The hero of Netflix’s first Indian drama is Sartaj Singh (played by Saif Ali Khan) who cuts a rather lonely figure. He’s a honest and honorable detective who refuses to be intimidated by his corrupt colleagues in Mumbai’s police force. Probably because he refuses to tow the line he’s never landed a big case. He’s trapped in a corrupt system with no way out. In good cop show style, he’s unhappily divorced, scarred, gaining weight and taking medication for anxiety. No wonder as he’s under immense pressure from his station chief to lie under oath about a unarmed teenager shot down right in front of him.
This seems like more than enough to be dealing with, but no. Right from the outset Sacred Games is a game to be played by two. His opponent is Ganesh Gaitonde (Nawazuddin Siddiqui), a notorious gangster and a fugitive in hiding for 15 years. He makes contact with Sartaj out of the blue seemingly to spill his guts about his extraordinary life. He also has a cryptic warning. Mubai’s time is numbered – there’s 25 days until the whole city is destroyed. Is he threatening the city both men say they love or is he tipping Sartaj off in the hope of saving them all? His personal god complex is clear; his first words to Sartaj are “Do you believe in God?”, but after all he’s been through he thinks he might really be immortal. And the way the show sets him up, he really could be.
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Welcome to Italy, Naples to be exact. Only these intimidating inner-city destinations won’t be on any tourist trail. If you end up in these locations you holiday stroll has taken the worst of wrong turns. Welcome to Gomorrah.
Gomorrah is based on the non-fiction investigative book — 2006’s Gomorrah: Italy’s Other Mafia by Roberto Saviano, a journalist who got such a close and detailed look at Naples mafia he is now living in hiding. Gomorrah is the highest-rated show to ever air on the Italian network Sky Italia, far outstripping American imports such as Game Of Thrones and House Of Cards. There’s a strong familial resemblance to The Wire, as this captivating Italian series is also an immersive look at street-level crime, gang organisation and shocking scenes of unflinching violence.
Naples is a colorful city but those colours are washed-out neon, like looking at life through a fishbowl. In similar way to Braquo this is firmly set in the grimy underbelly of the city, filled with leather jacket wearing hard men. This is the territory of the mafia; running drugs, buying crooked cops and dishing out violence to all who cross them. And we meet them at a paranoid time – there’s problems with extra cops, neighbourhood watch and journalists crawling around the blocks. Everything is changing.
Continue reading “‘Gomorrah’ – Series 1”