This is a full review of The Bridge: Series 4, Episode 2. Catch up with my episode 1 review here. Don’t read on unless you’re completely up-to-date on the BBC2 schedule.
It’s business as usual for episode 2 of The Bridge which after the hardship and the outright panic of episode 1 is a blessing for viewers.
This week we learn more about suspect number one Taariq and his amazing fluffy yet angular hairdo. Turns out he’s a hero; saving two girls from violence and giving them a hot meal. These young thieves won’t win any acting prizes but they seem to make a living from scamming people and pickpocketing wallets and passports. But this is The Bridge, so no good deed goes unpunished. Taariq’s desperate situation is getting worse – he’s grassed up to the cops by his horrible boss, and worse still it seems he’s been set up with a phone that tracked the victim’s whereabouts. Poor Taariq has got to be the unluckiest man in all of Scandinavia, and despite my still being convinced he’s not the killer he is not out of the woods yet.
Taariq’s relationship with Margarethe sounds unlikely. He tells us that he met her secretly in the gay club because she wanted to make amends for the cruel decisions of the state. By day she’s the immigration department’s Bruce Wayne; all above-board, all business, but by night she’s Batman; out to right the wrongs and offer help to the helpless. Was she really this strange split personality, riddled with guilt? At the moment we know so little about her. Her husband Niels looks dodgier than ever “They have nothing” he says in a secret phone call, “stick to the plan”.
The mighty Jontosaurus is risen. Fear him! And also, read his top 5 The Walking Dead deaths and feel all squishy inside for gore of yore…
AMC’S The Walking Dead is in a dark place right now, with viewing figures at their lowest point since season 1. Reviews of season 8 have been remorseless, but there can be no denying that throughout the show’s massive run there have been some truly memorable characters that have perished in some truly memorable ways. And, in the case of Glenn, there have been about ten times we’ve thought he was going to die, only for him to turn up alive- sometimes without a whole lot of explanation. So, in honor of Glenn- God rest his fictional soul- here is a rundown of The Official Jontosaurus Top Five Memorable TWD Deaths Of All Time. As always, this is based purely on personal opinion, so please don’t be offended if your ‘favourite’ doesn’t make it in. Oh, and it goes without saying… but there may be spoilers ahead for those of you who have been living in a cave for the last few years. To be fair, I will try and avoid the most recent two or three seasons just to play it safe.
Hershel Loses His Head
“When all others lose theirs…” didn’t seem to be part of the plan for Hershel, who definitely loses his head, albeit in a clumsy and ultimately tragic way. Used as a sort of bargaining chip during The Governor’s assault on the prison, he is dragged out and negotiated over like a piece of meat. Just when it seems as though the adorable, well reasoned old man is going to pull through, the series decides to take a drastic U turn. As Maggie and Beth’s father, Hershel has already lost a leg due to a Walker bite, and although he looks about as resilient as a water paper bag, he’s clearly a tough old dog who isn’t ready to throw in the towel just because the apocalypse has reared its ugly head. Unfortunately, the Big Bad in form of David Morrissey’s The Governor has other ideas, and after a drawn-out affair, he grabs a samurai sword- a very familiar samurai sword for that matter- and lops off the old man’s head. What makes this scene so unexpected is that it leaps upon us as viewers just when we think the old man may be spared, and it also shows the removal of the head in graphic detail. We watch as the Governor messes up his first chop, only partly severing the neck, and all the while the dying Hershel just sort of kneels there, serene and untroubled, as his head is cut off. Truly harrowing but, sadly, not the most harrowing death on this list.
This is a full review of The Bridge: Series 4, Episode 1. Don’t read on unless you’re completely up-to-date on the BBC2 schedule.
Hey, you can come out from behind the cushion now. Is everyone ok? Take a deep breath, shake your fist at BBC2 for making you wait a whole week for the next episode and let’s process that remarkable hour of television.
So The Bridge is back with a bang, gleefully ramping up the tension, messing with our expectations of Saga and Henrik, all while introducing the usual cast of victims, ne’er-do-wells, and various hangers-on, some of whom will inevitably be added to the final body count.
We begin with a striking close up of Saga’s face, silent, dark and isolated. She wakes and sighs, remembering she’s in a nightmare she can’t escape from. She’s been in prison since the end of series 3 and I was worried her character development and personal resilience would be set back to zero but she’s doing her best. She awaits the outcome of her retrial for her manipulative mother’s murder. Remember she has a motive, no real alibi (she was set up to be alone in a graveyard when her mother died) and there was forensic evidence all stacked up against her. It sees a new witness has come forward, but Saga’s simple belief in right and wrong, and the power of the law has been firmly shaken. And she’s floundering. If she’s not a cop then where does that leave her. Without the job who is she?
