‘Aggretsuko’ – Netflix

Hands up if you hate your job. Look around – you’re not alone. Eighty-five percent of workers worldwide admit to hating their jobs when surveyed anonymously, according to a Gallup poll released last summer. That’s an awful lot of people. But even people with what seems to be the perfect job get totally frazzled sometimes. I’m sure even Cadbury’s chocolate taster, Dublin’s chief kitten cuddler and Chris Pratt’s hot yoga instructor have bad days too. So despite Netflix’s new cartoon Aggretsuko being subtitled Japanese anime, this rage is entirely universal.

Retsuko is an adorable kawaii red panda from the people at Sanrio who most famously brought you Hello Kitty. I kid you not. This fluffy female is far more realistic than any mascot I’ve seen before. She’s really struggling. When she gets her first office job aged 20 she’s filled with joy and purpose, strutting her stuff in corporate Japan. Cut to five long years later and she’s stuck in a thankless job, a slave to the wage. She hates her stupid, lazy, gossipy colleagues, really hates her misogynistic boss Director Ton (literally and figuratively a pig) and I bet she hates herself too, for still being single, and not being the big success she always though she would be. This is the internalised hatred of working women who have been set impossibly high standards by society. Whoah – this shit is deep for a super-cute animated red panda.

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‘The Handmaid’s Tale’

If you’ve not yet heard anything about the The Handmaid’s Tale, let me give you a hand getting out from under that rock where you’ve been hiding. This is an MGM production being show on Hulu in America. They seem to be a good 7 episodes ahead of us. Sadly, even in 2017, sometimes America is ahead of us in tv land. It’s great to have synchronised start dates, but it’s still not the norm. Avoiding spoilers for this much talked-about show is going to be a killer.

A few weeks after starting in the USA this 10 part drama series has been picked up by Channel 4 in the UK, which, as the young, intelligent, and left-leaning political channel is a really good fit for their brand and a bit of a coup. The series is based on a novel by Canadian author Margaret Atwood and despite its startlingly relevant content was actually written in 1985. So this dystopian future Atwood envisaged is 30 years closer than we’d have hoped for, and none of her themes are any less relevant or possibilities presented any less realistic. In interviews Atwood says that none of these war crimes in the fictional Republic of Gilead are entirely made up – all have happened somewhere on the globe. This really is extremely dark stuff. Do we as the audience have the stamina to get through it?

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The handmaids distinctive uniforms at a ceremony

 

The series opening is distressing, as our heroine Offred is violently parted from her husband and daughter, but it’s not a tense escape. We know she’ll get caught. The rippling tension comes from her social position at her new posting with the Commander (Joseph Feinnes) and his wife Serena Joy (Yvonne Strahovski).

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