This is a full review of episodes 7 and 8 of Trapped so don’t read on unless you’re up to date.
Episode seven opens with the fairytale of Gutti the goat boy, his personal tragedy and how he gets trapped in a lost future. If it’s meant to evoke any sympathy or understanding in steely Halla it falls flat. “Gutti was an idiot” she says. There’s more myths and legends butting up against the everyday in these episodes as the villagers start to feel they’re cursed.
The man competing for unluckiest villager is Vikingur, stood awaiting his fate against a very suitable blood-red backdrop locked in a room in the plant to keep him safe from the angry mob. His white shirt is splattered in blood, the backdrop is a once-white sheet covered in red spray paint. Pawel was hit in the head with a nasty-looking pointed hammer and Vikingur looks extremely guilty. Pawel the Pole was running jobs with various foreign workers at the plant. Was he a mini mob boss? If so, I bet he had plenty of enemies.
Stefan, the clean-cut pal of Vikingur, rescues Ebo from yet another mob and puts him up with Hjortor and his girlfriend Soffia. Stefan can’t help but look guilty to seasoned fans of the genre – he’s so clean-cut he must be hiding something. Ebo speaks to the police to provide some context for Vikingur’s rage at Pawel and the homophobes they worked with. Lovely Asgeir’s English is beautifully spoken in this scene; he’s so kind to this terrified man.
Continue reading “‘Trapped: Series 2’ – Episodes 7 & 8”
Fifteen years ago if you had an extensive collection of serial killer literature on your bookshelf your date might leave with certain preconceptions about you and they might not be in a hurry to see you again. These days they’ll probably ask you what podcasts you’re listening to, whether you’ve seen The Staircase or who you think really killed Sister Cathy in The Keepers. True crime has come out of the closet and the first major show on Netflix that did that was Making a Murderer. Even if you were living under a rock three years ago you’d still have heard about it. It was easily Netflix’s most talked-about series ever, and arguably the most important true crime TV show in decades. Now it returns for a long-awaited second series.
The original investigative filmmakers Laura Ricciardi and Moira Demos are back and hard at work, embedded in the ongoing troubles of the Avery family and their apparent relentless persecution by the American justice system. If you need a quick refresher Steven Avery was originally convicted of a sexual assault on Penny Beerntsen despite having a solid alibi. For that he served an 18 year sentence. That conviction was finally overturned in 2003 and he was freed. He then filed a $36 million civil lawsuit against Manitowoc County and the law enforcement officers who framed him. Just two years later Avery and his 16 year old nephew Brendan Dassey were tried and convicted by those same institutions for Teresa Halbach’s murder. She’d disappeared after photographing a car at Avery’s salvage yard. The hugely flawed conviction was clear to anyone with even a passing interest in how the police should work as vulnerable Brendan was coerced into his confession during a hugely irresponsible questioning where he had no responsible adult or legal council present. The video footage of his confession remains grueling to watch.
Continue reading “‘Making a Murderer: Part 2’ – Netflix”
SPOILER warning: this post deals with the final episode of Unforgotten Series 3. Do not read on unless you are up to date with both series 2 and 3. Catch up with all the box sets on ITV Hub now.
Unforgotten bowed out after a tremendous third series at the weekend. No one disagreed that it was an acting masterclass from start to finish, led by stalwarts Nicola Walker as DCI Cassie Stewart and Sanjeeve Bhaskar as DI Sunny Khan. Since inception this show has attracted top quality British actors. This series was dominated by awesome performances particularly from Alex Jennings, James Fleet and Neil Morrissey (getting better and better in each drama part,although here he certainly need more screen time). But I wasn’t expecting such a split opinion on the ending, especially as this has become a truly beloved British drama. I wasn’t immediately on board back at their humble beginnings, and I admit I snarked at the first episode back in 2015. I was very happy to be proven wrong; the atmosphere wasn’t lacking in comparison to Scandi drama – it was just different.
Online, people seemed annoyed that there was no twist in the tale and that the final episode ran out of steam. Although, thinking about it, do any of the series so far provide a neat and satisfying ending? In series 2 because of the nature of the crime, the number of perpetrators and the time passed the police decide there was no value in pursing and prosecuting anyone. Was this what the audience wanted? Do we demand everything tied up neatly in a bow? Or do we realise if you strive for realism on TV in style and storyline that endings will inevitably be messy, just like in real life?
Continue reading “‘Unforgotten’ Series 3 – ITV”
After the mauling that The Guardian gave BBC1’s new cop show/ sci-fi drama you’d be forgiven for thinking the BBC were presenting a badly-written festive pantomime like A Christmas Carol Goes Wrong . This was the tone of the preview published at 11am yesterday. The actual 4 star review landed a few hours later calling it gutsy and ambitious. Same newspaper, very different opinion. Great work guys – don’t make up your mind about something, teach the controversy.
So safe to say this end-of-the-world drama written by Neil Cross of Luther fame is polarising opinions. Twitter seemed suitably impressed and a lot of people were very happy to realise the series was all set ready to binge on iPlayer. We put the second episode on straight away but now I’m not sure how much more of it I want to see.
Continue reading “‘Hard Sun’ Episodes 1 & 2 – BBC1”
This spring ITV and BBC1 are both banking on strong comebacks from Broadchurch and Line of Duty – two behemoths of British drama. Standards are high and expectations even higher – let’s check in with them both…
ITV’s Broadchurch was roundly panned for a patchy second series where the writers tried to do two stories at once and did them both badly. The courtroom scenes were embarrassingly poor with very little in the way of reality, or even a coherent story. Strangely a solicitor friend of mine enjoyed it, but maybe she’s not looking for gritty realism after a full day defending people in the dock. Her giving it the benefit of the doubt was extremely generous; she was very much in the minority. Series 2 had terrible ratings and people gave up on it in droves (including Mr H who doesn’t have time for bad tv). It should serve as a warning to all broadcasters eager for a hit – one good series is always better than undermining it with a poor return.
Continue reading “‘Broadchurch’ (Series 3) and ”Line of Duty’ (Series 4)”