This is a full review of The Bridge: Series 4, Episode 1. Don’t read on unless you’re completely up-to-date on the BBC2 schedule.
Hey, you can come out from behind the cushion now. Is everyone ok? Take a deep breath, shake your fist at BBC2 for making you wait a whole week for the next episode and let’s process that remarkable hour of television.
So The Bridge is back with a bang, gleefully ramping up the tension, messing with our expectations of Saga and Henrik, all while introducing the usual cast of victims, ne’er-do-wells, and various hangers-on, some of whom will inevitably be added to the final body count.
We begin with a striking close up of Saga’s face, silent, dark and isolated. She wakes and sighs, remembering she’s in a nightmare she can’t escape from. She’s been in prison since the end of series 3 and I was worried her character development and personal resilience would be set back to zero but she’s doing her best. She awaits the outcome of her retrial for her manipulative mother’s murder. Remember she has a motive, no real alibi (she was set up to be alone in a graveyard when her mother died) and there was forensic evidence all stacked up against her. It sees a new witness has come forward, but Saga’s simple belief in right and wrong, and the power of the law has been firmly shaken. And she’s floundering. If she’s not a cop then where does that leave her. Without the job who is she?
Continue reading “‘The Bridge’ – Series 4, Episode 1”
This hotly anticipated three-part drama series about the most explosive event in British politics stars Kit Harington, whose star is in the ascendant as he’s that Jon Snow off of Game of Thrones. Even if you’re a stick-in-the-mud hold-out refusing to ride that fantasy dragon I’m sure you could pick his curly locks out of a line-up. Not only is Kit in the starring role as chief gunpowder plotter Robert Catesby but he’s credited as co-executive producer, and he helped get this unlikely vanity project off the ground. Turns out that Kit has family ties on his mother’s side to the rebellious Catesby family of persecuted Catholics who are central to the drama and to this famous nugget of British history.
We meet the Catesby’s and co back in 1603. Queen Elizabeth I is dead and James I is in charge. Things are not improving for England’s oppressed Catholics. The well-to-do Catesby family are seventeenth century preppers because in this instance the government really is out to get them.
Continue reading “‘Gunpowder’ – BBC1”
The promise of a shock is an excellent hook. Who can resist? We might not admit it but we’re all interested to see freakish behaviour in others and we’d love to know what goes on behind closed doors. This compulsion is at least half the reason for the success of Big Brother and other supposed ‘reality’ tv shows. As an audience we don’t want to be calmed or soothed or reassured; we want to be shocked! We want to be outraged or astonished or moved in some way. And for quite a lot of people, the darker the better.
This is also why the most outrageous actions are always on the advert. A good recent example is Bear Grylls’ vehicle The Island. The voiceover says “someone is going to die” and a contestant falls of a rocky cliff! OMG! What happened? Did he die? Tune in to find out! Well no, of course he didn’t die and he didn’t suffer any major injuries either (despite the consensus that he was an awful person and probably deserved getting bashed up a bit). Do you think even in 2016 they would have been allowed to broadcast an accidental death on a reality show? No. Obviously not. But in that moment, in that 30 second advert, we are swept up in the supposed drama and we HAVE to know what happens!
Continue reading “Shocking TV – Viewpoint”