This is a full review of The Bridge: Series 4, Episode 7. Catch up with all the reviews here. Don’t read on unless you’re completely up-to-date on the BBC2 schedule!
Happily we still have a Henrik this week. Our brave and stupid Dane gets off with a serious pain in the leg and a severe tongue lashing from boss Lillian about his ridiculous risk-taking. As predicted the GoPro killer (what is his/ her official nickname?) didn’t want to shoot Henrik as death to them is the easy way out. He wants his victims to suffer.
Chris flees from crazy Frank locking him up in the old factory. Frank looks like his hobby is well-planned. He’s got history in kidnapping kids.
Decapitation and firing squad are the methods left unchecked on the team’s control room list. So that’s equal parts terrifying and spectacular.
Mysterious dead Douglas was a Private Investigator who Niels says he hired after his wife’s death to hurry the investigation along. Saga uncovers private police documents in his office that show the mole in the team is working hard on leaking sensitive information all over the place.
Saga is on to Anna, Astrid and Frank thanks to Chris’ confession about killing Dan in the Village of the Damned. Frank seems so reasonable but there’s a monster is hiding just under the surface of respectability. In this episode Frank’s answer to everything is violence. The tension is unbearable as Frank locks the front door and goes to find Astrid toting a shotgun. (“For fucks’ sake! We demand a happy ending!” is written in my notes at this point.) Why did the sniper not take the clear shot he had at Frank’s squishy little head? And how come they can organise a whole SWAT team for a cold case with little to no notice? Those questions aside, good work team!
This is a full review of The Bridge: Series 4, Episode 4. Catch up with all the reviews here. Don’t read on unless you’re completely up-to-date on the BBC2 schedule!
Well colour me confused. What are they playing at? The halfway point maybe not the best spot to introduce a whole new cohort of an already large cast. This is daunting even for seasoned viewers. If you watched the whole episode without pausing to wonder who someone was, who they were related to, and how they were linked to the case then you’re doing far better than me.
Taariq needs penge, and quickly. You’ve got to admire his audacity in trying to blackmail a murder suspect, stealing his wallet and car. Someone told me Taariq was going to get a severe new haircut and I did wonder in a world as dark as The Bridge, does that mean he’ll lose his head? Of course the answer is yes. As Taariq finally realises there’s no way out Henrik and Saga are called to the scene of his armed stand-off. Saga’s compulsive twitching as she attempts to defuse the situation is unbearable. Taariq can’t handle the truth, and unfortunately for him, Saga can’t hide it. A final violent act is preferable to a future in jail or being deported to a repressive regime. Henrik and even Saga seem heartbroken at his death.
This is a full review of The Bridge: Series 4, Episode 3. Catch up with episode 1 and episode 2. Don’t read on unless you’re completely up-to-date on the BBC2 schedule!
Episode 3 was a classic where not very much happens. Characters willfully impede the investigation and every plot point feels like a dead end, until a frantic final three minutes which leaves you shaking your head and softly repeating the word “What?” to yourself over and over.
“I’m not well” says Saga in typical matter-of-fact style. If only it was always so easy to acknowledge your own mental health problems and ask for help. She then lists a devastating catalogue of personal disasters. “We’ve got a bit to work with” says the unflappable therapist, surely in the running for Understatement of the Year 2018. We hope with help Saga will turn the corner and apply her logical, analytical brain to her own situation, but Mummy is messing with her delicate mental state from beyond the grave – having her lawyer send childhood mementos to Saga’s workplace. Don’t open the box Saga! It’ll be about as much fun as Brad Pitt’s surprise gift in Seven.
The Danish sister from episode two, christened by the internet Öliver and Dødger, were such a perfect fit for a hole we’re desperate to be filled. Like a Choir of (Young) Believers the internet sang out in one voice “They could be Henrik’s daughters!” And he gets them home a lot faster than I’d have ever imagined, but now in context of their old bedroom he would recognise them, right? He seems to be the only person not swept up in the idea that they’re his long lost children. But one night at Henrik’s Hotel turns into two as these resourceful Tracy Beakers refuse to be sent off to any dumping ground.
This is a full review of The Bridge: Series 4, Episode 2. Catch up with my episode 1 review here. Don’t read on unless you’re completely up-to-date on the BBC2 schedule.
It’s business as usual for episode 2 of The Bridge which after the hardship and the outright panic of episode 1 is a blessing for viewers.
