‘Aggretsuko’ – Netflix

Hands up if you hate your job. Look around – you’re not alone. Eighty-five percent of workers worldwide admit to hating their jobs when surveyed anonymously, according to a Gallup poll released last summer. That’s an awful lot of people. But even people with what seems to be the perfect job get totally frazzled sometimes. I’m sure even Cadbury’s chocolate taster, Dublin’s chief kitten cuddler and Chris Pratt’s hot yoga instructor have bad days too. So despite Netflix’s new cartoon Aggretsuko being subtitled Japanese anime, this rage is entirely universal.

Retsuko is an adorable kawaii red panda from the people at Sanrio who most famously brought you Hello Kitty. I kid you not. This fluffy female is far more realistic than any mascot I’ve seen before. She’s really struggling. When she gets her first office job aged 20 she’s filled with joy and purpose, strutting her stuff in corporate Japan. Cut to five long years later and she’s stuck in a thankless job, a slave to the wage. She hates her stupid, lazy, gossipy colleagues, really hates her misogynistic boss Director Ton (literally and figuratively a pig) and I bet she hates herself too, for still being single, and not being the big success she always though she would be. This is the internalised hatred of working women who have been set impossibly high standards by society. Whoah – this shit is deep for a super-cute animated red panda.

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‘Midnight Sun’

If you trust my recommendations dear reader, stop reading right now and just watch this. If you need a little more convincing, read on. It’s only March and Midnight Sun has quite possibly staked the claim for most gripping episode 1 of a drama series this year. It’s an hour of tv that’s up there with The Killing and The Bridge. All the praise to Sky Atlantic for serving up this slice of stunning high-end noir. My only criticism is they’re portioning it out into weekly helpings, and I can’t bosh the lot in a weekend. Because I very definitely would.

This is a French-Swedish coproduction (yes, it has the Canal+ mark of quality) which follows Kahina Zadi (Leila Bekhti), a French police officer, as she heads to a small mining community in remote northern Sweden to lead an investigation into the spectacularly grisly murder of a French citizen. Her Swedish sidekick is local DA Anders Harnesk (Gustaf Hammarsten) and his rather more jaded boss Rutgar (Peter Stormare). Even with just a few minutes under the belt we can see that all of these characters are fully fledged with their own particular quirks and histories just beginning to be hinted at.

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‘The Eurovision Song Contest’ – On the Box

The sad truth is I’ve been looking forward to Eurovision for months. It’s the one night a year where I really embrace silly pop music. Instead of suffering through a whole series of The X-Factor or Britain’s Got Talent I shovel all the cheesy Europop into my face in one massive glitter cannon blast. And then go back to my usual cynical self the very next day.

My friends have much better taste than me, so I have no sexy Euro parties to attend. But Twitter has revolutionized how we watch live events. My feed goes crazy, with humour, love and snark from around the globe. It’s like a cacophony of opinions from about a million people, and it makes the evening brilliant.

Here are a few choice moments from last night:

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I Have Been Watching… The Eurovision Song Contest

 

Come with SusieSue and let her take you back in time…

It’s 1974. There are Wombles. On Brighton Pier. And ABBA.

I am, let’s just say, primary school age. Waterloo happened and I loved ABBA from that day (except for the 1979-1982 years when ‘alternative’ music took me over, but that’s another story).

Back in the day Eurovision was A Really Big Deal.

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