‘The Bridge’ – Series 4, Episode 8

This is a full review of The Bridge: Series 4, Episode 7. Catch up with all the reviews here. Don’t read on unless you’re completely up-to-date on the BBC2 schedule!

The Case

An urgent message about the identity of the killer is left in an in-tray of a man who is on some sort of compassionate leave. Not a detail everyone will have noticed, but it makes administrators livid. So our professional runaways Julia and Ida are back in the storyline and on the run from Niel’s mild-mannered assistant Susanne Winter. Back in the day she also answered to Steph, and was having an affair with tragic Tommy as a lot of people suspected by the end of the last episode. Prior to that she flew under the radar throughout the series, but she’s a badass brutal thug, who doesn’t give a shit. Tasing kids in the middle of suburbia in broad daylight and stuffing them in the boot of a car, with zero concern for nosey neighbours hiding behind their net curtains.

And after that scene I nominate Sofia Helin for the next James Bond. Saga’s presence of mind is like nothing else on earth. She’s just been shot but she finds her gun and takes out Susanne’s moving car. It’s interesting to me how Steph/Susanne has hidden so well behind a respectable mousy exterior, perhaps assisted by the European stereotypes of being an Asian woman. Her carefully constructed identity jars with the idea that she would be boastful, keeping trophies as Saga mentions and as the police find in the prop department, I mean, flat.  Also, we all know the case can’t be wrapped up neatly with a bow on top in just 20 minutes.

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BBC Sitcom Season – ‘Are You Being Served’, ‘Porridge’ and ‘Young Hyacinth’

In the gloomy lab of a crazed scientist’s lair the spooky organ music rises to a crescendo. The thunder cracks and the lightening flashes. The hand-stitched body-parts on the gurney start to twitch and there’s no longer any doubt. “It’s alive” yells Dr Frankenstein, “it’s alive!”.

This is exactly what happened in the mind of head comedy commissioner Shane Allen when he decided to launch the BBC Sitcom Season, reviving comedy classics from the last 60 years, to mark the anniversary of the first broadcast of Hancock’s Half Hour arguably the originator of all tv sitcoms. It’s up to us to decide if these unnatural creations are monstrous, or if like the good Doctor’s best known creation, they’ll have us in stitches.

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Shocking TV – Viewpoint

The promise of a shock is an excellent hook. Who can resist? We might not admit it but we’re all interested to see freakish behaviour in others and we’d love to know what goes on behind closed doors. This compulsion is at least half the reason for the success of Big Brother and other supposed ‘reality’ tv shows. As an audience we don’t want to be calmed or soothed or reassured; we want to be shocked! We want to be outraged or astonished or moved in some way. And for quite a lot of people, the darker the better.

This is also why the most outrageous actions are always on the advert. A good recent example is Bear Grylls’ vehicle The Island. The voiceover says “someone is going to die” and a contestant falls of a rocky cliff! OMG! What happened? Did he die? Tune in to find out! Well no, of course he didn’t die and he didn’t suffer any major injuries either (despite the consensus that he was an awful person and probably deserved getting bashed up a bit). Do you think even in 2016 they would have been allowed to broadcast an accidental death on a reality show? No. Obviously not. But in that moment, in that 30 second advert, we are swept up in the supposed drama and we HAVE to know what happens!

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