This is a full review of episodes 7 and 8 of Trapped so don’t read on unless you’re up to date.
Episode seven opens with the fairytale of Gutti the goat boy, his personal tragedy and how he gets trapped in a lost future. If it’s meant to evoke any sympathy or understanding in steely Halla it falls flat. “Gutti was an idiot” she says. There’s more myths and legends butting up against the everyday in these episodes as the villagers start to feel they’re cursed.
The man competing for unluckiest villager is Vikingur, stood awaiting his fate against a very suitable blood-red backdrop locked in a room in the plant to keep him safe from the angry mob. His white shirt is splattered in blood, the backdrop is a once-white sheet covered in red spray paint. Pawel was hit in the head with a nasty-looking pointed hammer and Vikingur looks extremely guilty. Pawel the Pole was running jobs with various foreign workers at the plant. Was he a mini mob boss? If so, I bet he had plenty of enemies.
Stefan, the clean-cut pal of Vikingur, rescues Ebo from yet another mob and puts him up with Hjortor and his girlfriend Soffia. Stefan can’t help but look guilty to seasoned fans of the genre – he’s so clean-cut he must be hiding something. Ebo speaks to the police to provide some context for Vikingur’s rage at Pawel and the homophobes they worked with. Lovely Asgeir’s English is beautifully spoken in this scene; he’s so kind to this terrified man.
Continue reading “‘Trapped: Series 2’ – Episodes 7 & 8”
As you may have noticed I’m still waiting on the next big Euro drama to cross my path. All the Scandi stuff recently has me feeling a bit flat, with fairly promising starts leading to confused middles and ‘meh’ endings. It’s fine to have a beautiful backdrop of lakes and mountains, but you need to populate it with original characters leading interesting lives. The story needs to be multi-layered, but not too complicated; zoning out and playing with your phone is the absolute death knell for a subtitled drama. Both the good guys and the bad guys need to have clear motivations that we can relate to.
So with a Gallic shrug it might well be time to bid au revoir to the northernmost corners of Europe and see what France might have to offer; after all, the daddy of the noir resurgence in the past decade has been the Emmy award-winning and much loved Spiral. The most memorable dramas I’ve watched recently have been French, or part French; the balls-out action heros in Braquo, stylish super spies in The Bureau and the best character in Midnight Sun was the deeply troubled French detective.
Continue reading “‘Witnesses’ – Series 2”
I have finally relented and let Mr H submit a review for his favorite show. He spent 20 years living in Wales for his sins so consider him our foreign correspondent.
“It’s beautiful, I’m so glad you bought a big new telly” – Sarah Hamstera (1847 – Present)
It’s not often I hear justification for a purchase but there is power in beauty and Hinterland knows that all too well…
Hinterland (Y Gwyll) is an oddity in British television in that it is created and produced primarily for the Welsh audience but filmed once in Welsh and again in English. This means that there are 2 versions available to the tv audience (3 if you include the much rarer and heavily abridged all English version), the all Welsh version (Y Gwyll) appears on BBC owned S4C followed a short while later by the ‘International’ version which is predominantly in English but with key sequences in Welsh with English subtitles. This is the version put out on Saturday nights on BBC4 fitting nicely into their standard Scandi-Noir slot where we get to see just how well we have come to understand and love the genre. In some ways it feels odd that we aren’t watching the Welsh version with intermittent English scenes but, given the core audience, it’s understandable.
For those that haven’t yet sampled the ethereal delights of Hinterland, it is ostensibly a police procedural drama set in the beautiful scenery of the rural Welsh countryside surrounding Aberystwyth. This, for the most part would be enough but there is much darker fayre to be had below the verdant and bucolic surface.
Continue reading “‘Hinterland: Series 3’”
Take a little trip through four perilous zones with guest blogger Mr Jontosaurus…
“Start the fans, please!!!!”
Strap yourselves in, boys and girls, because its time for a nostalgia trip. Let me take you back to a time when health and safety was a fallacy, when a person could go on a gameshow and run the risk of potentially breaking every bone in their body. To a time when all of this risk was just seen as good old fashioned fun. If you shattered your skull, it didn’t matter, because look, you’ve won a microwave and your head was kind of a weird shape to begin with, anyway. I talk, of course, about The Crystal Maze.
Continue reading “‘The Crystal Maze’ – Nostalgia trip”
When in doubt have a man come through a door with a gun in his hand. This could get to be pretty silly but somehow it didn’t seem to matter.
– Raymond Chandler
Murder in Successville‘s detective is a perfect comedy parody of Raymond Chandler’s archetype hard-boiled gumshoe Philip Marlow. Only DI Sleet has no discernible skills apart from escalating a situation out of all control and leaving his sidekick to mop up the mess.
Sleet, played by Tom Davis is a big presence on-screen – I mean, really big. Like an amiable bear in a trench coat, snarling and snapping in his raspy voice, ground down by the celeb-on-celeb crime in Successville, lonely and hard-drinking. But it’s not all noir in this improv-comedy-parody-celebity-gameshow. Set him up with the right partner and he’s cheeky, witty and very fuckable if you like that sort of thing (I do).
As you can tell this is a show that defies convention. How it got commissioned I’ve no idea. But I’m very glad it did.
Continue reading “‘Murder in Successville’ – On the Box”