This is a full review of episodes 5 and 6 of Trapped so don’t read on unless you’re up to date.
Welcome to a couple of subdued but pivotal episodes as we reach the halfway mark in Trapped, despite Andri admitting he’s really back at square one in the investigation. Episode five in particular is quite slow and introspective as it centers around Gisli’s funeral. It marks a break in the action and a pause in the investigation. Gisli’s gravediggers remark on his ancestor who had “bad blood which contaminates the soil” and we get our first hint of what exactly is tearing the family apart – Gisli, Halla and Elin are the three siblings whose father went missing when they were children and his body was never found.
Young Aron’s flash car was bought by his father with cash. And as Asgeir says Finnur had a fleet of cars, with not exactly a massive wage from the plant. So this is where he spent his dirty money, and the rest is stashed in the house for Aron and Thorhildur to find after his death.
Stylish Halla is burnt but unbowed and goes to her brother’s funeral. Sister Elin accuses her of doing it for the media attention and if she hadn’t managed that already just by attending she gives a speech to the congregation and is treated like a hero. This has to be very good for her long-term political career. All the villagers scrub up well for the service in the tiny church, apart from Bardur keeping his trademark wooly hat on until Hinrika jabs him in the ribs.
Continue reading “‘Trapped: Series 2’ – Episodes 5 & 6”
Hands up if you hate your job. Look around – you’re not alone. Eighty-five percent of workers worldwide admit to hating their jobs when surveyed anonymously, according to a Gallup poll released last summer. That’s an awful lot of people. But even people with what seems to be the perfect job get totally frazzled sometimes. I’m sure even Cadbury’s chocolate taster, Dublin’s chief kitten cuddler and Chris Pratt’s hot yoga instructor have bad days too. So despite Netflix’s new cartoon Aggretsuko being subtitled Japanese anime, this rage is entirely universal.
Retsuko is an adorable kawaii red panda from the people at Sanrio who most famously brought you Hello Kitty. I kid you not. This fluffy female is far more realistic than any mascot I’ve seen before. She’s really struggling. When she gets her first office job aged 20 she’s filled with joy and purpose, strutting her stuff in corporate Japan. Cut to five long years later and she’s stuck in a thankless job, a slave to the wage. She hates her stupid, lazy, gossipy colleagues, really hates her misogynistic boss Director Ton (literally and figuratively a pig) and I bet she hates herself too, for still being single, and not being the big success she always though she would be. This is the internalised hatred of working women who have been set impossibly high standards by society. Whoah – this shit is deep for a super-cute animated red panda.
Continue reading “‘Aggretsuko’ – Netflix”
Even before it started Channel 4’s new comedy Back has a whole list of things going for it. It’s exciting to see David Mitchell and Robert Webb back together again working with writer Simon Blackwell who penned Veep, The Thick Of It and, most importantly, a few episodes of the iconic Peep Show. Back is a six part sitcom that gets the Peep Show boys together again and is directed by Ben Palmer, the man behind The Inbetweeners. So far so brilliant; what an excellent comedy pedigree!
And yet, a pause. Let’s not get carried away people, because real comedy fans know sitcoms need time and patience to develop and grow. This is even more important in this hyper-connected, hyper-critical era where everyone has an opinion and expresses it loudly on social media. Not all great comedy is instantly great straight out of the blocks. Those of us of a certain age whisper “Remember Blackadder!” Series 1 of Blackadder is no one’s favourite and the one no one talks about. Given time, fresh focus and another chance it became a comedy classic. It’s so sad that those days are over, and it’s sink or swim based solely on the first episode.
Continue reading “‘Back’”