‘Doctor Who – The Woman Who Fell to Earth’ BBC 1

“I’m a traveller” says Jodie Whittaker’s newly regenerated Doctor. You and me both, love. I missed the fanfare for the new series last night as I was stuck on a train somewhere outside Bristol Parkway. Yes I know it’s 2018 and I could have watched it on my phone but the wifi was horrendous and there were no ancient alien adventurer ready to help me in my time of need as far as I could see.

But who knows what they look like theses days? Other than awesome coats in common they could look like anyone. This regenerating alien character who assumes human form is no longer the privilege of men. As the adverts cleverly said, it’s about time. So we’ll have no more creepy paternal romances with a subordinate companion figure, thank you very much. But she retains the benevolent feelings towards humanity in general and her mission is still helping people in distress – the universal fourth emergency service. And this time with the Tardis being MIA it won’t feel quite so odd if the stories end up being relentlessly earthbound, although we can but hope she and her big blue box are reunited soon.

There was much to love in this first 60 minute episode.  Jodie’s character seems to strike all the right notes; the wonder, the restlessness, the silliness and the dependability that are cornerstones of the show. I loved her costume when she finally chose it, and that it came from a charity shop junk pile. It was great watching her bodge together her own DIY sonic screwdriver. The cinematography was gorgeous and the way that Sheffield didn’t have to pretend to be London was very welcome indeed (poor Cardiff, you were cheated – South Wales deserved more than a being stand-in).  And it’ll be interesting to see how her Scooby gang, their characters and their relationships will develop over time. I predict Tosin Cole as Ryan will be a much more confident and capable young man in no time at all.  I was very disappointed that easily the brightest person we met, and the one most enthusiastic about adventures with the Doctor was killed off, but tragedy is a effective if rather blunt tool to cohere the team around.

Bradley Walsh seemed much more at home with the serious parts of the script than the attempts at humour, as if he’d left his cheeky chappie persona on the set of The Chase and resumed work as a dour policeman on Law & Order UK. This is fine, and a good reminder of the proper acting he’s capable of, but I had high hopes for him carrying the comedy here. The humour in general seemed badly timed and a bit off throughout.

Tonally it all felt a bit flat and to my mind the pacing of the whole episode wasn’t great. There’s got to be a balance between madly, breathlessly running around a spaceship occasionally pausing to yell “There’s no time to lose!” and this amble through Sheffield at night that the first episode presented us with. It’ll be good to see Jodie on an intergalactic battlefield trying to talk both sides down from the brink of war – we’ve yet to see her stretch herself or make any really inspiring dramatic speeches. The writer Chris Chibnall and director Jamie Childs seemed to have that extended episode time at the forefront of their mind, and even with a murderous alien on the rampage picking off innocent humans there was no massive sense of urgency in any of the action.  I’m extremely hopeful about this series and quite willing to watch another episode, but I hope someone rigs up a car battery quickly and gives it that electric shock it needs.

Stuck somewhere in need of entertainment? Got a better wifi connection than the average Cross Country train? Then watch the first episode of the new run now on iPlayer and let me know in the comments or on Facebook what you thought.

‘The Generation Game’

A quick word about The Generation Game which started on BBC1 last weekend. I don’t think anyone even raised an eyebrow when Mel Giedroyc and Sue Perkins were announced as presenters. They’re the perfect pair on paper. And perhaps this was the perfect week to start the series with the nation’s focus firmly on entertainment shows, as poor lonely Declan Donnelly went solo on Saturday Night Takeaway. The Generation Game is a stone-cold classic Saturday night entertainment fixture, so the big mystery was why did the Beeb broadcast this on a Sunday? Do they get confused too about what day of the week it is when there’s a bank holiday?

So on Sunday, not Saturday, Mel and Sue in oddly colour-coordinated outfits welcome viewers to a stadium-sized sequin-bejazzled set. The pair are instantly very comfortable together making desperately cheesy jokes, as you imagine they do off-screen too. You’d go on as a contestant just to be able to give Mel and Sue a hug, despite the embarrassing tasks they have in store for you. The pair ably control the chaos and mak the contestants laugh, wandering around during the tasks, partly encouraging them and partly putting them off exactly like their Bake Off heyday.

Continue reading “‘The Generation Game’”

‘Somebody Feed Phil’ – Netflix

Phil is friendly. Phil is kind. Phil is funny. But those qualities count for very little over at foodie magazine Eater where Somebody Feed Phil, the Netflix travel documentary eating its way around the globe was cruelly slated as “too cute”, “annoying” and having “no discernible point of view”. Conde Nast Traveler is much kinder, praising the positivity and optimism wrapped up in each delicious bite. So, which one is it? Sweet or sour?

This new to Netflix series is fronted by a gangly beaming Phil Rosenthal, a television writer and producer, best known as the creator of Everybody Loves Raymond. He had a similar show called I’ll Have What Phil’s Having on PBS in America, but this is the first time an international audience has seen his culinary adventures.

