Spoiler warning: this is a full review of Apple Tree Yard so if you’re spoiler conscious, please look away now!
Apple Tree Yard is an eye-catching thriller, adapted from the novel of the same name by Louise Doughty about Dr Yvonne Carmichael (award-winning Emily Watson) and dashing Mark Costley (Ben Chaplin). The pair meet by chance at the Houses of Parliament. She’s there to give a talk on her work in genetics. Why he’s there is never really explained. He bats his eyelashes at her and invites her to tour the secret chapel. That’s the magic words as within about 5 minutes of meeting they’re having sex! This is the very definition of a whirlwind romance.
This secret romance is a big deal to Yvonne. It’s all a bit grimy and sordid, but very exciting. She falls head over heels for a man she knows nothing about. It’s sort of a way to get her own back on her dodgy husband Gary (played by Mark Bonnar, an actor who seems to be in literally everything), but mainly to feel like an interesting and attractive middle-aged woman. I’d argue it’s the affair, not her Mr X as a person, that makes her feel good. It’s what it represents – the fight against aging and slowing down the inevitable invisibility as a desirable sexual woman. All this comes hot on the heels of her about to become a grandmother, and that’s surely no accident.
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This review has been published days after the first episode of Series 7 has been broadcast, so yes, it is totally filled with spoilers. Consider yourself warned!
After a remarkably pathetic end to Series 6 I must admit it was hard to care about The Walking Dead in the off-season. The reveal of the new big bad guy was much delayed so that Negan was only on-screen for a few minutes and he seemed decidedly one-note. This was the guy whose name had been a whispered threat running through the last series?! And his weapon of choice is a baseball bat?! Humph!
And then we knew who dunnit, but didn’t know who he’d dunnit to, thanks to the totally shitty ‘blood on the lens’ effect. Such an obvious manipulative tactic to keep the audience interested. I’d have been really angry if I could have mustered the effort. Newsflash! This is series 6 into 7. If by now the writers and production team haven’t realised by now the audience is interested and loyal, and there’s zero chance of getting canned by Fox, then they’re far thicker than we ever imagined.
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A few words about The Night Manager, the excellent John Le Carre adaptation that has been wowing drama fans on BBC1- the last episode is this weekend. Like the majority of critics I’ve been hooked on exciting times in exotic locations with handsome actors.
The all-star cast features so many versatile, award-winning actors who have serious comedy chops. It feels like these funny charming characters are having to tone it down a bit, or indeed turn up the angry flashing stares and gritty malevolence – Hugh Laurie and Tom Hollander are amazingly sinister. Olivia Colman and Adeel Akhtar ( who I recognised from the film Four Lions) are shaking up the British Intelligence Services from the inside and old boys club seems to have had something of a makeover.
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