This is a full review of The Bridge: Series 4, Episode 2. Catch up with my episode 1 review here. Don’t read on unless you’re completely up-to-date on the BBC2 schedule.
It’s business as usual for episode 2 of The Bridge which after the hardship and the outright panic of episode 1 is a blessing for viewers.
This week we learn more about suspect number one Taariq and his amazing fluffy yet angular hairdo. Turns out he’s a hero; saving two girls from violence and giving them a hot meal. These young thieves won’t win any acting prizes but they seem to make a living from scamming people and pickpocketing wallets and passports. But this is The Bridge, so no good deed goes unpunished. Taariq’s desperate situation is getting worse – he’s grassed up to the cops by his horrible boss, and worse still it seems he’s been set up with a phone that tracked the victim’s whereabouts. Poor Taariq has got to be the unluckiest man in all of Scandinavia, and despite my still being convinced he’s not the killer he is not out of the woods yet.
Taariq’s relationship with Margarethe sounds unlikely. He tells us that he met her secretly in the gay club because she wanted to make amends for the cruel decisions of the state. By day she’s the immigration department’s Bruce Wayne; all above-board, all business, but by night she’s Batman; out to right the wrongs and offer help to the helpless. Was she really this strange split personality, riddled with guilt? At the moment we know so little about her. Her husband Niels looks dodgier than ever “They have nothing” he says in a secret phone call, “stick to the plan”.
It’s always exciting to see Sarah Lancashire back on TV. I’ve been a big fan for a little while, since Happy Valley really, and drama lovers will agree that she’s a big draw for a new series. Writer Jack Thorne has another ripped-from-the-headlines story for us and hopes are high as he wrote National Treasure broadcast in 2016 which won the best mini-series BAFTA. That was about historic cases of sexual abuse, drawing on various high-profile scandals involving celebrities. This is about vulnerable children under the care of social services and calls to mind some recent real-life cases.
Sarah Lancashire plays Miriam Grayson, a Bristolian social worker who decides to offer unsupervised visits between 9-year-old Kiri and her grandparents. Kiri is a young black girl about to be adopted by a middle-class white family and social services agree she ought to know “where she came from”, and have a chance to develop links with appropriate members of her birth family. While Kiri is on her visit, she goes missing, apparently abducted by her ex-con birth father Nathaniel. This is all made clear in the first 30 minutes, so knowing the laws of TV drama, this means literally anything could have happened to her.
If I said to you, in a lyrical scouse accent “Number one, what’s your name and where do you come from?” would you know what on earth I was on about?
These magic words, filled with excitement and a certain frisson of romance were of course made famous by Cilla Black on the tv staple dating show Blind Date that ran from 1985 all the way up until 2003. At the height of its popularity in the 1980s, 18.2 million tuned in to ITV on a Saturday night to watch the excruciating, the charming, and the unlikely pairings who sometimes rode off into the sunset together.
Fourteen years on, the format has been faithfully resurrected by Channel 5. Paul O’Grady is a damn good fit for the role of presenter. Famously he and Cilla were great friends. The start of the show is a little tribute to Cilla. He jokes Blind Date was left to him in her will. He calls her the woman “who gave me two heart attacks and broke my nose in a Jacuzzi”. It was clearly a spectacular friendship.
Broken is the beautiful, heart wrenching new 6-part drama series from award-winning English screenwriter and producer Jimmy McGovern, the champion of working class heroes. We are in familiar territory here – kitchen sink dramas and the seemingly small but overpowering tragedies of everyday life.
The big draw for drama fans is Sean Bean in the central role as Catholic priest Father Michael Kerrigan, a kind man, driven by his vocation to work hard for his community. Immediately we see that he’s haunted by an abusive past, rare in tv land where we frequently see priests as abusers, not victims. Bean played cross-dressing teacher Simon Gaskell in McGovern’s excellent drama, Accused an astounding role that he rightly won an International Emmy for. McGovern said in a Radio Times interview that he never considered anyone else for the lead role in Broken: “I always go back to Sean – I just think he’s world class,” he said. “People know he’s good, but I know he’s great.” Typically, Bean is stoic in the face of tragedy. He’s funny too – a bleak, black humour runs through this episode. On screen he is low-key with no histrionics. Appropriately, he doesn’t lose his head.