After the mauling that The Guardian gave BBC1’s new cop show/ sci-fi drama you’d be forgiven for thinking the BBC were presenting a badly-written festive pantomime like A Christmas Carol Goes Wrong . This was the tone of the preview published at 11am yesterday. The actual 4 star review landed a few hours later calling it gutsy and ambitious. Same newspaper, very different opinion. Great work guys – don’t make up your mind about something, teach the controversy.
So safe to say this end-of-the-world drama written by Neil Cross of Luther fame is polarising opinions. Twitter seemed suitably impressed and a lot of people were very happy to realise the series was all set ready to binge on iPlayer. We put the second episode on straight away but now I’m not sure how much more of it I want to see.
Continue reading “‘Hard Sun’ Episodes 1 & 2 – BBC1”
The Cuckoo’s Calling is a new drama series that the BBC must be very happy to have. It’s based on the novel of the same name by Robert Galbraith. Old Robbie here was discovered to be a pseudonym for JK Rowling in 2013. Now, that’s a name to conjure with. It’s an odd way to broadcast the series – two episodes in one Bank Holiday weekend and the last of this trilogy in a week’s time. Let’s see what it’s all about.
The plot seems to be a list of unlikely names designed by the Cluedo board game characters playing Mad Libs with a murder mystery running through it. It’s also a warning to office workers everywhere – be careful what temp jobs you sign up for. There’s a whole world of shit you have to put up with for just above the minimum wage and all the tea you can drink, as long as you remember to fetch the milk.
Continue reading “‘The Cuckoo’s Calling’”
After last year’s Agatha Christie adaptation And Then There Were None, hopes were set high for short story turned into two-part drama special Witness for the Prosecution, but this was quite a different beast. No mansions, no dinner guests being offed one-by-one, no detective twirling his enviable moustaches and not a normal Christie ending. Much interfering had been done, and there wasn’t much in the way of original Christie to be seen.
We’re transported to the roaring twenties and Kim Cattrall is Ms French, a wealthy widow living it up and having a fine time with her fancy man Leonard Vole much to the disgust of her loudly disapproving maid Janet. These days Emily French would be mocked as a cougar, a woman of a certain age who is attracted to younger men and has the nerve to go after them. These prejudices are certainly represented and Emily knows her actions make her unpopular and looked-down on in high society, but she doesn’t really care. Money is a pretty good insulator against what people think of you. Cattrall, famous for a strikingly similar character in Sex and the City, is essentially playing Samantha 70 years earlier.
Continue reading “‘Witness for the Prosecution’”
Modus is familiar even before it begins. It’s an eight part Swedish crime drama shown on BBC4 in the Saturday 9pm slot usually reserved for foreign langauge drama. The credits are familiar again – a nod to the skyline of The Bridge and the grizzly but striking black and white body parts of Trapped. It’s a new tradition that dramas especially must have stylish opening credits, extra points for slow motion and an air of chilly bleakness.
So this is Christmas, in a snow-covered pine forest. A delightful Christmas card scene but it’s cold, lonely and frightening. Euro horror merchants the Brothers Grimm taught us from an early age that monsters live in the forest and they were right. In this case, in a caravan.
Continue reading “‘Modus’”