Are you the kind of person who always remembers to say thank you to Alexa? Are you careful in how you describe the great and benevolent Google when you’re within earshot of a Home Hub? Have you had a good long look at your Facebook privacy settings and do you actually understand what all that nonsense means? In which case you’re already familiar with the themes of Charlie Brooker’s Black Mirror, a huge worldwide Netflix success (as far as we can tell with a company notoriously cagey about releasing their viewing figures) poached with extreme prejudice (and bucket-loads of cash) from Channel 4 back in 2015. Technology is a crutch for the human race, a wedge that drives us apart and the idealism of “do no evil” is an absurd fairy story. We’re being corrupted and driven to the point of madness by our own beloved, addictive creation.
Bandersnatch doesn’t make my life easy. This review is particularly hard to write. Usually I’d give brief outline of the story and then get into the nitty gritty. But everyone’s story here is slightly different, especially the multiple possible endings. So let’s cover the very basics and see where we go from there.
It’s been a long while since I started a new Scandi thriller. I’ve been struggling with some pretty serious health problems. Turns out concentrating on anything when you’re really ill is extremely bloody difficult. I guess it’s why mindless daytime tv does so well. And concentrating on high-quality drama with subtitles is completely out of the question. My top tip for sickies is fairly short YouTube content, but avoid ones that make you laugh too hard, so you don’t bust any stitches, or ones about eating nasty things, so you don’t start puking again.
But the wonderful Walter Presents peaked my interest in Norwegian drama series Acquitted. Aksel Nilsen is a very successful Kuala Lumpur based businessman who returns home to little Lifjord after 20 years away to finally confront his unhappy past. Aksel is pouty and good looking, extremely well-groomed and manicured to a shine. In his beautiful bespoke suits he looks like a Ken doll crossed with a perfume advert (pour homme, pour femme, pour Norway). He’s done alright for himself in KL, with a corner office, a beautiful successful wife and a bolshy teenage son. His colleagues all have perfect English spoken in English accents; Nicolai Cleve Broch as Aksel does very well, but it’s his swearing that lets him down. He gets a call for help from Lifjord’s major employer, drops everything and chases off to the other side of the globe to try and save the town.
Dara O Briain’s Go 8 Bit is a happy little comedy panel show/ game show hybrid which was originally created by comedians Steve McNeil and Sam Pamphilon during the Edinburgh Festival Fringe in 2013, and then transferred to television on Dave at the end of last year. The genial and very recognisable Dara Ó Briain is in the host’s chair, with Steve as Sam acting as team captains, and video game journalist Ellie Gibson as the resident expert. The show invites celebs to join the teams each week to play a series of video games against each other. These days I think the kids just call them ‘games’.
I warmed up to this little Bejeweled Blitz gem last year and was happy to see it’s been recommissioned for a second and third series. More proof that with the internet fueling the mobile revolution and people in all age brackets spending more time in front of screens that gaming is no longer niche. However Go 8 Bit knows its audience and is fondly retro and a warm nostalgic hug. The panelists are asked to come on and nominate their favorite games to play. They range from the ancient arcade classics to the modern commute time-killers, and from the massive studio franchise to the tiny indie developers. The games are adapted cleverly to make them TV friendly. Studio audience participation is encouraged where the audience bet on which team will win each game and that affects the overall points total.
If you’ve not yet heard anything about the The Handmaid’s Tale, let me give you a hand getting out from under that rock where you’ve been hiding. This is an MGM production being show on Hulu in America. They seem to be a good 7 episodes ahead of us. Sadly, even in 2017, sometimes America is ahead of us in tv land. It’s great to have synchronised start dates, but it’s still not the norm. Avoiding spoilers for this much talked-about show is going to be a killer.
A few weeks after starting in the USA this 10 part drama series has been picked up by Channel 4 in the UK, which, as the young, intelligent, and left-leaning political channel is a really good fit for their brand and a bit of a coup. The series is based on a novel by Canadian author Margaret Atwood and despite its startlingly relevant content was actually written in 1985. So this dystopian future Atwood envisaged is 30 years closer than we’d have hoped for, and none of her themes are any less relevant or possibilities presented any less realistic. In interviews Atwood says that none of these war crimes in the fictional Republic of Gilead are entirely made up – all have happened somewhere on the globe. This really is extremely dark stuff. Do we as the audience have the stamina to get through it?
The series opening is distressing, as our heroine Offred is violently parted from her husband and daughter, but it’s not a tense escape. We know she’ll get caught. The rippling tension comes from her social position at her new posting with the Commander (Joseph Feinnes) and his wife Serena Joy (Yvonne Strahovski).