Welcome to Italy, Naples to be exact. Only these intimidating inner-city destinations won’t be on any tourist trail. If you end up in these locations you holiday stroll has taken the worst of wrong turns. Welcome to Gomorrah.
Gomorrah is based on the non-fiction investigative book — 2006’s Gomorrah: Italy’s Other Mafia by Roberto Saviano, a journalist who got such a close and detailed look at Naples mafia he is now living in hiding. Gomorrah is the highest-rated show to ever air on the Italian network Sky Italia, far outstripping American imports such as Game Of Thrones and House Of Cards. There’s a strong familial resemblance to The Wire, as this captivating Italian series is also an immersive look at street-level crime, gang organisation and shocking scenes of unflinching violence.
Naples is a colorful city but those colours are washed-out neon, like looking at life through a fishbowl. In similar way to Braquo this is firmly set in the grimy underbelly of the city, filled with leather jacket wearing hard men. This is the territory of the mafia; running drugs, buying crooked cops and dishing out violence to all who cross them. And we meet them at a paranoid time – there’s problems with extra cops, neighbourhood watch and journalists crawling around the blocks. Everything is changing.
Continue reading “‘Gomorrah’ – Series 1”
It’s always exciting to see Sarah Lancashire back on TV. I’ve been a big fan for a little while, since Happy Valley really, and drama lovers will agree that she’s a big draw for a new series. Writer Jack Thorne has another ripped-from-the-headlines story for us and hopes are high as he wrote National Treasure broadcast in 2016 which won the best mini-series BAFTA. That was about historic cases of sexual abuse, drawing on various high-profile scandals involving celebrities. This is about vulnerable children under the care of social services and calls to mind some recent real-life cases.
Sarah Lancashire plays Miriam Grayson, a Bristolian social worker who decides to offer unsupervised visits between 9-year-old Kiri and her grandparents. Kiri is a young black girl about to be adopted by a middle-class white family and social services agree she ought to know “where she came from”, and have a chance to develop links with appropriate members of her birth family. While Kiri is on her visit, she goes missing, apparently abducted by her ex-con birth father Nathaniel. This is all made clear in the first 30 minutes, so knowing the laws of TV drama, this means literally anything could have happened to her.
Continue reading “‘Kiri’ – Channel 4”
Busy mother of two Jo (Indira Varma) has a lovely boyfriend in Danny (Luke Treadway). who has moved in to her suburban home and is adjusting to family life. On an otherwise normal day some mystery person drops a bombshell. On the school run Jo receives an anonymous text message alleging her boyfriend is having an inappropriate relationship with her 11-year-old daughter Katie.
We see Jo over the course of an agonising day sitting at home in an empty house, dwelling on the message, snooping around but getting no answers. Nothing really happens, but it all happens on Jo’s face thanks to Indira’s gut-wrenching acting. Danny is sexy, and it seems Katie and her friends have noticed judging by their comments on Instagram. Is Danny predatory? Worse still is Katie reciprocating? It’s a very uncomfortable thought but it’s close to how young women think. What is harassment? What is flattery? The lines are blurred when children are still learning the boundaries, and people can and will take advantage. “She’s at that age” is a catch-all for unusual teenage behaviour, but what if something unpleasant is provoking it?
Continue reading “‘Unspeakable’ – Channel 4”
Even before it started Channel 4’s new comedy Back has a whole list of things going for it. It’s exciting to see David Mitchell and Robert Webb back together again working with writer Simon Blackwell who penned Veep, The Thick Of It and, most importantly, a few episodes of the iconic Peep Show. Back is a six part sitcom that gets the Peep Show boys together again and is directed by Ben Palmer, the man behind The Inbetweeners. So far so brilliant; what an excellent comedy pedigree!
And yet, a pause. Let’s not get carried away people, because real comedy fans know sitcoms need time and patience to develop and grow. This is even more important in this hyper-connected, hyper-critical era where everyone has an opinion and expresses it loudly on social media. Not all great comedy is instantly great straight out of the blocks. Those of us of a certain age whisper “Remember Blackadder!” Series 1 of Blackadder is no one’s favourite and the one no one talks about. Given time, fresh focus and another chance it became a comedy classic. It’s so sad that those days are over, and it’s sink or swim based solely on the first episode.
Continue reading “‘Back’”
The Last Dragonslayer on Sky 1 was a proper Christmas treat and should have been on everyone’s list to watch instead of the Doctor Who christmas episode, shown at the same time. In this reviewer’s opinion Doctor Who has been limping along since the unfortunate Peter Capaldi took over. The sooner we see new showrunner Chris Chibnall’s work in 2017 the better, although it’d take a miracle to lure me back. Anyway I digress…
This much more satisfying slice of fantasy was served up by novelist Jasper Fforde. I’ve read quite a few of Fforde’s weird postmodern literary stories but never realised he’d branched out into young adult fiction. Happy to report that while retaining his own odd identity (more on that later) this shared elements with classic YA stuff like the Harry Potter series, Rincewind’s adventures in the Discworld and the magnificent His Dark Materials trilogy by Philip Pullman.
This is a full review, so if you want to avoid spoilers go watch it now and come back later.
Continue reading “‘The Last Dragonslayer’”