SPOILER warning: this post deals with the final episode of Unforgotten Series 3. Do not read on unless you are up to date with both series 2 and 3. Catch up with all the box sets on ITV Hub now.
Unforgotten bowed out after a tremendous third series at the weekend. No one disagreed that it was an acting masterclass from start to finish, led by stalwarts Nicola Walker as DCI Cassie Stewart and Sanjeeve Bhaskar as DI Sunny Khan. Since inception this show has attracted top quality British actors. This series was dominated by awesome performances particularly from Alex Jennings, James Fleet and Neil Morrissey (getting better and better in each drama part,although here he certainly need more screen time). But I wasn’t expecting such a split opinion on the ending, especially as this has become a truly beloved British drama. I wasn’t immediately on board back at their humble beginnings, and I admit I snarked at the first episode back in 2015. I was very happy to be proven wrong; the atmosphere wasn’t lacking in comparison to Scandi drama – it was just different.
Online, people seemed annoyed that there was no twist in the tale and that the final episode ran out of steam. Although, thinking about it, do any of the series so far provide a neat and satisfying ending? In series 2 because of the nature of the crime, the number of perpetrators and the time passed the police decide there was no value in pursing and prosecuting anyone. Was this what the audience wanted? Do we demand everything tied up neatly in a bow? Or do we realise if you strive for realism on TV in style and storyline that endings will inevitably be messy, just like in real life?
Continue reading “‘Unforgotten’ Series 3 – ITV”
After the mauling that The Guardian gave BBC1’s new cop show/ sci-fi drama you’d be forgiven for thinking the BBC were presenting a badly-written festive pantomime like A Christmas Carol Goes Wrong . This was the tone of the preview published at 11am yesterday. The actual 4 star review landed a few hours later calling it gutsy and ambitious. Same newspaper, very different opinion. Great work guys – don’t make up your mind about something, teach the controversy.
So safe to say this end-of-the-world drama written by Neil Cross of Luther fame is polarising opinions. Twitter seemed suitably impressed and a lot of people were very happy to realise the series was all set ready to binge on iPlayer. We put the second episode on straight away but now I’m not sure how much more of it I want to see.
Continue reading “‘Hard Sun’ Episodes 1 & 2 – BBC1”
Well, the advert for this Channel 4 documentary made it look fascinating. I was sucked in. Much like the ‘twins’ depicted, this early opinion didn’t stand up to much scrutiny.
This series of experiments was based on the strange new function of social media. Now our photos are available fairly publicly online, and we have a lot more connections with all parts of the world, we are likely to see many more ‘twin strangers’. This show was inspired by that now-famous moment that went viral on Twitter – two ginger beardy guys on a flight to Galway delighted to have found their doppelgänger. Look how happy they are!
Continue reading “‘Finding My Twin Stranger’”
Peer pressure. It’s peer pressure plain and simple.
The Top Gear reboot was going to be such a big event it was unavoidable. Everyone was going to have a loud and aggressive opinion about it so last night I found myself putting it on at 8pm sharp, telling Mr H not to get too used to it. Neither of us drive, so it’s pretty difficult to be entertained by what is essentially a car review show.
As far as I can tell, Top Gear has always been awful. Either too serious, too factual and too boring in its initial inception and then after the 2002 relaunch too stupid, too loud and too macho. The presenters were men old enough to know better running around growling politically incorrect nonsense and shouting their surnames at each other like retarded public school boys.
Continue reading “‘Top Gear’ – On the Box”