Are you the kind of person who always remembers to say thank you to Alexa? Are you careful in how you describe the great and benevolent Google when you’re within earshot of a Home Hub? Have you had a good long look at your Facebook privacy settings and do you actually understand what all that nonsense means? In which case you’re already familiar with the themes of Charlie Brooker’s Black Mirror, a huge worldwide Netflix success (as far as we can tell with a company notoriously cagey about releasing their viewing figures) poached with extreme prejudice (and bucket-loads of cash) from Channel 4 back in 2015. Technology is a crutch for the human race, a wedge that drives us apart and the idealism of “do no evil” is an absurd fairy story. We’re being corrupted and driven to the point of madness by our own beloved, addictive creation.
Bandersnatch doesn’t make my life easy. This review is particularly hard to write. Usually I’d give brief outline of the story and then get into the nitty gritty. But everyone’s story here is slightly different, especially the multiple possible endings. So let’s cover the very basics and see where we go from there.
SPOILER warning: this post deals with the final episode of Unforgotten Series 3. Do not read on unless you are up to date with both series 2 and 3. Catch up with all the box sets on ITV Hub now.
Unforgotten bowed out after a tremendous third series at the weekend. No one disagreed that it was an acting masterclass from start to finish, led by stalwarts Nicola Walker as DCI Cassie Stewart and Sanjeeve Bhaskar as DI Sunny Khan. Since inception this show has attracted top quality British actors. This series was dominated by awesome performances particularly from Alex Jennings, James Fleet and Neil Morrissey (getting better and better in each drama part,although here he certainly need more screen time). But I wasn’t expecting such a split opinion on the ending, especially as this has become a truly beloved British drama. I wasn’t immediately on board back at their humble beginnings, and I admit I snarked at the first episode back in 2015. I was very happy to be proven wrong; the atmosphere wasn’t lacking in comparison to Scandi drama – it was just different.
Online, people seemed annoyed that there was no twist in the tale and that the final episode ran out of steam. Although, thinking about it, do any of the series so far provide a neat and satisfying ending? In series 2 because of the nature of the crime, the number of perpetrators and the time passed the police decide there was no value in pursing and prosecuting anyone. Was this what the audience wanted? Do we demand everything tied up neatly in a bow? Or do we realise if you strive for realism on TV in style and storyline that endings will inevitably be messy, just like in real life?
Good news and bad news this week in telly land. We’ll get straight to it and to soften the blow we have cake!
To save us from feeling too miserable now the stunningly successful Rio Olympics has finished I’m happy to report that The Great British Bake Off is back this Wednesday 24 August at 8pm on BBC1. Love it or loath it.. no hang on, I know it’s formulaic game show tv produced by the same company who made the Daily Mail clickbait Benefits Street, but it’s the only one in that whole vast landscape of competitive human misery (ours) and self-delusion (the contestants) that actually works. No one is mean or manipulative, the judge’s criticisms are genuinely constructive and it is positively joyful.If you loath it, then you need to check yourself. I’m sorry for you.