‘Acquitted’ – Walter Presents

It’s been a long while since I started a new Scandi thriller. I’ve been struggling with some pretty serious health problems. Turns out concentrating on anything when you’re really ill is extremely bloody difficult. I guess it’s why mindless daytime tv does so well. And concentrating on high-quality drama with subtitles is completely out of the question. My top tip for sickies is fairly short YouTube content, but avoid ones that make you laugh too hard, so you don’t bust any stitches, or ones about eating nasty things, so you don’t start puking again.

But the wonderful Walter Presents peaked my interest in Norwegian drama series Acquitted. Aksel Nilsen is a very successful Kuala Lumpur based businessman who returns home to little Lifjord after 20 years away to finally confront his unhappy past. Aksel is pouty and good looking, extremely well-groomed and manicured to a shine. In his beautiful bespoke suits he looks like a Ken doll crossed with a perfume advert (pour homme, pour femme, pour Norway). He’s done alright for himself in KL, with a corner office, a beautiful successful wife and a bolshy teenage son. His colleagues all have perfect English spoken in English accents; Nicolai Cleve Broch as Aksel does very well, but it’s his swearing that lets him down. He gets a call for help from Lifjord’s major employer, drops everything and chases off to the other side of the globe to try and save the town.

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‘Unspeakable’ – Channel 4

Busy mother of two Jo (Indira Varma) has a lovely boyfriend in Danny (Luke Treadway). who has moved in to her suburban home and is adjusting to family life. On an otherwise normal day some mystery person drops a bombshell. On the school run Jo receives an anonymous text message alleging her boyfriend is having an inappropriate relationship with her 11-year-old daughter Katie.

We see Jo over the course of an agonising day sitting at home in an empty house, dwelling on the message, snooping around but getting no answers. Nothing really happens, but it all happens on Jo’s face thanks to Indira’s gut-wrenching acting. Danny is sexy, and it seems Katie and her friends have noticed judging by their comments on Instagram. Is Danny predatory? Worse still is Katie reciprocating? It’s a very uncomfortable thought but it’s close to how young women think. What is harassment? What is flattery? The lines are blurred when children are still learning the boundaries, and people can and will take advantage. “She’s at that age” is a catch-all for unusual teenage behaviour, but what if something unpleasant is provoking it?

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‘Eyewitness’

The Norwegian crime drama Eyewitness is a tricksy little fiend before we even start. I’ve been looking forward to this for literally months. Walter Iuzzolino (of Channel 4 Walter Presents fame) mentioned it as one to watch back at the end of last year at the live event in Birmingham Literary Festival in October. I might have been writing this blog for 18 months now, but I still have much to learn about what ‘coming soon’ means in the world of television.  Soon wasn’t soon enough, and while constantly refreshing the Walter Presents schedule I was getting antsy. Surely lovely Walter wouldn’t fail me. The days and weeks ticked by and winter became spring. It wasn’t in any listings for shows coming soon  until suddenly I saw an advert for it two weeks before the air date. Unfortunately for me, three weeks before the air date I’d bought it. In a dark moment of desperation I gave up on Walter and got the DVD. Lesson being, trust Walter and don’t worry. He’ll see you right.

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‘Modus’

Modus is familiar even before it begins. It’s an eight part Swedish crime drama shown on BBC4 in the Saturday 9pm slot usually reserved for foreign langauge drama. The credits are familiar again – a nod to the skyline of The Bridge and the grizzly but striking black and white body parts of Trapped. It’s a new tradition that dramas especially must have stylish opening credits, extra points for slow motion and an air of chilly bleakness.

So this is Christmas, in a snow-covered pine forest. A delightful Christmas card scene but it’s cold, lonely and frightening. Euro horror merchants the Brothers Grimm taught us from an early age that monsters live in the forest and they were right. In this case, in a caravan.

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‘Chewing Gum’ – On the Box

I took a risk last week on a new comedy. It sounded like something I might not really get, a life too far removed from mine, so I wondered would the jokes make sense to me? Documentaries are different – that’s information presented as learning. Comedy needs to sit on some mutual ground, a shared understanding, a reference we’re all in on – otherwise it’s a series of in-jokes interspersed by apologies “You had to be there”.

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