‘The Bridge’ – Series 4, Episode 8

This is a full review of The Bridge: Series 4, Episode 7. Catch up with all the reviews here. Don’t read on unless you’re completely up-to-date on the BBC2 schedule!

The Case

An urgent message about the identity of the killer is left in an in-tray of a man who is on some sort of compassionate leave. Not a detail everyone will have noticed, but it makes administrators livid. So our professional runaways Julia and Ida are back in the storyline and on the run from Niel’s mild-mannered assistant Susanne Winter. Back in the day she also answered to Steph, and was having an affair with tragic Tommy as a lot of people suspected by the end of the last episode. Prior to that she flew under the radar throughout the series, but she’s a badass brutal thug, who doesn’t give a shit. Tasing kids in the middle of suburbia in broad daylight and stuffing them in the boot of a car, with zero concern for nosey neighbours hiding behind their net curtains.

And after that scene I nominate Sofia Helin for the next James Bond. Saga’s presence of mind is like nothing else on earth. She’s just been shot but she finds her gun and takes out Susanne’s moving car. It’s interesting to me how Steph/Susanne has hidden so well behind a respectable mousy exterior, perhaps assisted by the European stereotypes of being an Asian woman. Her carefully constructed identity jars with the idea that she would be boastful, keeping trophies as Saga mentions and as the police find in the prop department, I mean, flat.  Also, we all know the case can’t be wrapped up neatly with a bow on top in just 20 minutes.

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‘The Bridge’ – Series 4, Episode 7

This is a full review of The Bridge: Series 4, Episode 7. Catch up with all the reviews here. Don’t read on unless you’re completely up-to-date on the BBC2 schedule!

Happily we still have a Henrik this week. Our brave and stupid Dane gets off with a serious pain in the leg and a severe tongue lashing from boss Lillian about his ridiculous risk-taking. As predicted the GoPro killer (what is his/ her official nickname?) didn’t want to shoot Henrik as death to them is the easy way out. He wants his victims to suffer.

The Case

Chris flees from crazy Frank locking him up in the old factory. Frank looks like his hobby is well-planned. He’s got history in kidnapping kids.

Decapitation and firing squad are the methods left unchecked on the team’s control room list. So that’s equal parts terrifying and spectacular.

Mysterious dead Douglas was a Private Investigator who Niels says he hired after his wife’s death to hurry the investigation along. Saga uncovers private police documents in his office that show the mole in the team is working hard on leaking sensitive information all over the place.

Saga is on to Anna, Astrid and Frank thanks to Chris’ confession about killing Dan in the Village of the Damned. Frank seems so reasonable but there’s a monster is hiding just under the surface of respectability. In this episode Frank’s answer to everything is violence. The tension is unbearable as Frank locks the front door and goes to find Astrid toting a shotgun. (“For fucks’ sake! We demand a happy ending!” is written in my notes at this point.) Why did the sniper not take the clear shot he had at Frank’s squishy little head? And how come they can organise a whole SWAT team for a cold case with little to no notice? Those questions aside, good work team!

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‘The Bridge’ – Series 4, Episode 6

This is a full review of The Bridge: Series 4, Episode 5. Catch up with all the reviews here. Don’t read on unless you’re completely up-to-date on the BBC2 schedule!

This week is Tommy’s story. The guy Henrik picked out of the files and put at the top of the investigation board gets a 18 minute long pre-credit explainer. I’m not usually a fan of this way of storytelling, but we are presented with a perfect concise package – a gift to the viewer that comes packed with answers we’ve been dying to find out for weeks.

Four Years Ago

Tommy Peterson worked for the dangerous mob boss William Ramberg, and was a police informant trying desperately to keep a violent gang war from happening. Henrik and Lillian promised to intervene before the shooting started, but couldn’t get sign-off from the prosecutor’s office. All this takes place on Tommy’s son’s birthday, and his son is revealed as wheelchair-user Kevin from Henrik’s NA group. Only four years ago he had the use of his legs and was called Brian.

Tommy is a patient of Niels the psychologist who can’t help him other than by prescribing drugs. And he goes to Richard Dahlqvist to do a tell-all for a newspaper – “Six Dead in Gang War. Police Informed, Did Nothing”. Unfortunately Richard’s eye for detail is Tommy’s ultimate undoing. The way he smokes a cigarette is distinctive and described in the article. In a terrifying meeting with William it’s clear the gangsters know he’s the snitch and they’re preparing to kill him. Turns out Danish cigarettes can kill you in two very different and equally nasty ways. Tommy is clever though, and has set up an escape route but is let down by his friend Moyo. In a classic gangster movie scene it’s William in the car who comes by to sweep up poor Tommy. There’s nowhere left to run.

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‘The Bridge’ – Series 4, Episode 4

This is a full review of The Bridge: Series 4, Episode 4. Catch up with all the reviews here. Don’t read on unless you’re completely up-to-date on the BBC2 schedule!

Well colour me confused. What are they playing at? The halfway point maybe not the best spot to introduce a whole new cohort of an already large cast. This is daunting even for seasoned viewers. If you watched the whole episode without pausing to wonder who someone was, who they were related to, and how they were linked to the case then you’re doing far better than me.

