Another sumptuous drama here on a subscriber service. It’s almost like this is where the big bucks reside in these digital days. Z: The Beginning of Everything is the story of Zelda Fitzgerald, Mrs F Scott Fitzgerald to you dear. It’s based on Therese Anne Fowler’s book which Christina Ricci read and wanted to audition for. It turns out no one was making it, so she decided to do it herself. Ricci says that Zelda had suffered bad press over the years, with the focus firmly set on her genius husband. Ricci was sick of her being overlooked and sets out to flip that script.
Ricci with her soulful doe eyes and her fierce blonde bob is Zelda Sayre Fitzgerald, a brilliant, beautiful and talented Southern belle, the original flapper and an icon of the Jazz Age in the flamboyant 1920s. Zelda is young and bored to death in her little quaint country town of Montgomery, Alabama. Having never been to the American south it looks lovely to me – all wide tree-lined avenues, sugary iced tea and cotillion balls at the country club.
Continue reading “‘Z: The Beginning of Everything’”
Another tv treat from the Birmingham Literature Festival this year was Hans Rosenfeldt and Ed Thomas in conversation. The men may not have household names, but you’ll certainly know their work. Hans is the leader writer and creator of international mega-hit The Bridge and Ed writes the sparse and beautiful Hinterland set in Wales. Both shows are available for a cosy night in on Netflix. The guys were on the programme as a duo because they both write about murders and cops in a distinctly unusual bilingual fashion. The interviewer from the Writers’ Guild of Great Britain skillfully weaved their experiences together, but for ease of reading I’ve pulled them apart again, with a bit of chat about similarities and differences to act as *ahem* a bridge between the two…
The Bridge – Hans Rosenfeldt
Hans is a big lumberjack type who looks super comfortable in front of the audience. I’m sure he’s well versed in talking about Saga, Martin and The Bridge. He starts by telling us a little about the writing process – 70% of the episodes he writes alone in Swedish. The scripts are translated after the third draft by a ‘proper’ translator and then one writer makes it sound “less translated” and turns it into ‘improper’ spoken Danish. He says despite Swedish and Danish sounding pretty close to our English ears “we made up the fact that we understand each other”. He says not understanding would have given them big problems with tense scenes like interrogations. So, despite appearances, it’s all false and Swedes especially have trouble with Danish. He says he’s not massively happy with the subtitles on Netflix as they are not always correct and English-speaking audiences are losing a little in translation.
Continue reading “Dead Pixel Test Live! – The Bridge to Hinterland”
I was excited to see that the purity of the Birmingham Literary Festival has been infiltrated this year by the lowly gogglebox. In amongst the bearded academics and the beat-boxing poets we find Walter Iuzzolino, the driving force behind the staggeringly successful world drama mission on Channel 4 and their streaming service All4. In just 9 months they’ve taken a chance on 24 series from around the globe and been rewarded with 15 million streams. That’s a lot of viewers.
Continue reading “Dead Pixel Test Live! – Walter Presents”
Well this looks daft. I rolled my eyes at the advert, but then I wondered, is it too silly, or just silly enough?
As long as a show is well-written, the acting isn’t too hammy and there’s some spectacular effects we’ll sit through a lot of stuff that sounds like absolute guff written down. For examples please see fantasy/ fairy tale horror Grimm (now inexplicably in its fifth season), fantasy/ fairy tale mash-up Once Upon a Time (totally ridiculous premise, carried off with some significant flair), ’90s cultural touchstone Buffy (Teenage Mutant Vampire Hunter) etc etc.
Continue reading “‘Houdini & Doyle’ – On the Box”