Busy mother of two Jo (Indira Varma) has a lovely boyfriend in Danny (Luke Treadway). who has moved in to her suburban home and is adjusting to family life. On an otherwise normal day some mystery person drops a bombshell. On the school run Jo receives an anonymous text message alleging her boyfriend is having an inappropriate relationship with her 11-year-old daughter Katie.
We see Jo over the course of an agonising day sitting at home in an empty house, dwelling on the message, snooping around but getting no answers. Nothing really happens, but it all happens on Jo’s face thanks to Indira’s gut-wrenching acting. Danny is sexy, and it seems Katie and her friends have noticed judging by their comments on Instagram. Is Danny predatory? Worse still is Katie reciprocating? It’s a very uncomfortable thought but it’s close to how young women think. What is harassment? What is flattery? The lines are blurred when children are still learning the boundaries, and people can and will take advantage. “She’s at that age” is a catch-all for unusual teenage behaviour, but what if something unpleasant is provoking it?
Continue reading “‘Unspeakable’ – Channel 4”
Another jaunty ITV travelogue for those of us going no futher than the park this summer presented by Joanna Lumley (don’t be fooled by the rocks that I’ve got, I’m still J-Lum from the block), grande dame of the small screen and the lady who the word mellifluous was coined for. This is a three part whistle-stop documentary on ITV and J-Lum (I’m going to use it until it catches on) is keen to play up the family connection. She was born in Srinagar, Kashmir, in the last days of the Raj and her family ties go back several generations. One might think she’s rather brave trading on being directly related to the old colonial empire. Thinking about it, that apostrophe in the title might be a little insensitive.
But don’t worry – this is not a programme designed for much thought or reflection. “Gosh!” and “Fabulous!” she enthuses every few minutes about everything. To her credit it certainly doesn’t seem forced and her sparky interest is very infectious. She talks with her hands in rhapsodies about everything – Morgana Robinson’s impression of her on The Agency is entirely accurate. Amusingly the Radio Times insists she’s toned it down a bit this time!
Continue reading “‘Joanna Lumley’s India’”
Guest blogger SusieSue is inconvenienced, but a tv classic helps her remember how fortunate she really is…
May I digress slightly… my office is my kitchen. My kitchen is under my bathroom. My bathroom is being re-fitted. My office TV is below said bathroom. Consequently, the signal to said office TV has been at best, disrupted. Although I have been oop north for the most part of last week (I want to live in York now, btw) to escape the fact my house looks like a small branch of Wickes.
So I’ve turned to BBC iPlayer. The renowned and iconic Cathy Come Home re-aired on BBC4 on Sunday 31st July. It was first shown mere weeks before my birth, in late 1966. I have heard of it, but never seen it until now.
Directed by Ken Loach, this is the story of a young couple, full of love and hope and enjoying everything we take for granted now in family life, in their modern home with their children. Cathy (Carol White) and Reg (Ray Brooks) are amazing in this. But then Reg is injured at work. He loses his job. The bailiffs come and they trail from place to place until the family is torn apart.
There’s no happy ending here. It’s become a part of social history; proof that television and the arts really do matter.
Continue reading “I Have Been Watching … Cathy Come Home.”
A few words about The Night Manager, the excellent John Le Carre adaptation that has been wowing drama fans on BBC1- the last episode is this weekend. Like the majority of critics I’ve been hooked on exciting times in exotic locations with handsome actors.
The all-star cast features so many versatile, award-winning actors who have serious comedy chops. It feels like these funny charming characters are having to tone it down a bit, or indeed turn up the angry flashing stares and gritty malevolence – Hugh Laurie and Tom Hollander are amazingly sinister. Olivia Colman and Adeel Akhtar ( who I recognised from the film Four Lions) are shaking up the British Intelligence Services from the inside and old boys club seems to have had something of a makeover.
Continue reading “‘The Night Manager’ – On the Box”