, as Julius Cesar went home with his tail between his legs in 54 BC, and boy, despite the man being long dead, do we hear a lot about that. We meet General Aulus Plautius, played by David Morrissey, not worrying in the slightest about his accent or where in the Roman Empire he hails from. To misquote Doctor Who, a lot of countries have a north. Aye up legionnaires!
Continue reading “‘Britannia’ – Sky Atlantic”
This is a super-short Icelandic drama series a friend pointed out to me, and wondered why I hadn’t watched it yet. Fortunately it’s on UK Netflix, and so short you could watch the lot in an afternoon.
Welcome to The Lava Field (the original Icelandic title is Hraunið. In suitable Scandi-noir fashion it grabs the attention straight away with swift shotgun action. This version of the mysterious island is filled with extremely neat well-lit houses, beautiful boxes, like candles against the black bubbly lava field backdrop. The vast majority of the shots are bright and wide; you need to watch it wearing sunglasses. The brightness is throughout – both interiors and exteriors. I suppose Iceland has a complicated relationship with daylight and the sun, in a country where it doesn’t set for four weeks in the summer.
Continue reading “‘The Lava Field’”