Broken is the beautiful, heart wrenching new 6-part drama series from award-winning English screenwriter and producer Jimmy McGovern, the champion of working class heroes. We are in familiar territory here – kitchen sink dramas and the seemingly small but overpowering tragedies of everyday life.
The big draw for drama fans is Sean Bean in the central role as Catholic priest Father Michael Kerrigan, a kind man, driven by his vocation to work hard for his community. Immediately we see that he’s haunted by an abusive past, rare in tv land where we frequently see priests as abusers, not victims. Bean played cross-dressing teacher Simon Gaskell in McGovern’s excellent drama, Accused an astounding role that he rightly won an International Emmy for. McGovern said in a Radio Times interview that he never considered anyone else for the lead role in Broken: “I always go back to Sean – I just think he’s world class,” he said. “People know he’s good, but I know he’s great.” Typically, Bean is stoic in the face of tragedy. He’s funny too – a bleak, black humour runs through this episode. On screen he is low-key with no histrionics. Appropriately, he doesn’t lose his head.
Continue reading “‘Broken’”
Life can change in the blink of an eye. This Channel 4 documentary about horrifying assaults makes this clear from the start. Straight away it was immediately gripping, in the style of mega-hit Netflix documentary Making a Murderer. We instantly sympathise with this baby-faced boy called Ben, talking to the camera about going to a party and snogging a girl. It’s a teenage romance. Then a drunken fight breaks out and it all turns sour. Ben describes the fight and how he was involved albeit unwillingly, defending the honour of his friend. “I’m not a violent person,” says Ben. We nod. Look at his face. How could we believe anything else? Then another face appears, another young man who was there at the party, and says no, that’s not what happened. Ben hit George with such force that he died. CCTV backs this up. Our view flips 180 degrees. What an ingenious way to start.
Continue reading “‘One Killer Punch’”
Another tv treat from the Birmingham Literature Festival this year was Hans Rosenfeldt and Ed Thomas in conversation. The men may not have household names, but you’ll certainly know their work. Hans is the leader writer and creator of international mega-hit The Bridge and Ed writes the sparse and beautiful Hinterland set in Wales. Both shows are available for a cosy night in on Netflix. The guys were on the programme as a duo because they both write about murders and cops in a distinctly unusual bilingual fashion. The interviewer from the Writers’ Guild of Great Britain skillfully weaved their experiences together, but for ease of reading I’ve pulled them apart again, with a bit of chat about similarities and differences to act as *ahem* a bridge between the two…
The Bridge – Hans Rosenfeldt
Hans is a big lumberjack type who looks super comfortable in front of the audience. I’m sure he’s well versed in talking about Saga, Martin and The Bridge. He starts by telling us a little about the writing process – 70% of the episodes he writes alone in Swedish. The scripts are translated after the third draft by a ‘proper’ translator and then one writer makes it sound “less translated” and turns it into ‘improper’ spoken Danish. He says despite Swedish and Danish sounding pretty close to our English ears “we made up the fact that we understand each other”. He says not understanding would have given them big problems with tense scenes like interrogations. So, despite appearances, it’s all false and Swedes especially have trouble with Danish. He says he’s not massively happy with the subtitles on Netflix as they are not always correct and English-speaking audiences are losing a little in translation.
Continue reading “Dead Pixel Test Live! – The Bridge to Hinterland”