In an era of 90s reboots could there be a more perfect presenter than Scarlett Moffatt to take over from Davina McCall on Streetmate duties? The original dating series ran on Channel 4 from 1998-2001 and had a whopping 45 episodes across 4 series. Before she was Ms Big Brother Davina was mainly running down streets searching for eligible singletons like Anneka Rice chasing a helicopter (a 90’s reference that won’t help millennials understand what I mean). Likely couples were set up in the street and then sent off together on a date.

A simple dating show like this is even more relevant these days, as people grow sick of using dating apps that encourage fakery and catfishing. Isn’t it exciting to meet people in real life with none of the technical gubbins getting in the way. Streetmate was always rawer and more authentic than any other dating show on tv, then and now. Having the presenter make the play reduces the very real awkwardness and takes the embarrassment out of what could be a hugely embarrassing situation.

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Dead Pixel Test Live! – The Bridge to Hinterland

Another tv treat from the Birmingham Literature Festival  this year was Hans Rosenfeldt and Ed Thomas in conversation. The men may not have household names, but you’ll certainly know their work. Hans is the leader writer and creator of international mega-hit The Bridge and Ed writes the sparse and beautiful Hinterland set in Wales. Both shows are available for a cosy night in on Netflix. The guys were on the programme as a duo because they both write about murders and cops in a distinctly unusual bilingual fashion. The interviewer from the Writers’ Guild of Great Britain skillfully weaved their experiences together, but for ease of reading I’ve pulled them apart again, with a bit of chat about similarities and differences to act as *ahem* a bridge between the two…

The Bridge – Hans Rosenfeldt

Hans is a big lumberjack type who looks super comfortable in front of the audience. I’m sure he’s well versed in talking about Saga, Martin and The Bridge. He starts by telling us a little about the writing process – 70% of the episodes he writes alone in Swedish. The scripts are translated after the third draft by a ‘proper’ translator and then one writer makes it sound “less translated” and turns it into ‘improper’ spoken Danish. He says despite Swedish and Danish sounding pretty close to our English ears “we made up the fact that we understand each other”. He says not understanding would have given them big problems with tense scenes like interrogations. So, despite appearances, it’s all false and Swedes especially have trouble with Danish. He says he’s not massively happy with the subtitles on Netflix as they are not always correct and English-speaking audiences are losing a little in translation.

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‘Eurotrash’ – On the Box

Hello my British chums! Quelle surprise! Last Friday Channel 4 resurrected 90’s classic Eurotrash for a one-off EU Referendum special – a compilation of their best bits, some new bits and of course, rude bits.

It’s hard to describe to the young’uns but in a world before the internet, before QI, this was easily a contender for weirdest thing on tv. It taught us all about freaky fetishes, strange local customs and beliefs, and put stuff on terrestrial telly that you’d clear out of your browsing history rapidement these days!

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