Dara O Briain’s Go 8 Bit is a happy little comedy panel show/ game show hybrid which was originally created by comedians Steve McNeil and Sam Pamphilon during the Edinburgh Festival Fringe in 2013, and then transferred to television on Dave at the end of last year. The genial and very recognisable Dara Ó Briain is in the host’s chair, with Steve as Sam acting as team captains, and video game journalist Ellie Gibson as the resident expert. The show invites celebs to join the teams each week to play a series of video games against each other. These days I think the kids just call them ‘games’.
I warmed up to this little Bejeweled Blitz gem last year and was happy to see it’s been recommissioned for a second and third series. More proof that with the internet fuelling the mobile revolution and people in all age brackets spending more time in front of screens that gaming is no longer niche. However Go 8 Bit knows its audience and is fondly retro and a warm nostalgic hug. The panelists are asked to come on and nominate their favourite games to play. They range from the ancient arcade classics to the modern commute time-killers, and from the massive studio franchise to the tiny indie developers. The games are adapted cleverly to make them tv friendly. Studio audience participation is encouraged where the audience bet on which team will win each game and that affects the overall points total.
If you’ve not yet heard anything about the The Handmaid’s Tale, let me give you a hand getting out from under that rock where you’ve been hiding. This is an MGM production being show on Hulu in America. They seem to be a good 7 episodes ahead of us. Sadly, even in 2017, sometimes America is ahead of us in tv land. It’s great to have synchronised start dates, but it’s still not the norm. Avoiding spoilers for this much talked-about show is going to be a killer.
A few weeks after starting in the USA this 10 part drama series has been picked up by Channel 4 in the UK, which, as the young, intelligent, and left-leaning political channel is a really good fit for their brand and a bit of a coup. The series is based on a novel by Canadian author Margaret Atwood and despite its startlingly relevant content was actually written in 1985. So this dystopian future Atwood envisaged is 30 years closer than we’d have hoped for, and none of her themes are any less relevant or possibilities presented any less realistic. In interviews Atwood says that none of these war crimes in the fictional Republic of Gilead are entirely made up – all have happened somewhere on the globe. This really is extremely dark stuff. Do we as the audience have the stamina to get through it?
The series opening is distressing, as our heroine Offred is violently parted from her husband and daughter, but it’s not a tense escape. We know she’ll get caught. The rippling tension comes from her social position at her new posting with the Commander (Joseph Feinnes) and his wife Serena Joy (Yvonne Strahovski).
Morgana Robinson is a famous face that you might not recognise. Such is the life of a telly impersonator. She was excellent as Julie the odd-ball seductress in Vic and Bob’s House of Fools, ‘Puppah’ Middleton in The Windsors and in painfully funny Sky Arts sketch show Psychobitches (more of all of those please!).
In The Agency she plays all the characters on the books at Mann Talent Agency. These celebrities are helpfully named in the opening credits for those of us who a) don’t watch Eastenders or b) don’t think she looks much like Greg Wallace (but then really that’s no bad thing). She’s unusual because she brings both female and male stars to life with equal aplomb. You can see she’s studied their movements and mannerisms just as closely as their voices.
A few words about The Night Manager, the excellent John Le Carre adaptation that has been wowing drama fans on BBC1- the last episode is this weekend. Like the majority of critics I’ve been hooked on exciting times in exotic locations with handsome actors.
The all-star cast features so many versatile, award-winning actors who have serious comedy chops. It feels like these funny charming characters are having to tone it down a bit, or indeed turn up the angry flashing stares and gritty malevolence – Hugh Laurie and Tom Hollander are amazingly sinister. Olivia Colman and Adeel Akhtar ( who I recognised from the film Four Lions) are shaking up the British Intelligence Services from the inside and old boys club seems to have had something of a makeover.