Comedy roast are not all that common in the UK, despite this being the home of the Archbishop of Banterbury, Bantom of the Opera and the Bantersaurus Rex (lads! lads! lads!). While we’re very much at home with taking the piss out of each other in the pub, the playground and all-office emails, this kind of vicious verbal sparring in front of an audience is a format that we’re just not used to in merry old England. We leave that to the Americans, and a proud history they have of it too. Instantly this new Comedy Central show is a bit out of step for the British audience looking for funnies, with a post-apocalyptic set, macho gunshot sound track, and the studio audience expected to shout and point as well as drink and laugh. It’s all a bit too much to believe we can multitask like this.
I love stand-up comedy, on tv and especially live (shout out to the excellent Fat Penguin club nights in Birmingham – if you’re in the Midlands check them out), but I turned this on and watched it through my fingers. I didn’t was this format to fail, but it was bound to be a disaster, right? As The Guardian said “Roast battles and insult comedy? No thanks, we’re British”. But despite the silly gunshot noises and the heavy reliance on Paper Planes by MIA, the battles themselves were not as aggressive as I’d thought. If anything the style is collaborative; usually solo comics acting as a team, building on each other’s jokes, laughing at themselves and visibly enjoying the experience. I was all set to hate it but the four comedians in the first episode did such a good job they quickly won me over.
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The Norwegian crime drama Eyewitness is a tricksy little fiend before we even start. I’ve been looking forward to this for literally months. Walter Iuzzolino (of Channel 4 Walter Presents fame) mentioned it as one to watch back at the end of last year at the live event in Birmingham Literary Festival in October. I might have been writing this blog for 18 months now, but I still have much to learn about what ‘coming soon’ means in the world of television. Soon wasn’t soon enough, and while constantly refreshing the Walter Presents schedule I was getting antsy. Surely lovely Walter wouldn’t fail me. The days and weeks ticked by and winter became spring. It wasn’t in any listings for shows coming soon until suddenly I saw an advert for it two weeks before the air date. Unfortunately for me, three weeks before the air date I’d bought it. In a dark moment of desperation I gave up on Walter and got the DVD. Lesson being, trust Walter and don’t worry. He’ll see you right.
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Modus is familiar even before it begins. It’s an eight part Swedish crime drama shown on BBC4 in the Saturday 9pm slot usually reserved for foreign langauge drama. The credits are familiar again – a nod to the skyline of The Bridge and the grizzly but striking black and white body parts of Trapped. It’s a new tradition that dramas especially must have stylish opening credits, extra points for slow motion and an air of chilly bleakness.
So this is Christmas, in a snow-covered pine forest. A delightful Christmas card scene but it’s cold, lonely and frightening. Euro horror merchants the Brothers Grimm taught us from an early age that monsters live in the forest and they were right. In this case, in a caravan.
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