This week, with the UK under deep snowdrifts we bid goodbye to the always summery Detectorists. As the watchful magpie reminds us, our heroes should be looking up not down. Their metal detectors are pretty useless in this case, and it’s in the branches of the lovely old tree, beneath which we’ve seen them shelter for so many years, where the trickster magpies have hidden their ancient hoard.
The tiny heartbreaks of this series have done their job and we are rewarded with stronger happier relationships. Lance with his daughter Kate and his girlfriend Toni, who are not at odds with each other for his affection, and who seem like they could be excellent friends. TV writers take note; women can be friends, not just bitchy rivals. It was a shock to see Lance’s horrible ex-wife Maggie return (played with relish and skill by Lucy Benjamin). She had a useful but very short storyline. Her evil plans were scuppered easily. Maybe she was a little underused?
If you’ve not yet heard anything about the The Handmaid’s Tale, let me give you a hand getting out from under that rock where you’ve been hiding. This is an MGM production being show on Hulu in America. They seem to be a good 7 episodes ahead of us. Sadly, even in 2017, sometimes America is ahead of us in tv land. It’s great to have synchronised start dates, but it’s still not the norm. Avoiding spoilers for this much talked-about show is going to be a killer.
A few weeks after starting in the USA this 10 part drama series has been picked up by Channel 4 in the UK, which, as the young, intelligent, and left-leaning political channel is a really good fit for their brand and a bit of a coup. The series is based on a novel by Canadian author Margaret Atwood and despite its startlingly relevant content was actually written in 1985. So this dystopian future Atwood envisaged is 30 years closer than we’d have hoped for, and none of her themes are any less relevant or possibilities presented any less realistic. In interviews Atwood says that none of these war crimes in the fictional Republic of Gilead are entirely made up – all have happened somewhere on the globe. This really is extremely dark stuff. Do we as the audience have the stamina to get through it?
The series opening is distressing, as our heroine Offred is violently parted from her husband and daughter, but it’s not a tense escape. We know she’ll get caught. The rippling tension comes from her social position at her new posting with the Commander (Joseph Feinnes) and his wife Serena Joy (Yvonne Strahovski).
Missing your Downton Abbey Sunday evening fix? Fancy a posh period drama? They don’t come any posher than this. Dramatist Peter Morgan (who wrote the film The Queen from 2006) offers us a new biographical series about Queen Elizabeth II and her family, disappointingly not called Keeping Up With The Windsors. It’s one of the most lavish and expensive period dramas ever made, and everyone who watches this sort of telly was startled to find out it wasn’t going to be broadcast on the BBC, the go-to broadcaster for Grandma-friendly programming. New commissioning behemoth Netflix apparently paid £100 million for the first 20 episodes, so you can see why the Beeb might have said no, in a year where they couldn’t find enough change down the sofa to keep Mel, Sue and Mary in their big tent.