SPOILER warning: this post deals with the final episode of Unforgotten Series 3. Do not read on unless you are up to date with both series 2 and 3. Catch up with all the box sets on ITV Hub now.
Unforgotten bowed out after a tremendous third series at the weekend. No one disagreed that it was an acting masterclass from start to finish, led by stalwarts Nicola Walker as DCI Cassie Stewart and Sanjeeve Bhaskar as DI Sunny Khan. Since inception this show has attracted top quality British actors. This series was dominated by awesome performances particularly from Alex Jennings, James Fleet and Neil Morrissey (getting better and better in each drama part,although here he certainly need more screen time). But I wasn’t expecting such a split opinion on the ending, especially as this has become a truly beloved British drama. I wasn’t immediately on board back at their humble beginnings, and I admit I snarked at the first episode back in 2015. I was very happy to be proven wrong; the atmosphere wasn’t lacking in comparison to Scandi drama – it was just different.
Online, people seemed annoyed that there was no twist in the tale and that the final episode ran out of steam. Although, thinking about it, do any of the series so far provide a neat and satisfying ending? In series 2 because of the nature of the crime, the number of perpetrators and the time passed the police decide there was no value in pursing and prosecuting anyone. Was this what the audience wanted? Do we demand everything tied up neatly in a bow? Or do we realise if you strive for realism on TV in style and storyline that endings will inevitably be messy, just like in real life?
Thankfully Alice Roberts, Professor of Public Engagement in Science at the University of Birmingham, is here to build the perfect female form – part science, part sci-fi and all nightmares. With doctors, sculptors and SFX experts she rebuilds her own body from scratch, and fixes the flaws that natural selection has embedded in our collective DNA. Her intentions are the best; making giving birth safer, solving the problems of our bad backs and giving us excellent sight and hearing. She unveils the life-size model in London’s Science Museum to gasps of amazement, but certainly not delight. Part elf, part bird and part kangaroo I think I’ll stick to human 1.0. Thanks all the same Alice.
ITV has had a bit of a coup with the new London noir drama series Marcella. Written by Hans Rosenfeldt, the Swedish guy behind The Bridge which was such a success for BBC4, you’d think that naturally this would go to the Beeb. But no – it starts on ITV tomorrow night (Monday 4th April at 9pm).
I think it’s clear that ITV have been inspired by recent Scandi noir successes (The Bridge, The Killing etc) and by the revitalised UK detective dramas that have been must-watch tv – Happy Valley and Luther. The bucolic Midsummer Murders is done. Professor Plum in the dining room with the candlestick didn’t do it. It’s all gotten rather gritty, which is no bad thing. But can this writer shift his focus to London, or will the whole thing be lost in translation?