And what a road trip he’s on. In six hour-long episodes he covers Ho Chi Minh City (aka Saigon) Bangkok, Tel Aviv, Lisbon, New Orleans and Mexico City. I’m immediately jealous of his experiences and his air miles. He begins in the exotic east, but this isn’t just an American on a gap year, as he’s keen to promote food closer to home too, understanding that not everyone can afford international travel. Each episode also runs the full gamut of food available for the budget conscious backpackers and the money-is-no-object crowd. We seem him try street food out in the road on plastic chairs, befriend old ladies in shopping mall cafes, try all sorts of strange things in cafeterias off the beaten track and other hole-in-the-wall cafes where you’d need a local guide just to find the place.

Continue reading “‘Somebody Feed Phil’ – Netflix”

‘Glow’

Good tv title sequences must grab your attention and sum up a show’s theme, and GLOW is a perfect example. The shiny disco Day-Glo neon titles scream “80s nostalgia here we come!” It’s all there, running throughout the series – the music, the outfits, the big hair. And a central scene in episode 1 takes place in an aerobics class which makes me, and everyone else of a certain age, think of Flashdance. We’ll be seeing a lot more women in leotards before this series is done. GLOW is the new Netflix comedy-drama from Orange Is The New Black executive producer Jenji Kohan, and the theme of strong unconventional women and their struggles is familiar to both.

We start out with aspiring actress Ruth Wilder (Alison Brie) and her fight against sexism in Hollywood. She’s delivering the audition of her life when her misunderstanding is revealed – “You’re reading the man’s part”. The women’s part is a secretary and she gets one line. Ruth is very determined, badgering the casting director (also a tough woman) who eventually offers her a crumb of sympathy – an open casting call for “unconventional women”.

Continue reading “‘Glow’”

‘Santa Clarita Diet’

I think we can all agree that 2016 was rubbish, punctuated by the occasional depressing shitstorm. So far, 2017 is just bleak, barely registering on the Shrug Scale of shit-we’ve-all-just-got-to-get-used-to a.k.a. the new normal. So it’s the perfect time to turn your brain off, get grizzly and relish some zombie face-munching fun.

Welcome to Santa Clarita, a deeply boring middle-class suburbia somewhere in dull dry Southern California. Sheila and Joel are good-looking super-normal upwardly mobile estate agents (or realtors as they say over there) quickly sliding down the slippery slope into a totally ridiculous situation. Poor Sheila dies, only she doesn’t. Life goes on as normal, as best they can, while she, Joel and their teenage daughter Abby deal with the fact she is now a zombie.

Continue reading “‘Santa Clarita Diet’”

‘The Bureau’

We had a bureau at my parents house. It was an old, wooden, very formal piece of furniture in the dining room (next to the deer head mounted on the wall. I’m not even kidding). They used to keep bills and receipts in the drawer and the posh wine glasses in the top. I’m not sure I knew it was a French word, and I’m pretty sure I’ve never pronounced it correctly in my whole life. The Bureau in this instance is just as smart and formal,but thankfully not so wooden. This is the secret office responsible for deep undercover agents within the French secret service. We meet the agents in a time of transition and confusion.

Rashid (codename Cyclone) is a French Muslim spy operating in Algeria. He refused to drink alcohol in training even though it’s clearly important to know if your operatives can take interrogation while drunk (“I love you, you’re my besssht friend! Guess what I do for a living!”). So it’s shocking that he’s arrested for drunk driving while on an operation.

Continue reading “‘The Bureau’”

Christmas Telly Round-Up 2017

To be quite honest with you, the bumper Christmas Radio Times (opened gleefully way ahead of time in our house) did not fill me with joy this year. The week in which about 90% of Britain downs tools, puts on their pyjamas and watch tv all-day every-day while eating Quality Streets and drinking prosecco (a healthy balanced breakfast) usually has an abundance of great telly. Was it just me thinking it was all a bit harder to find this year? Anyway, this is my little list of tv that caught my attention over the Christmas holidays.

Click through below for seven telly offerings, some which were more coal in the stocking than a sable under the tree…

going-on-a-bear-hunt-book-cover-meadow-copy
Where is the bear?

We’re Going on a Bear Hunt (Channel 4)

Michael Rosen’s picture book has very little in the way of peril. While being no expert on children’s books, I have read this recently to friends’ kids. The family bereavement subplot seemed to have been slotted in to pad out an extremely short story into 30 minutes of television, and to give that little bit of Christmas pathos that we seem to expect from everything in December, especially adverts. Who would have thought that after being totally traumatised last year (at the age of 33) by Cormac McCarthy’s Stick Man (turns out his nom de plume for kid’s books is Julia Donaldson), that I’d be wistful for a seasonal cartoon with a real adventure in it.

gogglesprogs
Stephanie and Christina from Gogglesprogs

Gogglesprogs (Channel 4)

