This is a super-short Icelandic drama series a friend pointed out to me, and wondered why I hadn’t watched it yet. Fortunately it’s on UK Netflix, and so short you could watch the lot in an afternoon.
Welcome to The Lava Field (the original Icelandic title is Hraunið. In suitable Scandi-noir fashion it grabs the attention straight away with swift shotgun action. This version of the mysterious island is filled with extremely neat well-lit houses, beautiful boxes, like candles against the black bubbly lava field backdrop. The vast majority of the shots are bright and wide; you need to watch it wearing sunglasses. The brightness is throughout – both interiors and exteriors. I suppose Iceland has a complicated relationship with daylight and the sun, in a country where it doesn’t set for four weeks in the summer.
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From HBO Europe (which is a thing, it turns out, and no bad thing either) may I present the first Polish drama ever to be shown in the UK, on Channel 4. Somewhat bravely it was shown late in June, a couple of days before he UK’s fairly disastrous referendum on leaving Europe.
It’s a timely story torn from the headlines surrounding the current European immigration crisis. The Border is a six part drama set in the lush rural Bieszczady Mountains, on the Ukrainian-Polish border. In Polish the title is ‘Wataha’, meaning the pack. You can see why the name change for the international version, given the animalistic rhetoric around this ongoing heated debate. We are introduced to the Polish Border Guard, protecting the “wildest EU border”.
So far, so stereotyped – the guys are drinking, singing and shagging in an isolated hunters cabin. These macho guards are celebrating a retirement in time-honoured fashion. And boom – a bomb goes off, killing everyone inside. Well, that sure got my attention.
Continue reading “The Border – On the Box”