Sky Atlantic are really stepping up when it comes to interesting Euro imports, and really competing with the big boys Walter Presents on Channel 4 and good old BBC4. Midnight Sun from Sweden was seriously amazing. Their latest offering is a dark drama that was hugely successful in its home territory of Belgium, and it soon becomes clear why. When a convicted child killer Guy Beranger (Angelo Bison) is released from prison on probation, the monks of Vielsart Abbey offer him sanctuary in a small village in Belgium’s Ardennes Forest. Creepy Guy is placed under the protection of a young Federal Police inspector, Chloé Muller (Stéphanie Blanchoud), who is herself haunted by nightmares of childhood trauma. Despite clearly not being mentally fit enough for this duty young Chloé is to be his babysitter.
Creepy Guy was convicted of five murders in 1990s. These were extremely high profile killings, mainly it seems of children, and he’s not been forgotten. On the way into the up into the forest we’re greeted with angry protests from Vielsart villagers and quite a few of the abbey monks. Father Abbot is on side, all about the Christian charity and forgiveness. Even among his own brothers he’s not made a popular decision. Will he be ousted because of this or will he teach his brothers that forgiveness isn’t easy but is always necessary?
Continue reading “‘Public Enemy’”
To be quite honest with you, the bumper Christmas Radio Times (opened gleefully way ahead of time in our house) did not fill me with joy this year. The week in which about 90% of Britain downs tools, puts on their pyjamas and watch tv all-day every-day while eating Quality Streets and drinking prosecco (a healthy balanced breakfast) usually has an abundance of great telly. Was it just me thinking it was all a bit harder to find this year? Anyway, this is my little list of tv that caught my attention over the Christmas holidays.
Click through below for seven telly offerings, some which were more coal in the stocking than a sable under the tree…
Continue reading “Christmas Telly Round-Up”
Life can change in the blink of an eye. This Channel 4 documentary about horrifying assaults makes this clear from the start. Straight away it was immediately gripping, in the style of mega-hit Netflix documentary Making a Murderer. We instantly sympathise with this baby-faced boy called Ben, talking to the camera about going to a party and snogging a girl. It’s a teenage romance. Then a drunken fight breaks out and it all turns sour. Ben describes the fight and how he was involved albeit unwillingly, defending the honour of his friend. “I’m not a violent person,” says Ben. We nod. Look at his face. How could we believe anything else? Then another face appears, another young man who was there at the party, and says no, that’s not what happened. Ben hit George with such force that he died. CCTV backs this up. Our view flips 180 degrees. What an ingenious way to start.
Continue reading “‘One Killer Punch’”
This review has been published days after the first episode of Series 7 has been broadcast, so yes, it is totally filled with spoilers. Consider yourself warned!
After a remarkably pathetic end to Series 6 I must admit it was hard to care about The Walking Dead in the off-season. The reveal of the new big bad guy was much delayed so that Negan was only on-screen for a few minutes and he seemed decidedly one-note. This was the guy whose name had been a whispered threat running through the last series?! And his weapon of choice is a baseball bat?! Humph!
And then we knew who dunnit, but didn’t know who he’d dunnit to, thanks to the totally shitty ‘blood on the lens’ effect. Such an obvious manipulative tactic to keep the audience interested. I’d have been really angry if I could have mustered the effort. Newsflash! This is series 6 into 7. If by now the writers and production team haven’t realised by now the audience is interested and loyal, and there’s zero chance of getting canned by Fox, then they’re far thicker than we ever imagined.
Continue reading “‘The Walking Dead: Series 7’ – On the Box”
Wooo! Arrrh! Woooo! …and other ghostly noises. It’s a new spooky drama on BBC1. So far, so standard but the whole series of The Living and The Dead is already available on iPlayer. The first episode doesn’t actually air on the old-fashioned telly box until Tuesday 28 June. This is the first original drama the BBC has premiered in this way, and a nod to how the ability to binge watch is super important these days.Even without use of my mystical crystal ball and Ouija board, I can see the future!
Continue reading “‘The Living and The Dead’ – On the Box”
Well this looks daft. I rolled my eyes at the advert, but then I wondered, is it too silly, or just silly enough?
As long as a show is well-written, the acting isn’t too hammy and there’s some spectacular effects we’ll sit through a lot of stuff that sounds like absolute guff written down. For examples please see fantasy/ fairy tale horror Grimm (now inexplicably in its fifth season), fantasy/ fairy tale mash-up Once Upon a Time (totally ridiculous premise, carried off with some significant flair), ’90s cultural touchstone Buffy (Teenage Mutant Vampire Hunter) etc etc.
Continue reading “‘Houdini & Doyle’ – On the Box”
A cold and bitter welcome to my new Saturday night drama obsession, in the coveted Euro drama slot on BBC4. This is Trapped, a murder mystery, police procedural type-drama: the first Icelandic drama on British tv – dark, cold and wintery. There’s been a gruesome murder, Andri the local cop with serious family problems has to save the day and a terrifying storm is setting in.
From the start the weather looks authentic – not a single flake of fake snow. I genuinely wondered if the producers had waited for a real storm to begin filming. But commenters on the internet who live quite a bit further north than me have pointed out it looks like summer with the characters running around with no hats on. A tell-tale giveaway, if you know what you’re looking for.
Continue reading “‘Trapped’ – On the Box”