Cult telly, now mega-hit format Gogglebox (viewers talking about telly, on the telly, to you the viewers) is by turns charming and irritating, depending largely on whether you like the particular family passing comment and whether they agree with you. However, the mini-people version Gogglesprogs is always a treat and it was lovely to check in with these favourite nieces and nephews this year. My, how they’ve grown. Mr H and I had bets on who was going to cry (always Christina, always Molly). We did not expect it to be serious and sensible Ashton, crying at the complicated emotions and longing for lost childhood thrown up by Toy Story 3. He’s no older than 11 and already he’s so grown up. Old before his time and very wise. What a guy.

the_windsors_is_very_funny_and_will_be_music_to_the_ears_of_republicans_everywhere
Long to reign over us

The Windsors (Channel 4)

People either loved or hated the first series of this exceptionally silly royal satire, which was on Channel 4 in April 2016. I’m guessing there’s a big intersection in the Venn diagram labeled “extremely silly” and “Daily Mail reader”. Surprised there’s not an e-petition for them to be charged with treason and locked in the Tower. But then Netflix had to go and make The Crown, which is almost exactly the same – writers making up behind-the-scenes stories and motivations for our most recognisable and unknowable dysfunctional family. Ok, so in The Windsors Kate is a proud tyre-selling gypsy, Camilla is a scheming bitch desperate to be Queen and brash Fergie and her awful sloany daughters have to stay in the stables at Christmas because Charles won’t let them in the house. None of these are plots on The Crown, yet. Yes it’s vicious Spitting Image style satire, but it’s funny because it’s all quite likely in our collective imagination.

p04l3xxm
Big bad sad wolf

Revolting Rhymes (BBC1)

It’s unusual to have a cartoon version of Roald Dahl’s characters without much of a nod to Quentin Blake. This two-part special had was soft and warm where Blake’s illustrations are scratchy and angular. But style and content couldn’t have been more dissimilar. This mixed-up series of fairy tales is rather slow and ponderous to start with but the end of the first episode really ramps up the revolting elements. It’s almost too unsettling for children and certainly freaked me out. Who walks around in a coat made from the skin of her enemies? Little Red Riding Hood, of course. Strange as someone who is still nervous around wolves, thanks to their terrifying presence in all the best children’s books, this made me feel quite a lot of sympathy for the Big Bad Wolf. Dominic West’s vocal talents made him angry, vicious and vulnerable. Probably felt quite at home among these sadistic killers.

p04kjxf6
Saiful Islam is this year’s RI presenter

Royal Institution Christmas Lectures (BBC4)

It’s a good thing that the lectures are only an annual event. Sadly they’re never as interesting as you remember and always quite a chore to watch. What with it being an actual televised scientific lecture from the Royal Institute in London there are too many moving parts and moving experiments on and off stage interrupt the flow. Usually at least you get to see kids taking part in exciting experiments but episode 1 was all about generating alternative sources of electricity so all Saiful Islam could really do was send a series of children around the building to read numbers off of various screens. And it was all a bit depressing really as the target remained firmly out of reach. It made renewable energy seem difficult and a bit pointless; hardly their intention. I think most people watch the lectures halfway through a chocolate orange and a game of Monopoly, hoping for some science knowledge to be stirred by osmosis. This is a shame as BBC science tv can do so much better.

charlie_brooker_s_philomena_cunk_explains_everything_about_christmas
Cunk asks the hard questions about Christmas

Cunk on Christmas (BBC2)

Diane Morgan’s brilliant comedy creation makes a welcome return after the amazing Cunk on Shakespeare shown in May. Her investigations are always nonsense, always with an element of truth. It’s deft comedy dressed up as daft documentary. I’d worried now that she’s a big hit she might not have much of a shelf life, like Sacha Baron Cohen’s Ali G but she continues to baffle historians and other boffins who surely know she’s a comedian playing the interviews for hugely awkward laughs. Cunk’s musings are so ridiculous and the documentary style is so beautifully done that you can’t see the joins. She’s an absolute wonder and might even have more staying power than Charlie Brooker’s Wipe series, who elicited more sympathy than laughs in his annual review of the news. Who’d be a political satirist in 2016?

p03dkmsm
Sue Perkins’ new chums, and not a cake in sight

Insert Name Here (BBC2)

Sue Perkins has a new job guys! We don’t need to worry that she’ll struggle to make ends meet in 2017 without cakes. This comedy panel show actually had its first full series in 2016 but was a bit hidden away in the schedules. There’s nothing revolutionary or even very exciting about the format (questions on famous people who all share a first name). Honestly, despite being a big fan of Sue Perkins, I didn’t have high hopes but it seemed to find its niche rather well. The host and team captains – Richard Osman (the clever one) and Josh Widdicombe (the naughty one) – seemed to gel after the first couple of episodes. I also liked how BBC historians including Kate Williams and Ruth Goodman got to appear very knowledgable and let their hair down a bit. Hopefully this Christmas outing means some more viewers for the second series due this month.

All the shows above are available either on BBC iPlayer or All4 for you to catch up while you finish up the chocolate and cheese and pretend you don’t have to go back to work/ school this week.