Christmas is a time for giving and receiving, and spending a lot of money on presents that may not be exactly what the recipient really wanted. Do you have friends and relations who give great gifts or have you been in training for weeks to perfect your thank-you face? Shining eyes under a paper cracker crown, broad grin, scrabbling around in the box hoping they’ve included the receipt? “Thanks very much for the 6 pack of pan scourers Nana!” Does that sound familiar at all?
The new Watership Down adaptation showing on BBC1 and Netflix made me think they should have kept the receipt. This was one of the early festive highlights with a rumoured budget of £20 million for state-of-the-art CG animation and seems to have put the flop in Flopsy Bunny with very mixed reviews across the board. And it’s not just the ‘we should never do remakes’ crowd feeling grinchy towards these cottontails.
It’s only episode 2 of the current series of Detectorists and already we can see the wheels in motion that will bring this story to a climax. The farmer’s fields that Andy (writer, director and star Mackenzie Crook) and Lance (the wonderfully versatile Toby Jones) have been searching for five years finally being to reveal its secrets in the form of a handful of Roman coins. The boys are finally getting close. But then so is the looming deadline – their permission to search this patch of blissful countryside is over forever in just 6 short weeks. Photon Harvest Solar Electricity (a name so ridiculous it sounds entirely plausible) will have their solar panels in place and it’ll be game over for our favourite detectorists.
Happily our least favourite detectorists are back too in the form of Simon Farnaby as Art (Horrible Histories is poorer without his talents) and Paul Casar as Paul aka the dastardly duo of Simon and Garfunkel. They come waving the white flag and assure Lance and Andy that all they want to do is share permissions and work together. To which Lance and Andy respond with schoolboy teasing, of course. Simon and Garfunkel deserve nothing more.
Continue reading “‘Detectorists: Series 3, Episode 2’ – BBC4”
The Legacy is a Danish drama from DR Fiktion, but quite a different beast to stable-mates The Killing and Borgen. Series 1 was described by The Guardian as “utterly addictive” and I’m pleased to report that while the characters have grown and changed, this remains true.
Instead of dark political intrigue or dark and bloody murders in grey dockyards The Legacy offers up an enormous rambling farm-house in rural Denmark and an off-kilter family drama. This series spins out from the death of artist and domineering matriarch Veronika Gronnegaard and the after effects on her children. The Legacy in Danish is Arvingerne which literally translates as “heirs”. As these kids squabble over Veronika’s house, her reputation and her art we can see why Sky Arts picked it up rather than Sky Atlantic, the more traditional home for drama.
In series 1 we were rooting for Signe, Veronika’s fourth child adopted and brought up by normal down-to-earth people. She’s the surprise beneficiary of Veronika’s deathbed will and we’re willing her to get her share of the inheritance from her argumentative, entitled and just plain rude step-siblings. Lovely Signe learns her secret family history and is excited, but not about the money. She’s lonely and wants to be their sister. But this simple story of trying to be a blended family quickly gets messed up. Money changes people. Signe started believing her own hype.
Continue reading “‘The Legacy: Series 3’”
Another slice of Danish pastry from Walter Presents project on Channel 4. Strong female lead – check. Horrific crimes – check. Beautiful Scandinavian interiors that’ll make your house look dingy in comparison – check. You may think you’ve already got the measure of Dicte – Crime Reporter but this one is a bit left-field for Nordic Noir fans and subverts our expectations.
The Guardian suggest this series will be yet more “grey dramas about the exhausted life of a crime-solving woman” but this isn’t the case. Yes, the subject matter is very dark (people trafficking, illegal immigration, selling babies, dead babies, religious fanaticism, illegal organ trafficking – you name it, it’s all awful) but deftly handled with the themes of the crimes echoing through the lives of the lovable main characters. Sure, this show shares some of its make-up with The Killing, but also, surprisingly Sex and the City. And the theme tune is just so peppy and cheerful!
Continue reading “‘Dicte: Crime Reporter’ – On the Box”