‘The Walking Dead: Series 7’ – On the Box

This review has been published days after the first episode of Series 7 has been broadcast, so yes, it is totally filled with spoilers. Consider yourself warned!

Well, shit!

After a remarkably pathetic end to Series 6 I must admit it was hard to care about The Walking Dead in the off-season. The reveal of the new big bad guy was much delayed so that Negan was only on-screen for a few minutes and he seemed decidedly one-note. This was the guy whose name had been a whispered threat running through the last series?! And his weapon of choice is a baseball bat?! Humph!

And then we knew who dunnit, but didn’t know who he’d dunnit to, thanks to the totally shitty ‘blood on the lens’ effect. Such an obvious manipulative tactic to keep the audience interested. I’d have been really angry if I could have mustered the effort. Newsflash! This is series 6 into 7. If by now the writers and production team haven’t realised by now the audience is interested and loyal, and there’s zero chance of getting canned by Fox, then they’re far thicker than we ever imagined.

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‘The Last Kingdom’ – Seeing the Future

Exciting times for history fans! The Last Kingdom (BBC2)  starts this week (22 october at 9pm). Expect fighting frightening Vikings, blood and gore, and defending the shores of the British Isles. Expect important and resonant themes of immigration and colonisation. Expect rugged men looking rugged astride horses against rugged landscapes. And expect Bernard Cornwell’s books (this show is based on his series The Saxon Story) to be stacked sky-high in Waterstones.

But don’t expect dragons. Or magic. And it seems there’s slim chance of sex or nudity. If we’ve learned anything this week it’s been that writer Bernard Cornwell is not a fan of Game of Thrones. His work in based in history, so while the costumes, weapons and landscape look epic and lavish, there’s zero fantasy elements.

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