The Case

Taariq needs penge, and quickly. You’ve got to admire his audacity in trying to blackmail a murder suspectstealing his wallet and car. Someone told me Taariq was going to get a severe new haircut and I did wonder in a world as dark as The Bridge, does that mean he’ll lose his head? Of course the answer is yes. As Taariq finally realises there’s no way out Henrik and Saga are called to the scene of his armed stand-off. Saga’s compulsive twitching as she attempts to defuse the situation is unbearable. Taariq can’t handle the truth, and unfortunately for him, Saga can’t hide it. A final violent act is preferable to a future in jail or being deported to a repressive regime. Henrik and even Saga seem heartbroken at his death.

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The Official Jontosaurus Top Five Memorable The Walking Dead Deaths Of All Time!

The mighty Jontosaurus is risen. Fear him! And also, read his top 5 The Walking Dead deaths and feel all squishy inside for gore of yore…

AMC’S The Walking Dead is in a dark place right now, with viewing figures at their lowest point since season 1. Reviews of season 8 have been remorseless, but there can be no denying that throughout the show’s massive run there have been some truly memorable characters that have perished in some truly memorable ways. And, in the case of Glenn, there have been about ten times we’ve thought he was going to die, only for him to turn up alive- sometimes without a whole lot of explanation. So, in honor of Glenn- God rest his fictional soul- here is a rundown of The Official Jontosaurus Top Five Memorable TWD Deaths Of All Time. As always, this is based purely on personal opinion, so please don’t be offended if your ‘favourite’ doesn’t make it in. Oh, and it goes without saying… but there may be spoilers ahead for those of you who have been living in a cave for the last few years. To be fair, I will try and avoid the most recent two or three seasons just to play it safe.

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  1. Hershel Loses His Head

“When all others lose theirs…” didn’t seem to be part of the plan for Hershel, who definitely loses his head, albeit in a clumsy and ultimately tragic way. Used as a sort of bargaining chip during The Governor’s assault on the prison, he is dragged out and negotiated over like a piece of meat. Just when it seems as though the adorable, well reasoned old man is going to pull through, the series decides to take a drastic U turn. As Maggie and Beth’s father, Hershel has already lost a leg due to a Walker bite, and although he looks about as resilient as a water paper bag, he’s clearly a tough old dog who isn’t ready to throw in the towel just because the apocalypse has reared its ugly head. Unfortunately, the Big Bad in form of David Morrissey’s The Governor has other ideas, and after a drawn-out affair, he grabs a samurai sword- a very familiar samurai sword for that matter- and lops off the old man’s head. What makes this scene so unexpected is that it leaps upon us as viewers just when we think the old man may be spared, and it also shows the removal of the head in graphic detail. We watch as the Governor messes up his first chop, only partly severing the neck, and all the while the dying Hershel just sort of kneels there, serene and untroubled, as his head is cut off. Truly harrowing but, sadly, not the most harrowing death on this list.

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‘Gomorrah’ – Series 1

Welcome to Italy, Naples to be exact. Only these intimidating inner-city destinations won’t be on any tourist trail. If you end up in these locations you holiday stroll has taken the worst of wrong turns. Welcome to Gomorrah.

Gomorrah is based on the non-fiction investigative book — 2006’s Gomorrah: Italy’s Other Mafia by Roberto Saviano, a journalist who got such a close and detailed look at Naples mafia he is now living in hiding. Gomorrah is the highest-rated show to ever air on the Italian network Sky Italia, far outstripping American imports such as Game Of Thrones and House Of Cards. There’s a strong familial resemblance to The Wire, as this captivating Italian series is also an immersive look at street-level crime, gang organisation and shocking scenes of unflinching violence.

Naples is a colorful city but those colours are washed-out neon, like looking at life through a fishbowl. In similar way to Braquo this is firmly set in the grimy underbelly of the city, filled with leather jacket wearing hard men. This is the territory of the mafia; running drugs, buying crooked cops and dishing out violence to all who cross them. And we meet them at a paranoid time – there’s problems with extra cops, neighbourhood watch and journalists crawling around the blocks. Everything is changing.

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‘Kiri’ – Channel 4

It’s always exciting to see Sarah Lancashire back on TV. I’ve been a big fan for a little while, since Happy Valley really, and drama lovers will agree that she’s a big draw for a new series. Writer Jack Thorne has another ripped-from-the-headlines story for us and hopes are high as he wrote National Treasure broadcast in 2016 which won the best mini-series BAFTA. That was about historic cases of sexual abuse, drawing on various high-profile scandals involving celebrities. This is about vulnerable children under the care of social services and calls to mind some recent real-life cases.

Sarah Lancashire plays Miriam Grayson, a Bristolian social worker who decides to offer unsupervised visits between 9-year-old Kiri and her grandparents. Kiri is a young black girl about to be adopted by a middle-class white family and social services agree she ought to know “where she came from”, and have a chance to develop links with appropriate members of her birth family. While Kiri is on her visit, she goes missing, apparently abducted by her ex-con birth father Nathaniel. This is all made clear in the first 30 minutes, so knowing the laws of TV drama, this means literally anything could have happened to her.

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