Detectorists is an absolute televisual treasure. I’m delighted that Series 3 is here. For a while it seemed like it wasn’t actually going to happen, and certainly not this year. Both stars Mackenzie Crook and Toby Jones are very busy on other more glamorous Hollywood projects. So, especially as it’s written and directed by Crook I’m overjoyed they’ve made time for another series. Enjoy it people, as sadly this is due to be the last.
This is the most completely gorgeous comedy/ drama/ nature documentary mash-up. It’s bucolic, sunny summer days filmed in the most glorious parts of Suffolk, Norfolk and Essex and soundtracked by modern British folk music or equally lyrical birdsong. It really is a breath of fresh air.
Continue reading “‘Detectorists: Series 3’ – BBC4”
A long time ago, in a country far far away, I had a Japanese roommate. Manabu was lovely, a total gentleman, but not very chatty. I blame the language barrier, or maybe we just didn’t have that much in common. Eventually we bonded over injuries (his sporting, mine alcohol-related), microwave breakfast burritos (he loathed them, I loved them) and our two crazy little island homes. Comparing the UK and Japan is not as odd as it first sounds. Culturally and geographically we have a lot of shared aspects. We’re wilful independent island nations, who revere our daring histories of medieval knights and samurai warriors. Other countries are somewhat nervous around us as if you give us a flag and a gun we tend to get a little carried away and decide to go off and be a colonial invading force. Small countries, big ideas. Despite our macho military history, our national characters are reserved and polite, and we like to know our place in the social hierarchy. We’re the worlds best queuers!
Art historian Dr James Fox seems the similarities in our two nations, although sadly in this series on aesthetics and art in Japanese life, we are yet to hear his opinion on the breakfast burrito. This BAFTA nominated broadcaster has a day job in Cambridge University’s Art Department and first came to my attention presenting Who’s Afraid of Conceptual Art? on BBC4 in September 2016.
He’s an engaging, enthusiastic, and quite cheeky presenter. His trademark seems to be a sharp black suit and tie, ever ready for a funeral or a cocktail party. He’s really good at breaking down complex ideas about art, religion and society. These big ideas are discussed in simple terms. His passion for the subject shines through. And, pleasingly, as you’d expect from a BBC4 art show, this whole episode is beautifully shot and framed.
Continue reading “‘The Art of Japanese Life’”
Modus is familiar even before it begins. It’s an eight part Swedish crime drama shown on BBC4 in the Saturday 9pm slot usually reserved for foreign langauge drama. The credits are familiar again – a nod to the skyline of The Bridge and the grizzly but striking black and white body parts of Trapped. It’s a new tradition that dramas especially must have stylish opening credits, extra points for slow motion and an air of chilly bleakness.
So this is Christmas, in a snow-covered pine forest. A delightful Christmas card scene but it’s cold, lonely and frightening. Euro horror merchants the Brothers Grimm taught us from an early age that monsters live in the forest and they were right. In this case, in a caravan.
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Lesser known states in America have the negative nickname ‘fly-over states’ – the places that you only see from a plane window. Essentially, not much to see and not worth stopping by. Americanophile Billy Connolly wants us to know them better as he travels around the edge of the USA. Chicago to New York, the (very) long way around. 6,000 miles by train taking in 26 states. An epic trip but ITV have packed it all into just three episodes. The mood is quite a laid-back travel documentary but it must have been planned and edited to within an inch of its life. (Los Angeles appears on the route map but isn’t actually visited, which seems a shame.)
Continue reading “‘Billy Connolly’s Tracks Across America’ – On the Box”