Eurovision 2018 – the Grand Final

Well I told you it’d be a vintage year and well worth tuning in for, but I did not expect that. What a night! Let’s try to put some of the craziness in context. I’m not even sure where to begin.

So Eurovision 2018 gave us a huge variety of music with many genres represented. In my lifetime I never thought I’d see anyone stage dive at Eurovision! The way the initial jury voting went the field wide open with any of 6 or 7 songs that could have won. There was pop, metal, dance, ballads, opera and loads of different languages on show, mainly by people who all looked the same. So much for diversity, but baby steps. We also had four female presenters, none of them particularly gifted in comedy or the essential schmoozy green-room chat, but fully female-fronted is a big deal. This was especially obvious as creep after creep giving the jury votes commented on their appearance, hilariously the Portuguese man was the absolute worst. He made my ovaries cringe and shrivel up inside me. Ick.

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Eurovision 2018 – Grand Final Preview

Is it really that time of year already? Tonight I’ll take my seat with about 200 million viewers worldwide and watch the Eurovision Song Contest, taking place in Lisbon, Portugal. The £18 million show will see 26 countries go head-to-head with a diverse set of songs, and the vote will split between the public phone vote and their regional juries of pop-music experts. It’s three and a half hours of joyful silliness, amazing sets, outlandish costumes and dark mutterings about politics and the future of Europe. It’s a like a lavish wedding with all your strange and estranged relatives turning up in their most fabulous clothes, ready to get drunk, have a dance and air all those techy grievances. This powder keg is going to explode into a massive argument. There’s nothing you can do about it, so just enjoy the party.

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‘McMafia’ – BBC1

Having heard a few conflicting reports about the Beeb’s new gangster drama McMafia I wasn’t sure what to expect. It was one of those shows where I think I’ll give it 10 minutes and if it’s rubbish I’ll turn it off. Especially given as it was on New Years Day and I knew it was set in the world of international finance, I wondered if my hungover brain would be able to follow the plot. But, while I could never be described as a mathematical wizz, I’ve got some grounding in telly finance at least, having watched and enjoyed Billions on Sky1. If I could hang on in there for Wall Street insider trading, how much more difficult could the European version be? The spreadsheets in the credits are anything but enticing, but, thankfully, James Norton is.

Turns out, it was fine. We’re introduced to Norton as Alex Godman, a City fund manager raised in England but part of a rich and influential Russian family. His super-wealthy parents escaped the current Russian regime, and it seems like his Dad is an oligarch at odds with Putin (although the President is no mentioned by name). Going back would be impossible, and probably extremely dangerous, so Dad is severely depressed and pines for Moscow while his glamorous Mum worries about his state of mind.

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