Have you ever been so excited you put your fist in your mouth to suppress a squeal of glee? Have you ever been so excited that you could swallow your own fist down and keep going up past the elbow and beyond, squealing away regardless? It’s not often I go full fangirl about anything, but guys, it’s nearly time to see the very last series of The Bridge! And I am so excited. You can keep your Infinity War. This is the original most ambitious crossover event. It’s time for Denmark and Sweden to put their differences aside and work together again on outrageously gruesome killing.
It goes without saying that someone is murdered near to the Oresund Bridge. Yes, it’s a woman and yes it’s totally brutal. However you feel about that on TV more generally, you have to admit this is The Bridge’s classic calling card. Why change now? This woman is Margrethe Thormod, the head of the Danish Immigration Board. And she and her team have recently been in the news for all the wrong reasons – filmed clinking champagne glasses and celebrating the deportation of a gay man back to a Muslim country where he will most probably be executed. Taariq Shirazi has gone to ground and Margrethe is murdered in a way that seems to have cultural and religious connotations. Is there a connection?
Agatha Christie’s murder mysteries are an international literary language; translated, loved and understood the world over. You know there’s going to be a big stately home, a cast of shifty upper-class characters, a few red herrings and a satisfyingly complicated conclusion. It’ll all hinge on the silver sugar tongs, a classified advert in the Times or the colour of the front door which you knew from the start but discounted as an inconsequential detail. It’s clever, gratifying and reassuring all in one shot. For a real-life example, please see me and Mr H on holiday in Turkey in 2014. We were, I’m ashamed to admit, battered out of our skulls on local raki and dealing with a day-long hangover in a hotel room easily as hot as the surface of the sun. What could be more soothing to the addled brain than finding Poirot dubbed into Turkish with English subtitles? In no small part thanks to Hercule we consoled the little grey cells that hadn’t been murdered by alcohol.
Ordeal by Innocence, the Easter Sunday BBC1 drama, is not your Turkish holiday Agatha Christie adaptation. There’s nothing soothing about this production. From the off it’s clear we’re in a nightmarish gothic horror. Producer and writer Sarah Phelps brings us a sharper, nastier, distilled version of And Then There Were None, her tremendous Christie adaptation from 2016. “Nine elaborate murders based on an extremely dodgy nursery rhyme that drive a young woman to suicide in a mansion on a deserted island is not really terrifying enough. Let’s kick it up a notch guys!”
Welcome to Italy, Naples to be exact. Only these intimidating inner-city destinations won’t be on any tourist trail. If you end up in these locations you holiday stroll has taken the worst of wrong turns. Welcome to Gomorrah.
Gomorrah is based on the non-fiction investigative book — 2006’sGomorrah: Italy’s Other Mafia by Roberto Saviano, a journalist who got such a close and detailed look at Naples mafia he is now living in hiding. Gomorrah is the highest-rated show to ever air on the Italian network Sky Italia, far outstripping American imports such as Game Of Thrones and House Of Cards. There’s a strong familial resemblance to The Wire, as this captivating Italian series is also an immersive look at street-level crime, gang organisation and shocking scenes of unflinching violence.
Naples is a colorful city but those colours are washed-out neon, like looking at life through a fishbowl. In similar way to Braquo this is firmly set in the grimy underbelly of the city, filled with leather jacket wearing hard men. This is the territory of the mafia; running drugs, buying crooked cops and dishing out violence to all who cross them. And we meet them at a paranoid time – there’s problems with extra cops, neighbourhood watch and journalists crawling around the blocks. Everything is changing.
Sky Atlantic are really stepping up when it comes to interesting Euro imports, and really competing with the big boys Walter Presents on Channel 4 and good old BBC4. Midnight Sun from Sweden was seriously amazing. Their latest offering is a dark drama that was hugely successful in its home territory of Belgium, and it soon becomes clear why. When a convicted child killer Guy Beranger (Angelo Bison) is released from prison on probation, the monks of Vielsart Abbey offer him sanctuary in a small village in Belgium’s Ardennes Forest. Creepy Guy is placed under the protection of a young Federal Police inspector, Chloé Muller (Stéphanie Blanchoud), who is herself haunted by nightmares of childhood trauma. Despite clearly not being mentally fit enough for this duty young Chloé is to be his babysitter.
Creepy Guy was convicted of five murders in 1990s. These were extremely high profile killings, mainly it seems of children, and he’s not been forgotten. On the way into the up into the forest we’re greeted with angry protests from Vielsart villagers and quite a few of the abbey monks. Father Abbot is on side, all about the Christian charity and forgiveness. Even among his own brothers he’s not made a popular decision. Will he be ousted because of this or will he teach his brothers that forgiveness isn’t easy but is always necessary?