‘Unforgotten’ Series 3 – ITV

SPOILER warning: this post deals with the final episode of Unforgotten Series 3. Do not read on unless you are up to date with both series 2 and 3. Catch up with all the box sets on ITV Hub now.

Unforgotten bowed out after a tremendous third series at the weekend. No one disagreed that it was an acting masterclass from start to finish, led by stalwarts Nicola Walker as DCI Cassie Stewart and Sanjeeve Bhaskar as DI Sunny Khan.  Since inception this show has attracted top quality British actors. This series was dominated by awesome performances particularly from Alex Jennings, James Fleet and Neil Morrissey (getting better and better in each drama part,although here he certainly need more screen time). But I wasn’t expecting such a split opinion on the ending, especially as this has become a truly beloved British drama. I wasn’t immediately on board back at their humble beginnings, and I admit I snarked at the first episode back in 2015. I was very happy to be proven wrong; the atmosphere wasn’t lacking in comparison to Scandi drama – it was just different.

Online, people seemed annoyed that there was no twist in the tale and that the final episode ran out of steam. Although, thinking about it, do any of the series so far provide a neat and satisfying ending? In series 2 because of the nature of the crime, the number of perpetrators and the time passed the police decide there was no value in pursing and prosecuting anyone. Was this what the audience wanted? Do we demand everything tied up neatly in a bow? Or do we realise if you strive for realism on TV in style and storyline that endings will inevitably be messy, just like in real life?

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‘Hinterland: Series 3’

I have finally relented and let Mr H submit a review for his favorite show. He spent 20 years living in Wales for his sins so consider him our foreign correspondent.

“It’s beautiful, I’m so glad you bought a big new telly” – Sarah Hamstera (1847 – Present)

It’s not often I hear justification for a purchase but there is power in beauty and Hinterland knows that all too well…

Hinterland (Y Gwyll) is an oddity in British television in that it is created and produced primarily for the Welsh audience but filmed once in Welsh and again in English. This means that there are 2 versions available to the tv audience (3 if you include the much rarer and heavily abridged all English version), the all Welsh version (Y Gwyll) appears on BBC owned S4C followed a short while later by the ‘International’ version which is predominantly in English but with key sequences in Welsh with English subtitles. This is the version put out on Saturday nights on BBC4 fitting nicely into their standard Scandi-Noir slot where we get to see just how well we have come to understand and love the genre. In some ways it feels odd that we aren’t watching the Welsh version with intermittent English scenes but, given the core audience, it’s understandable.

For those that haven’t yet sampled the ethereal delights of Hinterland, it is ostensibly a police procedural drama set in the beautiful scenery of the rural Welsh countryside surrounding Aberystwyth. This, for the most part would be enough but there is much darker fayre to be had below the verdant and bucolic surface.

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