This is a full review of The Bridge: Series 4, Episode 7. Catch up with all the reviews here. Don’t read on unless you’re completely up-to-date on the BBC2 schedule!
An urgent message about the identity of the killer is left in an in-tray of a man who is on some sort of compassionate leave. Not a detail everyone will have noticed, but it makes administrators livid. So our professional runaways Julia and Ida are back in the storyline and on the run from Niel’s mild-mannered assistant Susanne Winter. Back in the day she also answered to Steph, and was having an affair with tragic Tommy as a lot of people suspected by the end of the last episode. Prior to that she flew under the radar throughout the series, but she’s a badass brutal thug, who doesn’t give a shit. Tasing kids in the middle of suburbia in broad daylight and stuffing them in the boot of a car, with zero concern for nosey neighbours hiding behind their net curtains.
And after that scene I nominate Sofia Helin for the next James Bond. Saga’s presence of mind is like nothing else on earth. She’s just been shot but she finds her gun and takes out Susanne’s moving car. It’s interesting to me how Steph/Susanne has hidden so well behind a respectable mousy exterior, perhaps assisted by the European stereotypes of being an Asian woman. Her carefully constructed identity jars with the idea that she would be boastful, keeping trophies as Saga mentions and as the police find in the prop department, I mean, flat. Also, we all know the case can’t be wrapped up neatly with a bow on top in just 20 minutes.
Continue reading “‘The Bridge’ – Series 4, Episode 8”
People have been getting very excited about this new euro drama, picked up by MHz Choice in America, Walter Presents of Channel 4 and out now on DVD in the UK. It’s designed very much with the new and surprisingly ravenous appetite for Euro drama in mind, bringing us together like happy clappy Eurovision. It’s supported by about 9 production companies and the ‘with thanks’ list is in big letters at the very start, and is very long. It’s an entire European industrial zone.
The Team of the title is the Europol network, bringing detectives together from Denmark, Belgium, Germany. The lead is Harald Bjorn, played by Lars Mikkelsen who is familiar to viewers as mayoral candidate Troels Hartmann in The Killing, and a sinister villain in a pretty poor Sherlock episode.
Right-wing losers the UK Independence Party don’t like it, which is reason enough for me to give it a try. Also, who knew UKIP had a culture spokesman? You would have thought they were very anti-culture, what with so many foreigners mixed up in it. Wasn’t culture invented in ancient Greece? It’s enough to make a racist shudder.
Well The Team ought to suit those who distrust foreigners; when it comes to language skills it’s not exactly taxing. It’s entry-level subtitles with plenty of spoken English to break up all that reading. Everyone we come across, from brothels to board rooms, speaks an enviable variety of European languages.
Continue reading “‘The Team’”
Having heard a few conflicting reports about the Beeb’s new gangster drama McMafia I wasn’t sure what to expect. It was one of those shows where I think I’ll give it 10 minutes and if it’s rubbish I’ll turn it off. Especially given as it was on New Years Day and I knew it was set in the world of international finance, I wondered if my hungover brain would be able to follow the plot. But, while I could never be described as a mathematical wizz, I’ve got some grounding in telly finance at least, having watched and enjoyed Billions on Sky1. If I could hang on in there for Wall Street insider trading, how much more difficult could the European version be? The spreadsheets in the credits are anything but enticing, but, thankfully, James Norton is.
Turns out, it was fine. We’re introduced to Norton as Alex Godman, a City fund manager raised in England but part of a rich and influential Russian family. His super-wealthy parents escaped the current Russian regime, and it seems like his Dad is an oligarch at odds with Putin (although the President is no mentioned by name). Going back would be impossible, and probably extremely dangerous, so Dad is severely depressed and pines for Moscow while his glamorous Mum worries about his state of mind.
Continue reading “‘McMafia’ – BBC1”
We had a bureau at my parents house. It was an old, wooden, very formal piece of furniture in the dining room (next to the deer head mounted on the wall. I’m not even kidding). They used to keep bills and receipts in the drawer and the posh wine glasses in the top. I’m not sure I knew it was a French word, and I’m pretty sure I’ve never pronounced it correctly in my whole life. The Bureau in this instance is just as smart and formal,but thankfully not so wooden. This is the secret office responsible for deep undercover agents within the French secret service. We meet the agents in a time of transition and confusion.
Rashid (codename Cyclone) is a French Muslim spy operating in Algeria. He refused to drink alcohol in training even though it’s clearly important to know if your operatives can take interrogation while drunk (“I love you, you’re my besssht friend! Guess what I do for a living!”). So it’s shocking that he’s arrested for drunk driving while on an operation.
Continue reading “‘The Bureau’”