This is a full review of The Bridge: Series 4, Episode 7. Catch up with all the reviews here. Don’t read on unless you’re completely up-to-date on the BBC2 schedule!
Happily we still have a Henrik this week. Our brave and stupid Dane gets off with a serious pain in the leg and a severe tongue lashing from boss Lillian about his ridiculous risk-taking. As predicted the GoPro killer (what is his/ her official nickname?) didn’t want to shoot Henrik as death to them is the easy way out. He wants his victims to suffer.
Chris flees from crazy Frank locking him up in the old factory. Frank looks like his hobby is well-planned. He’s got history in kidnapping kids.
Decapitation and firing squad are the methods left unchecked on the team’s control room list. So that’s equal parts terrifying and spectacular.
Mysterious dead Douglas was a Private Investigator who Niels says he hired after his wife’s death to hurry the investigation along. Saga uncovers private police documents in his office that show the mole in the team is working hard on leaking sensitive information all over the place.
Saga is on to Anna, Astrid and Frank thanks to Chris’ confession about killing Dan in the Village of the Damned. Frank seems so reasonable but there’s a monster is hiding just under the surface of respectability. In this episode Frank’s answer to everything is violence. The tension is unbearable as Frank locks the front door and goes to find Astrid toting a shotgun. (“For fucks’ sake! We demand a happy ending!” is written in my notes at this point.) Why did the sniper not take the clear shot he had at Frank’s squishy little head? And how come they can organise a whole SWAT team for a cold case with little to no notice? Those questions aside, good work team!
Is it really that time of year already? Tonight I’ll take my seat with about 200 million viewers worldwide and watch the Eurovision Song Contest, taking place in Lisbon, Portugal. The £18 million show will see 26 countries go head-to-head with a diverse set of songs, and the vote will split between the public phone vote and their regional juries of pop-music experts. It’s three and a half hours of joyful silliness, amazing sets, outlandish costumes and dark mutterings about politics and the future of Europe. It’s a like a lavish wedding with all your strange and estranged relatives turning up in their most fabulous clothes, ready to get drunk, have a dance and air all those techy grievances. This powder keg is going to explode into a massive argument. There’s nothing you can do about it, so just enjoy the party.
It’s only episode 2 of the current series of Detectorists and already we can see the wheels in motion that will bring this story to a climax. The farmer’s fields that Andy (writer, director and star Mackenzie Crook) and Lance (the wonderfully versatile Toby Jones) have been searching for five years finally being to reveal its secrets in the form of a handful of Roman coins. The boys are finally getting close. But then so is the looming deadline – their permission to search this patch of blissful countryside is over forever in just 6 short weeks. Photon Harvest Solar Electricity (a name so ridiculous it sounds entirely plausible) will have their solar panels in place and it’ll be game over for our favourite detectorists.
Happily our least favourite detectorists are back too in the form of Simon Farnaby as Art (Horrible Histories is poorer without his talents) and Paul Casar as Paul aka the dastardly duo of Simon and Garfunkel. They come waving the white flag and assure Lance and Andy that all they want to do is share permissions and work together. To which Lance and Andy respond with schoolboy teasing, of course. Simon and Garfunkel deserve nothing more.
Dara O Briain’s Go 8 Bit is a happy little comedy panel show/ game show hybrid which was originally created by comedians Steve McNeil and Sam Pamphilon during the Edinburgh Festival Fringe in 2013, and then transferred to television on Dave at the end of last year. The genial and very recognisable Dara Ó Briain is in the host’s chair, with Steve as Sam acting as team captains, and video game journalist Ellie Gibson as the resident expert. The show invites celebs to join the teams each week to play a series of video games against each other. These days I think the kids just call them ‘games’.
I warmed up to this little Bejeweled Blitz gem last year and was happy to see it’s been recommissioned for a second and third series. More proof that with the internet fueling the mobile revolution and people in all age brackets spending more time in front of screens that gaming is no longer niche. However Go 8 Bit knows its audience and is fondly retro and a warm nostalgic hug. The panelists are asked to come on and nominate their favorite games to play. They range from the ancient arcade classics to the modern commute time-killers, and from the massive studio franchise to the tiny indie developers. The games are adapted cleverly to make them TV friendly. Studio audience participation is encouraged where the audience bet on which team will win each game and that affects the overall points total.
Well, the advert for this Channel 4 documentary made it look fascinating. I was sucked in. Much like the ‘twins’ depicted, this early opinion didn’t stand up to much scrutiny.
This series of experiments was based on the strange new function of social media. Now our photos are available fairly publicly online, and we have a lot more connections with all parts of the world, we are likely to see many more ‘twin strangers’. This show was inspired by that now-famous moment that went viral on Twitter – two ginger beardy guys on a flight to Galway delighted to have found their doppelgänger. Look how happy they are!
I read a really inspiring blog post last week about the importance of tv comedy. Sarah at Gracefully Falling Upwards wrote about how comedy changed her life; how it helped her laugh and feel ok during a particularly dark and difficult time in her life. She says:
“Comedy was there for me when I didn’t have the words to tell anyone how I felt. Comedy was there to make me laugh on the days that I didn’t even want to get out of bed. Comedy made me feel like the world wasn’t always so dark and painful and that eventually it does get better.”
This really resonated with me. When I was little I was pretty awkward and quite lonely. I found solace in books, rather than tv. I still do. Along side trying to keep up to date with great tv shows, and finding the time to write about them for you folks, my challenge is to read 70 books this year! (You can follow my progress at GoodReads). Basically I’m going to spend so much time sitting this year I might develop DVT!
Ladies and gentlemen of the internet. Come on a journey with me to the dark side – a cavernous living room where there’s no focal point, where sofas sit facing each other… a world in which all of the pixels are dead! Witness the insufferable smugness!
We know them, we come across them in all walks of life – the uber-poseurs (the ones who know it really should be written über). They lean in to you over their flat white, and bristle your arm slightly with their elegantly tailored Belstaff coat as they smirk and say “Oh no, I haven’t got a television” BEFORE THEY’VE EVEN BEEN ASKED. You swear you didn’t ask the question, or even think it, but they’re desperate to tell you about it. They’re like the vegans of the entertainment world.