This week we learn more about suspect number one Taariq and his amazing fluffy yet angular hairdo. Turns out he’s a hero; saving two girls from violence and giving them a hot meal. These young thieves won’t win any acting prizes but they seem to make a living from scamming people and pickpocketing wallets and passports. But this is The Bridge, so no good deed goes unpunished. Taariq’s desperate situation is getting worse – he’s grassed up to the cops by his horrible boss, and worse still it seems he’s been set up with a phone that tracked the victim’s whereabouts. Poor Taariq has got to be the unluckiest man in all of Scandinavia, and despite my still being convinced he’s not the killer he is not out of the woods yet.
Taariq’s relationship with Margarethe sounds unlikely. He tells us that he met her secretly in the gay club because she wanted to make amends for the cruel decisions of the state. By day she’s the immigration department’s Bruce Wayne; all above-board, all business, but by night she’s Batman; out to right the wrongs and offer help to the helpless. Was she really this strange split personality, riddled with guilt? At the moment we know so little about her. Her husband Niels looks dodgier than ever “They have nothing” he says in a secret phone call, “stick to the plan”.
This is a full review of The Bridge: Series 4, Episode 1. Don’t read on unless you’re completely up-to-date on the BBC2 schedule.
Hey, you can come out from behind the cushion now. Is everyone ok? Take a deep breath, shake your fist at BBC2 for making you wait a whole week for the next episode and let’s process that remarkable hour of television.
So The Bridge is back with a bang, gleefully ramping up the tension, messing with our expectations of Saga and Henrik, all while introducing the usual cast of victims, ne’er-do-wells, and various hangers-on, some of whom will inevitably be added to the final body count.
We begin with a striking close up of Saga’s face, silent, dark and isolated. She wakes and sighs, remembering she’s in a nightmare she can’t escape from. She’s been in prison since the end of series 3 and I was worried her character development and personal resilience would be set back to zero but she’s doing her best. She awaits the outcome of her retrial for her manipulative mother’s murder. Remember she has a motive, no real alibi (she was set up to be alone in a graveyard when her mother died) and there was forensic evidence all stacked up against her. It sees a new witness has come forward, but Saga’s simple belief in right and wrong, and the power of the law has been firmly shaken. And she’s floundering. If she’s not a cop then where does that leave her. Without the job who is she?
Have you ever been so excited you put your fist in your mouth to suppress a squeal of glee? Have you ever been so excited that you could swallow your own fist down and keep going up past the elbow and beyond, squealing away regardless? It’s not often I go full fangirl about anything, but guys, it’s nearly time to see the very last series of The Bridge! And I am so excited. You can keep your Infinity War. This is the original most ambitious crossover event. It’s time for Denmark and Sweden to put their differences aside and work together again on outrageously gruesome killing.
It goes without saying that someone is murdered near to the Oresund Bridge. Yes, it’s a woman and yes it’s totally brutal. However you feel about that on TV more generally, you have to admit this is The Bridge’s classic calling card. Why change now? This woman is Margrethe Thormod, the head of the Danish Immigration Board. And she and her team have recently been in the news for all the wrong reasons – filmed clinking champagne glasses and celebrating the deportation of a gay man back to a Muslim country where he will most probably be executed. Taariq Shirazi has gone to ground and Margrethe is murdered in a way that seems to have cultural and religious connotations. Is there a connection?
It’s been a long while since I started a new Scandi thriller. I’ve been struggling with some pretty serious health problems. Turns out concentrating on anything when you’re really ill is extremely bloody difficult. I guess it’s why mindless daytime tv does so well. And concentrating on high-quality drama with subtitles is completely out of the question. My top tip for sickies is fairly short YouTube content, but avoid ones that make you laugh too hard, so you don’t bust any stitches, or ones about eating nasty things, so you don’t start puking again.
But the wonderful Walter Presents peaked my interest in Norwegian drama series Acquitted. Aksel Nilsen is a very successful Kuala Lumpur based businessman who returns home to little Lifjord after 20 years away to finally confront his unhappy past. Aksel is pouty and good looking, extremely well-groomed and manicured to a shine. In his beautiful bespoke suits he looks like a Ken doll crossed with a perfume advert (pour homme, pour femme, pour Norway). He’s done alright for himself in KL, with a corner office, a beautiful successful wife and a bolshy teenage son. His colleagues all have perfect English spoken in English accents; Nicolai Cleve Broch as Aksel does very well, but it’s his swearing that lets him down. He gets a call for help from Lifjord’s major employer, drops everything and chases off to the other side of the globe to try and save the town.